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Beckett, Deleuze und das Fernsehevent: Gucklochkunst von C. Gardner (englisch) -
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eBay-Artikelnr.:386673309480
Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9781349436811
- Type
- Does not apply
- ISBN
- 9781349436811
- Book Title
- Beckett, Deleuze and the Televisual Event : Peephole Art
- Publisher
- Palgrave Macmillan The Limited
- Item Length
- 8.5 in
- Publication Year
- 2012
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Genre
- Literary Criticism, Performing Arts
- Topic
- Television / History & Criticism, European / General, Film / History & Criticism
- Item Weight
- 11.1 Oz
- Item Width
- 5.5 in
- Number of Pages
- X, 226 Pages
Über dieses Produkt
Product Identifiers
Publisher
Palgrave Macmillan The Limited
ISBN-10
134943681X
ISBN-13
9781349436811
eBay Product ID (ePID)
24038857730
Product Key Features
Book Title
Beckett, Deleuze and the Televisual Event : Peephole Art
Number of Pages
X, 226 Pages
Language
English
Topic
Television / History & Criticism, European / General, Film / History & Criticism
Publication Year
2012
Illustrator
Yes
Genre
Literary Criticism, Performing Arts
Format
Trade Paperback
Dimensions
Item Weight
11.1 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Number of Volumes
1 vol.
Table Of Content
Acknowledgements List of Plates List of Figures Introduction: Intuition/Image/Event: 'Beckett's Peephole' as Audio-Visual Rhizome Thinking the Unthinkable: Time, Cinema and the Incommensurable Beyond Percept and Affect: Beckett's Film (1964) and Non-Human Becoming From 'Dialoghorrhea' to Mental-Image: Comédie (1966), Not I (1977) & What Where (1986) Matter and Memory: The Image as Impersonal Process in Eh Joe (1966), Ghost Trio (1977), and ...but the clouds' (1977) How to Build a Desiring Machine: Quadrat I + II (1981) Video-body, Video-brain: Nacht und Träume (1983) as Tele-Visual Event Conclusion: The Incommensurable Unnameable: Beckett, Deleuze and the Birth of the Event Bibliography Notes Index
Synopsis
An expressive dialogue between Deleuze's philosophical writings on cinema and Beckett's innovative film and television work, the book explores the relationship between the birth of the event - itself a simultaneous invention and erasure - and Beckett's attempts to create an incommensurable space within the interstices of language as a (W)hole., Acknowledgements List of Plates List of Figures Introduction: Intuition/Image/Event: 'Beckett's Peephole' as Audio-Visual Rhizome Thinking the Unthinkable: Time, Cinema and the Incommensurable Beyond Percept and Affect: Beckett's Film (1964) and Non-Human Becoming From 'Dialoghorrhea' to Mental-Image: Comédie (1966), Not I (1977) & What Where (1986) Matter and Memory: The Image as Impersonal Process in Eh Joe (1966), Ghost Trio (1977), and ...but the clouds' (1977) How to Build a Desiring Machine: Quadrat I + II (1981) Video-body, Video-brain: Nacht und Träume (1983) as Tele-Visual Event Conclusion: The Incommensurable Unnameable: Beckett, Deleuze and the Birth of the Event Bibliography Notes Index
LC Classification Number
PN1993.5
Artikelbeschreibung des Verkäufers
Rechtliche Informationen des Verkäufers
Premier Books LLC
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19806-3356 Wilmington, DE
United States
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