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Mario Lavista: Spiegel der Klänge (Strömungen lateinamerikanischer und iberischer Musik),-

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Mario Lavista: Mirrors of Sounds (Currents in Latin American and Iberian Music),
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ISBN
9780190212728
Publication Year
2023
Format
Hardcover
Language
English
Book Title
Mario Lavista : Mirrors of Sounds
Book Series
Currents in Latin American and Iberian Music Ser.
Author
Ana R. Alonso-Minutti
Publisher
Oxford University Press, Incorporated
Genre
Music, Biography & Autobiography
Topic
History & Criticism, Genres & Styles / Classical, Artists, Architects, Photographers, Individual Composer & Musician
Number of Pages
400 Pages

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Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0190212721
ISBN-13
9780190212728
eBay Product ID (ePID)
21061468139

Product Key Features

Book Title
Mario Lavista : Mirrors of Sounds
Publication Year
2023
Topic
History & Criticism, Genres & Styles / Classical, Artists, Architects, Photographers, Individual Composer & Musician
Number of Pages
400 Pages
Language
English
Genre
Music, Biography & Autobiography
Author
Ana R. Alonso-Minutti
Book Series
Currents in Latin American and Iberian Music Ser.
Format
Hardcover

Additional Product Features

Intended Audience
Trade
LCCN
2023-032487
Dewey Edition
23
Dewey Decimal
780.92
Table Of Content
List of Figures List of Musical Examples Acknowledgements Chapter 1: Introduction: The Mirrors of Sounds in Lavista's Music Chapter 2: Embracing a Cosmopolitan IdealChapter 3: Permuting Cage, Permuting Music Chapter 4: Poetic Encounters and Instrumental Affairs Chapter 5: Of Birds, Ballerinas, and Other CreaturesChapter 6: Mirrors of a Superior Order: Tradition, Memory, and Spirituality Chapter 7: The Composer as Intellectual: Mario Lavista and El Colegio Nacional Chapter 8: Epilogue: Nihil novum sub sole: Perpetual MirrorsAppendix - Chronological List of Works of Mario LavistaBibliographyIndex
Synopsis
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International license. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Composer, pianist, editor, writer, and pedagogue Mario Lavista (1943-2021) was a central figure of the cultural and artistic scene in Mexico and one of the leading Ibero-American composers of his generation. His music is often described as evocative and poetic, noted for his meticulous attention to timbre and motivic permutation, and his creative trajectory was characterized by its intersections with the other arts, particularly poetry and painting. Lavista was a relational composer; he did not write music as a private enterprise but for and alongside people with whom he established close relations. Understanding analysis as an affective practice, author Ana R. Alonso-Minutti explores the intertextual connections between the multiple texts--musical or otherwise--that are present in Lavista's music. Alonso-Minutti argues that, through adopting an interdisciplinary and transhistorical approach to music composition, Lavista forged a cosmopolitan imaginary that challenged stereotypes of what Mexican music should sound like. This imaginary becomes a strategy of resistance against imperialist agendas placed upon postcolonial peripheries. Departing from traditional biographical and chronological frameworks that exalt masters and masterworks, the author offers a nuanced, personal narrative informed by conversations with composers, performers, artists, choreographers, poets, writers, and filmmakers. Through an innovative mosaic of methodologies, from archival work, to musical and intertextual analysis, oral history, and (auto)ethnography, this book is the first in-depth study of Lavista's compositional career and offers a contextual panorama of the contemporary music scene in Mexico, Composer, pianist, editor, writer, and pedagogue Mario Lavista (1943-2021) was a central figure of the cultural and artistic scene in Mexico and one of the leading Ibero-American composers of his generation. In this book, author Ana R. Alonso-Minutti explores the intertextual connections between the multiple texts--musical or otherwise--that are present in Lavista's music. Implementing an innovative mosaic of methodologies, the book offers both a fascinating look at Lavista's compositional career and a contextual panorama of the contemporary music scene in Mexico.
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