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Götter des Blutes: Die heidnische Erweckung und der weiße Separatismus von Matte-

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Gods of the Blood: The Pagan Revival and White Separatism By Mat
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Title
Gods of the Blood: The Pagan Revival and White Separatism
ISBN
9780822330714
Subject Area
Religion, Political Science, Social Science
Publication Name
Gods of the Blood : the Pagan Revival and White Separatism
Publisher
Duke University Press
Item Length
9.5 in
Subject
Paganism & Neo-Paganism, Discrimination & Race Relations, History & Theory, Sociology of Religion
Publication Year
2003
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
1.2 in
Author
Mattias Gardell
Item Weight
21.7 Oz
Item Width
6.3 in
Number of Pages
456 Pages

Über dieses Produkt

Product Identifiers

Publisher
Duke University Press
ISBN-10
0822330717
ISBN-13
9780822330714
eBay Product ID (ePID)
2415886

Product Key Features

Number of Pages
456 Pages
Language
English
Publication Name
Gods of the Blood : the Pagan Revival and White Separatism
Subject
Paganism & Neo-Paganism, Discrimination & Race Relations, History & Theory, Sociology of Religion
Publication Year
2003
Type
Textbook
Subject Area
Religion, Political Science, Social Science
Author
Mattias Gardell
Format
Trade Paperback

Dimensions

Item Height
1.2 in
Item Weight
21.7 Oz
Item Length
9.5 in
Item Width
6.3 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2002-153598
Reviews
" Gods of the Blood will stand as the definitive work on white racist neopaganism in the United States, a movement virtually invisible until now. Mattias Gardell has gained remarkable access to this secretive religious subculture, mapping its feuds, factions, and rivalries."-Michael Barkun, author of Religion and the Racist Right, " Gods of the Blood represents the culmination of the author's tireless fieldwork among America's radical right: race activists of every description, denizens of the occult underground, and adherents of a variety of small oppositional religio-political belief systems throughout the United States. Never before has a scholar had the means, the determination, or the unparalleled access Mattias Gardell has been accorded in the American radical right."-Jeffrey Kaplan, author of the Encyclopedia of White Power: A Sourcebook on the Radical Racist Right, " Gods of the Blood represents the culmination of the author's tireless fieldwork among America's radical right: race activists of every description, denizens of the occult underground, and adherents of a variety of small oppositional religio-political belief systems throughout the United States. Never before has a scholar had the means, the determination, or the unparalleled access Mattias Gardell has been accorded in the American radical right."--Jeffrey Kaplan, author of the Encyclopedia of White Power: A Sourcebook on the Radical Racist Right, " Gods of the Blood will stand as the definitive work on white racist neopaganism in the United States, a movement virtually invisible until now. Mattias Gardell has gained remarkable access to this secretive religious subculture, mapping its feuds, factions, and rivalries."--Michael Barkun, author of Religion and the Racist Right, "Gardell adopts an ethnographic, anthropological approach to his subject, which makes the diverse--and often bizarre--beliefs of his subjects easily accessible. . . . [He] provide[s] a useful, alternative framework for analyzing neo-Nazis and their political brethren. . . ." Los Angeles Times"Gods of the Blood will stand as the definitive work on white racist neopaganism in the United States, a movement virtually invisible until now. Mattias Gardell has gained remarkable access to this secretive religious subculture, mapping its feuds, factions, and rivalries." Michael Barkun, author of Religion and the Racist Right"Gods of the Blood represents the culmination of the author's tireless fieldwork among America's radical right: race activists of every description, denizens of the occult underground, and adherents of a variety of small oppositional religio-political belief systems throughout the United States. Never before has a scholar had the means, the determination, or the unparalleled access which Mattias Gardell has been accorded in the American radical right." Jeffrey Kaplan, author of the Encyclopedia of White Power: A SourceBook on the Radical Racist Right, � Gods of the Blood represents the culmination of the author's tireless fieldwork among America's radical right: race activists of every description, denizens of the occult underground, and adherents of a variety of small oppositional religio-political belief systems throughout the United States. Never before has a scholar had the means, the determination, or the unparalleled access Mattias Gardell has been accorded in the American radical right.�-Jeffrey Kaplan, author of the Encyclopedia of White Power: A Sourcebook on the Radical Racist Right
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
322.4/2/0973
Table Of Content
Acknowledgments vii Introduction: Globalization, Nationalism, and the Pagan Revival 1 1. The Transforming Landscapes of American Racism 33 2. The Smorgasbord of the Revolutionary White-Racist Counterculture 67 3. The Pagan Revival 137 4. Wolf-Age Pagans: The Odinist Call of Aryan Revolutionary Paganism 165 5. By the Spear of Odin: The Rise of Wotansvolk 191 6. Ethnic Asatru 258 7. Hail Loki! Hail Satan! Hail Hitler! Darkside Asatru, Satanism, and Occult National Socialism 284 8. Globalization, Aryan Paganism, and Romantic Men with Guns 324 Notes 345 Works Cited 399 Index 431
Synopsis
Racist paganism is a thriving but understudied element of the American religious and cultural landscape. Gods of the Blood is the first in-depth survey of the people, ideologies, and practices that make up this fragmented yet increasingly radical and militant milieu. Over a five-year period during the 1990s Mattias Gardell observed and participated in pagan ceremonies and interviewed pagan activists across the United States. His unprecedented entree into this previously obscure realm is the basis for this firsthand account of the proliferating web of organizations and belief systems combining pre-Christian pagan mythologies with Aryan separatism. Gardell outlines the historical development of the different strands of racist paganism--including Wotanism, Odinism and Darkside Asatr --and situates them on the spectrum of pagan belief ranging from Wicca and goddess worship to Satanism. Gods of the Blood details the trends that have converged to fuel militant paganism in the United States: anti-government sentiments inflamed by such events as Ruby Ridge and Waco, the rise of the white power music industry (including whitenoise, dark ambient, and hatecore), the extraordinary reach of modern communications technologies, and feelings of economic and cultural marginalization in the face of globalization and increasing racial and ethnic diversity of the American population. Gardell elucidates how racist pagan beliefs are formed out of various combinations of conspiracy theories, anti-Semitism, warrior ideology, populism, beliefs in racial separatism, Klandom, skinhead culture, and tenets of national socialism. He shows how these convictions are further animated by an array of thought selectively derived from thinkers including Nietzche, historian Oswald Spengler, Carl Jung, and racist mystics. Scrupulously attentive to the complexities of racist paganism as it is lived and practiced, Gods of the Blood is a fascinating, disturbing, and important portrait of the virulent undercurrents of certain kinds of violence in America today., Racist paganism is a thriving but understudied element of the American religious and cultural landscape. Gods of the Blood is the first in-depth survey of the people, ideologies, and practices that make up this fragmented yet increasingly radical and militant milieu. Over a five-year period during the 1990s Mattias Gardell observed and participated in pagan ceremonies and interviewed pagan activists across the United States. His unprecedented entree into this previously obscure realm is the basis for this firsthand account of the proliferating web of organizations and belief systems combining pre-Christian pagan mythologies with Aryan separatism. Gardell outlines the historical development of the different strands of racist paganism--including Wotanism, Odinism and Darkside Asatrú--and situates them on the spectrum of pagan belief ranging from Wicca and goddess worship to Satanism. Gods of the Blood details the trends that have converged to fuel militant paganism in the United States: anti-government sentiments inflamed by such events as Ruby Ridge and Waco, the rise of the white power music industry (including whitenoise, dark ambient, and hatecore), the extraordinary reach of modern communications technologies, and feelings of economic and cultural marginalization in the face of globalization and increasing racial and ethnic diversity of the American population. Gardell elucidates how racist pagan beliefs are formed out of various combinations of conspiracy theories, anti-Semitism, warrior ideology, populism, beliefs in racial separatism, Klandom, skinhead culture, and tenets of national socialism. He shows how these convictions are further animated by an array of thought selectively derived from thinkers including Nietzche, historian Oswald Spengler, Carl Jung, and racist mystics. Scrupulously attentive to the complexities of racist paganism as it is lived and practiced, Gods of the Blood is a fascinating, disturbing, and important portrait of the virulent undercurrents of certain kinds of violence in America today., Racist paganism is a dynamic but understudied element of the American religious and cultural landscape. "Gods of the Blood" is the first in-depth survey of the people, ideologies, and practices that make up this fragmented yet increasingly radical and militant milieu., An ethnographic study of the development of racist paganism in the United States during the 1990s, examining the economic, cultural, and political developments racist paganism reacts to or makes use of
LC Classification Number
BL65.W48G37 2003
Copyright Date
2003
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