Sportsman's Guide Lederjacke neu mit Etikett Automantel mit Reversalen und Fleecefutter
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Rezensionen (8)
28. Jul 2010
A Quirky One
This double disc features moe. performing live. It is notable for some of the songs, like Time Ed and Lazarus, which do not appear too often in the band's set lists or on their several other live releases. The disc is jam-heavy; it features long segments of instrumental improvisation as opposed to shorter lyric-dominated songs. I was struck immediately by the somewhat quirky sound of the band on this night, and, with so many live performances in the can, wondered whether this was what the band wanted to share by releasing this disc. There is a slippery-ness to the sound here. This disc is not the band stomping their complex rhythmic patterns into the ground, or standing tall on a trademark sound, but the band of skillful musicians collectively finding themselves as they chase a seemingly elusive groove into unforseen realms.
02. Sep 2010
Breaksfast served by Mothers of Invention
If you have ever seen Palmieri play guitar, or these guys in concert, spending $5 or so for their disc is an easy decision. Go see them. Palmieri is an unbelievably expressive and proficient guitarist. He rips it up! The notes fly fast and furious, and he never hits a clunker. The rest of the band is smooth as silk. These guys sound as though they have college degrees in music. This ain't no garage band. They easily switch gears between pop, jazz, blues, and extended jam rock. Their albums are rather focused; songs are relatively short (under 6 - 7 minutes), but complex. The lyrics are front and center, and there is not too much of the extended jamming they save for live shows. Could be radio material if it were 1974 and AM still meant something. Songs transition from segment to segment. The combination of impressive playing alternating between various styles, and the quirky tonque-in-cheek lyrics is strongly reminiscient of Frank Zappa. We miss you Frank, but The Breakfast is carrying the torch well.
28. Jul 2010
Just One Movie Soundtrack
Have been a Clapton fan since I began playing guitar in the early 1980's. Just finished his autobiography and realized how many of his works I did not have, including "Rush." I bought the disc a few weeks back, and have enjoyed it several times now. Overall, the disc is 10 tracks, two are in a traditional song format, "Tears in Heaven" and "Help Me Up". The success of "Tears" is well-known. "Help Me Up" deserves more notice. It is a catchy song, good lyrics and song structure. What struck me most about this album is what it is not. It is not a continuation of the Phil Collins-Clapton era of collaboration. The Collins influence seemed to dominate Clapton's releases in the second half of the 1980's. Emphasis was placed on percussion, keyboards, lyrics, and Clapton's guitar became buried in the mix. This soundtrack is more of a throwback to the sound of the Oklahoma-based Clapton band featured in "Just One Night." Several tracks are strongly reminiscent of the mix, groove, and sound of certain moments of that classic album. The sound is one of a traditional blues four piece band. Clapton's guitar is featured prominently, and the tone is his; not the overly-processed synthetic sound he had for Journeyman or August, and he is not buried behind the percussion. Although the majority of the tracks on "Rush" are instrumental "scores" for various movie scenes, they do hold their own as distinct tracks. Most are long enough to count as "songs" and there is an intimacy in the sound that gives one the impression of sitting next to E.C. in his home studio as he jams away. Some of the tracks are short. But perhaps the only real difference between these instrumental scores and songs is the absence of lyrics, choruses, and middle-8 or bridge sections. My guess is that movie scenes call for a single theme or feel, as opposed to songs that evolve or grow from one feel or movement into something else. This disc also is not quoite the E.C. of the past 15 years. It does not have the polish and tame sound that has been a feature of E.C.'s return to his blues roots in the 1990's and 2000's. There is a rawness here - reflective of the scene in the movie where Greg Allman wields a shotgun. It's gritty blues, baby, not the slickness of Riding With The King or Reptile. In sum, the album is a series of snapshots, if you will, of various stripped down instrumental blues jams featuring E.C. in raw form. Not a bad thing at all for any fan of E.C.