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tripleblackdiamond

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Standort: USAAngemeldet seit: 16. Nov 1998

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b***2 (317)- Bewertung vom Käufer.
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As described
l***e (509)- Bewertung vom Käufer.
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Perfect. Thank you!!
a***u (172)- Bewertung vom Käufer.
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Perfect. Just as described and arrived in a few days.
b***9 (1376)- Bewertung vom Käufer.
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Thank you
Antwort von tripleblackdiamond- Verkäufer tripleblackdiamond hat auf Bewertung reagiert.- Verkäufer tripleblackdiamond hat auf Bewertung reagiert.
You're welcome! I hope you enjoy it!
z***2 (408)- Bewertung vom Käufer.
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Just as pictured, thank you!
v***e (2044)- Bewertung vom Käufer.
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Thanks for the great hardcover book. Fast shipping.
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Thanks! I hope you enjoy it!
Rezensionen (1)
29. Jun 2006
White Countess, intelligent, artistry 1930's Shanghai
The White Countess is an intelligent, artistic film set against the backdrop of 1930's Shanghai, China. It is the last film for Director James Ivory and producer Ismail Merchant who collaborated together on 28 films (Merchant died in 2005). Todd Jackson (Ralph Fiennes) is a former diplomat who dreams of owning the perfect little bar in Shanghai. He is a blind man who dreams of owning a bar "in his mind" down to the last detail. He says to a friend, "With a good team of bouncers, you could run the place like an orchestra." Always a little drunk Mr. Jackson meets a mysterious Japanese man, Matsuda, at a local establishment who unbeknown to Jackson is the advance man for the soon to be invading Japanese Army. As the two men converse during the evening, Matsuda learns of the eccentric world of Mr. Jackson and his nightclub plans. Jackson tells him, “you would like to visit the bar of my dreams" and they soon become friends. Meanwhile the elegant Countess Sofia Belinsky (Natasha Richardson), once Russian Royalty, supports her exiled family as a taxi dancer and sometimes prostitute. Mr. Jackson and Countess Sofia meet by chance at the nightclub where she works after Sofia realizes two unsavory characters are planning to rob the blind Jackson. She escorts him home and he realizes immediately she is the "centerpiece" for his perfect bar which he later names The White Countess. He assembles his bar with great jazz, clientele and the right bouncers. In one year Mr. Matsuda returns to find Mr. Jackson's dream a reality except for one thing, political intrigue, Mastuda obliges, and a host of political rivals enter Mr. Jackson’s cabaret. A friendly formal relationship develops "inside the walls" of The White Countess between Mr. Jackson and the Countess. "Outside the walls" the Japanese invasion is imminent. Casablanca comes to mind, right? While not as sweeping as Casablanca, it does not disappoint. It is a long and sometimes slow film as Directors Ivory and Merchant seem to cater to a literate crowd. Watch it with a date, she will be impressed!
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