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Kurt Weill's America von Naomi Graber (englisch) Hardcover-Buch-
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eBay-Artikelnr.:386892194689
Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9780190906580
- Book Title
- Kurt Weill's America
- ISBN
- 9780190906580
- Subject Area
- Biography & Autobiography, Music
- Publication Name
- Kurt Weill's America
- Item Length
- 6.2 in
- Publisher
- Oxford University Press, Incorporated
- Subject
- History & Criticism, Composers & Musicians, Genres & Styles / Opera
- Publication Year
- 2021
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1 in
- Item Width
- 9.3 in
- Item Weight
- 20.8 Oz
- Number of Pages
- 328 Pages
Über dieses Produkt
Product Information
When German-Jewish composer Kurt Weill arrived in the United States in 1935, he found a nation nothing like he imagined. This book tells the full story of Weill as outsider-turned-insider, showing how he was keenly attuned to the difficult relationship America had with her immigrants but was slower to grasp the subtleties of race relations.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0190906588
ISBN-13
9780190906580
eBay Product ID (ePID)
28050030168
Product Key Features
Publication Name
Kurt Weill's America
Format
Hardcover
Language
English
Subject
History & Criticism, Composers & Musicians, Genres & Styles / Opera
Publication Year
2021
Type
Textbook
Subject Area
Biography & Autobiography, Music
Number of Pages
328 Pages
Dimensions
Item Length
6.2 in
Item Height
1 in
Item Width
9.3 in
Item Weight
20.8 Oz
Additional Product Features
LCCN
2020-040831
Intended Audience
Scholarly & Professional
Lc Classification Number
Ml410.W395g73 2021
Reviews
"Scholars will appreciate the authoritative, well-documented information in this text." -- J. E. Druesedow Jr., CHOICE"Naomi Graber deftly guides the reader through the changing cultural terrain of the two Americas that shaped Weill's career. As a composer in 1920s Germany, he promoted the fashionable "Americanism" of the time, caught allegorically between utopian hope and dystopian dread. As an 'emigr'e who managed to escape that dread for a career that included writing hits for Broadway, he saw his adopted country as a place where Âhe could continue his oeuvre-defining aims of reconciling individual needs and the collective imperatives of modernity." -- Stephen Hinton, Avalon Foundation Professor in the Humanities, Stanford University"Naomi Graber utilizes the lens of Weill's engagement with an imagined 'Amerika' of the Weimar Germany and then the real America he encountered firsthand after 1935. This allows her to situate Weill's output in nuanced cultural context while illuminating how Weill's experience as 'outsider-turned-insider' gave him a unique voice on both sides of the Atlantic." -- Kim H. Kowalke, President, Kurt Weill Foundation for Music and Professor Emeritus, University of Rochester, "Scholars will appreciate the authoritative, well-documented information in this text." -- J. E. Druesedow Jr., CHOICE "Naomi Graber deftly guides the reader through the changing cultural terrain of the two Americas that shaped Weill's career. As a composer in 1920s Germany, he promoted the fashionable "Americanism" of the time, caught allegorically between utopian hope and dystopian dread. As an émigré who managed to escape that dread for a career that included writing hits for Broadway, he saw his adopted country as a place where Âhe could continue his oeuvre-defining aims of reconciling individual needs and the collective imperatives of modernity." -- Stephen Hinton, Avalon Foundation Professor in the Humanities, Stanford University "Naomi Graber utilizes the lens of Weill's engagement with an imagined 'Amerika' of the Weimar Germany and then the real America he encountered firsthand after 1935. This allows her to situate Weill's output in nuanced cultural context while illuminating how Weill's experience as 'outsider-turned-insider' gave him a unique voice on both sides of the Atlantic." -- Kim H. Kowalke, President, Kurt Weill Foundation for Music and Professor Emeritus, University of Rochester, "Naomi Graber deftly guides the reader through the changing cultural terrain of the two Americas that shaped Weill's career. As a composer in 1920s Germany, he promoted the fashionable "Americanism"Âof the time, caught allegorically between utopian hope and dystopian dread. As an émigré who managed to escape that dread for a career that included writing hits for Broadway, he saw his adopted country as a place where Âhe could continue his oeuvre-defining aims of reconciling individual needs and the collective imperatives of modernity." -- Stephen Hinton, Avalon Foundation Professor in the Humanities, Stanford University "Naomi Graber utilizes the lens of Weill's engagement with an imagined 'Amerika' of the Weimar Germany and then the real America he encountered firsthand after 1935. This allows her to situate Weill's output in nuanced cultural context while illuminating how Weill's experience as 'outsider-turned-insider' gave him a unique voice on both sides of the Atlantic." -- Kim H. Kowalke, President, Kurt Weill Foundation for Music and Professor Emeritus, University of Rochester, "Naomi Graber deftly guides the reader through the changing cultural terrain of the two Americas that shaped Weill's career. As a composer in 1920s Germany, he promoted the fashionable "Americanism"of the time, caught allegorically between utopian hope and dystopian dread. As an migrwho managed to escape that dread for a career that included writing hits for Broadway, he saw his adopted country as a place where he could continue his oeuvre-defining aims of reconciling individual needs and the collective imperatives of modernity." -- Stephen Hinton, Avalon Foundation Professor in the Humanities, Stanford University "Naomi Graber utilizes the lens of Weill's engagement with an imagined 'Amerika' of the Weimar Germany and then the real America he encountered firsthand after 1935. This allows her to situate Weill's output in nuanced cultural context while illuminating how Weill's experience as 'outsider-turned-insider' gave him a unique voice on both sides of the Atlantic." -- Kim H. Kowalke, President, Kurt Weill Foundation for Music and Professor Emeritus, University of Rochester, "Scholars will appreciate the authoritative, well-documented information in this text." -- J. E. Druesedow Jr., CHOICE"Naomi Graber deftly guides the reader through the changing cultural terrain of the two Americas that shaped Weill's career. As a composer in 1920s Germany, he promoted the fashionable "Americanism" of the time, caught allegorically between utopian hope and dystopian dread. As an 'emigr'e who managed to escape that dread for a career that included writing hits for Broadway, he saw his adopted country as a place where Ã,he could continue his oeuvre-defining aims of reconciling individual needs and the collective imperatives of modernity." -- Stephen Hinton, Avalon Foundation Professor in the Humanities, Stanford University"Naomi Graber utilizes the lens of Weill's engagement with an imagined 'Amerika' of the Weimar Germany and then the real America he encountered firsthand after 1935. This allows her to situate Weill's output in nuanced cultural context while illuminating how Weill's experience as 'outsider-turned-insider' gave him a unique voice on both sides of the Atlantic." -- Kim H. Kowalke, President, Kurt Weill Foundation for Music and Professor Emeritus, University of Rochester, "Scholars will appreciate the authoritative, well-documented information in this text." -- J. E. Druesedow Jr., CHOICE"Naomi Graber deftly guides the reader through the changing cultural terrain of the two Americas that shaped Weill's career. As a composer in 1920s Germany, he promoted the fashionable "Americanism" of the time, caught allegorically between utopian hope and dystopian dread. As an ´emigr´e who managed to escape that dread for a career that included writing hits for Broadway, he saw his adopted country as a place where Âhe could continue his oeuvre-defining aims of reconciling individual needs and the collective imperatives of modernity." -- Stephen Hinton, Avalon Foundation Professor in the Humanities, Stanford University"Naomi Graber utilizes the lens of Weill's engagement with an imagined 'Amerika' of the Weimar Germany and then the real America he encountered firsthand after 1935. This allows her to situate Weill's output in nuanced cultural context while illuminating how Weill's experience as 'outsider-turned-insider' gave him a unique voice on both sides of the Atlantic." -- Kim H. Kowalke, President, Kurt Weill Foundation for Music and Professor Emeritus, University of Rochester, "Scholars will appreciate the authoritative, well-documented information in this text." -- J. E. Druesedow Jr., CHOICE"Naomi Graber deftly guides the reader through the changing cultural terrain of the two Americas that shaped Weill's career. As a composer in 1920s Germany, he promoted the fashionable "Americanism" of the time, caught allegorically between utopian hope and dystopian dread. As an émigré who managed to escape that dread for a career that included writing hits for Broadway, he saw his adopted country as a place where Âhe could continue hisoeuvre-defining aims of reconciling individual needs and the collective imperatives of modernity." -- Stephen Hinton, Avalon Foundation Professor in the Humanities, Stanford University"Naomi Graber utilizes the lens of Weill's engagement with an imagined 'Amerika' of the Weimar Germany and then the real America he encountered firsthand after 1935. This allows her to situate Weill's output in nuanced cultural context while illuminating how Weill's experience as 'outsider-turned-insider' gave him a unique voice on both sides of the Atlantic." -- Kim H. Kowalke, President, Kurt Weill Foundation for Music and Professor Emeritus, University ofRochester, "Scholars will appreciate the authoritative, well-documented information in this text." -- J. E. Druesedow Jr., CHOICE"Naomi Graber deftly guides the reader through the changing cultural terrain of the two Americas that shaped Weill's career. As a composer in 1920s Germany, he promoted the fashionable "Americanism" of the time, caught allegorically between utopian hope and dystopian dread. As an émigré who managed to escape that dread for a career that included writing hits for Broadway, he saw his adopted country as a place where Âhe could continue his oeuvre-defining aims of reconciling individual needs and the collective imperatives of modernity." -- Stephen Hinton, Avalon Foundation Professor in the Humanities, Stanford University"Naomi Graber utilizes the lens of Weill's engagement with an imagined 'Amerika' of the Weimar Germany and then the real America he encountered firsthand after 1935. This allows her to situate Weill's output in nuanced cultural context while illuminating how Weill's experience as 'outsider-turned-insider' gave him a unique voice on both sides of the Atlantic." -- Kim H. Kowalke, President, Kurt Weill Foundation for Music and Professor Emeritus, University of Rochester
Table of Content
Acknowledgements Introduction Chapter 1: Weill's America, America's Weill Chapter 2: Shifting Paradigms: Experiments in German and U.S. Alchemy Chapter 3: For the People: Folk Music Chapter 4: Living History: American History and World War II Chapter 5: Alienation and Integration: Gender and Sexuality Chapter 6: Israel in Egypt: Race and Ethnicity Conclusion Index
Dewey Decimal
782.1/159
Dewey Edition
23
Illustrated
Yes
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