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Das dunkle Intervall: Film Noir, Ikonographie und Affekt von Padraic Killeen (englisch-
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Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9781501349683
- Book Title
- The Dark Interval
- ISBN
- 9781501349683
- Subject Area
- Philosophy, Performing Arts
- Publication Name
- Dark Interval : Film Noir, Iconography, and Affect
- Publisher
- Bloomsbury Academic & Professional
- Item Length
- 9 in
- Subject
- Film / Genres / General, General, Film / History & Criticism
- Publication Year
- 2022
- Series
- Thinking Cinema Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.7 in
- Item Weight
- 19.2 Oz
- Item Width
- 6 in
- Number of Pages
- 280 Pages
Über dieses Produkt
Product Information
Drawing on the philosophy of Gilles Deleuze and Giorgio Agamben, The Dark Interval teases out the aesthetic and ethical significance of this strange sense of 'noir beatitude', which - via its own distinctive visual register - can be understood to respond to our current condition in a modernity that has become 'post-historical'. The book contextualises the iconography of film noir in relation to prior art-historical visual traditions, locating noir against a much broader visual canvas than has been the norm. Examining central noir films of the classic and modern era ( The Killers , The Man Who Wasn't There ) as well as films at the peripheries of noir (from Jacques Tourneur's Cat People to Wong Kar Wai's 2046 ), the book identifies a series of iconographic gestures, performance traditions, and affective tonalities that are specific to noir. It is a meditation that uniquely grapples with the look and feel of noir and which illuminates why film noir remains one of the most resonant and affecting visual milieus of our time.
Product Identifiers
Publisher
Bloomsbury Academic & Professional
ISBN-10
1501349686
ISBN-13
9781501349683
eBay Product ID (ePID)
11038370611
Product Key Features
Number of Pages
280 Pages
Language
English
Publication Name
Dark Interval : Film Noir, Iconography, and Affect
Publication Year
2022
Subject
Film / Genres / General, General, Film / History & Criticism
Type
Textbook
Subject Area
Philosophy, Performing Arts
Series
Thinking Cinema Ser.
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
19.2 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
College Audience
LCCN
2021-056922
Dewey Edition
23/Eng/20220126
Reviews
"Film noir, Padraic Killeen argues, is a cinema of missing persons. It is around this condition of missingness, gleaned from intervallic moments of inertia and irruption, passivity and passion, arrest and absorption, that this perceptive and philosophically probing study gracefully pivots. Through an eclectic and innovative montage of theories and films that effortlessly transcends the discursive constraints of genre, period and style, The Dark Interval presents a fresh and conceptually rich prism that brings out a paradoxically redemptive light from the shades of noir." -- Henrik Gustafsson, Professor of Media Studies, Film & Visual Culture, University of Tromsø, Norway, author of Crime Scenery in Postwar Film and Photography (2019) "One of the classic images of film noir is the moment where the hero pauses to light a cigarette and exhale slowly as if unaware of the narrative's demand for action. Now, in this masterly study of the genre from Padraic Killeen, that moment gets its due. Arguing for this state of apparent passivity to be considered as a "dark interval" or glimpse of potentiality, Killeen invokes a pantheon of thinkers to tease out just how this might affect our reading of noir. As he moves easily between his choice of texts, from Cat People through Alphaville , The Long Goodbye , and The Big Lebowski , Killeen demonstrates an extraordinary facility for interrogating established perspectives, while always remaining lucid and focused. This is at once a film lover's guide to noir and a rigorous application of philosophical thought to one of popular culture's most enduring genres." -- Ruth Barton, Head of School of Creative Arts, Trinity College Dublin, Ireland, and author of Irish National Cinema (2004) and Hedy Lamarr: The Most Beautiful Woman in Film (2012), "Film noir, Padraic Killeen argues, is a cinema of missing persons. It is around this condition of missingness, gleaned from intervallic moments of inertia and irruption, passivity and passion, arrest and absorption, that this perceptive and philosophically probing study gracefully pivots. Through an eclectic and innovative montage of theories and films that effortlessly transcends the discursive constraints of genre, period and style, The Dark Interval presents a fresh and conceptually rich prism that brings out a paradoxically redemptive light from the shades of noir." -- Henrik Gustafsson, Professor of Media Studies, Film & Visual Culture, University of Tromsø, Norway, author of Crime Scenery in Postwar Film and Photography (2019) "One of the classic images of film noir is the moment where the hero pauses to light a cigarette and exhale slowly as if unaware of the narrative's demand for action. Now, in this masterly study of the genre from Padraic Killeen, that moment gets its due. Arguing for this state of apparent passivity to be considered as a "dark interval" or glimpse of potentiality, Killeen invokes a pantheon of thinkers to tease out just how this might affect our reading of noir. As he moves easily between his choice of texts, from Cat People through Alphaville , The Long Goodbye , and The Big Lebowski , Killeen demonstrates an extraordinary facility for interrogating established perspectives, while always remaining lucid and focused. This is at once a film lover's guide to noir and a rigorous application of philosophical thought to one of popular culture's most enduring genres." -- Ruth Barton, Head of School of Creative Arts, Trinity College Dublin, Ireland, and author of Irish National Cinema (2004) and Hedy Lamarr: The Most Beautiful Woman in Film (2012) "Killeen brings a fresh perspective to an exhaustively studied genre ... [A] refreshing and illuminating take on familiar existential tropes in film noir." -- Journal of American Culture, "Film noir, Padraic Killeen argues, is a cinema of missing persons. It is around this condition of missingness, gleaned from intervallic moments of inertia and irruption, passivity and passion, arrest and absorption, that this perceptive and philosophically probing study gracefully pivots. Through an eclectic and innovative montage of theories and films that effortlessly transcends the discursive constraints of genre, period and style, The Dark Interval presents a fresh and conceptually rich prism that brings out a paradoxically redemptive light from the shades of noir." -- Henrik Gustafsson, Professor of Media Studies, Film & Visual Culture, University of Tromsø, Norway, author of Crime Scenery in Postwar Film and Photography (2019) "One of the classic images of film noir is the moment where the hero pauses to light a cigarette and exhale slowly as if unaware of the narrative's demand for action. Now, in this masterly study of the genre from Padraic Killeen, that moment gets its due. Arguing for this state of apparent passivity to be considered as a "dark interval" or glimpse of potentiality, Killeen invokes a pantheon of thinkers to tease out just how this might affect our reading of noir. As he moves easily between his choice of texts, from Cat People through Alphaville , The Long Goodbye , and The Big Lebowski , Killeen demonstrates an extraordinary facility for interrogating established perspectives, while always remaining lucid and focused. This is at once a film lover's guide to noir and a rigorous application of philosophical thought to one of popular culture's most enduring genres." -- Ruth Barton, Head of School of Creative Arts, Trinity College Dublin, Ireland, and author of Irish National Cinema (2004) and Hedy Lamarr: The Most Beautiful Woman in Film (2012) "Killeen brings a fresh perspective to an exhaustively studied genre ... [A] refreshing and illuminating take on familiar existential tropes in film noir." -- Journal of American Culture " The Dark Interval is well researched, written, and argued. Killeen defines key terms and invents novel uses for philosophical concepts by applying them to contemporary film texts. ... Padraic Killeen's book is one that similarly satisfies the reader's appetite for a hearty feast of philosophy and film." -- Film-Philosophy, "Film noir, Padraic Killeen argues, is a cinema of missing persons. It is around this condition of missingness, gleaned from intervallic moments of inertia and irruption, passivity and passion, arrest and absorption, that this perceptive and philosophically probing study gracefully pivots. Through an eclectic and innovative montage of theories and films that effortlessly transcends the discursive constraints of genre, period, and style, The Dark Interval presents a fresh and conceptually rich prism that brings out a paradoxically redemptive light from the shades of noir." -- Henrik Gustafsson, Professor of Media Studies, Film & Visual Culture, University of Tromsø, Norway "One of the classic images of Film Noir is the moment where the hero pauses to light a cigarette and exhale slowly as if unaware of the narrative's demand for action. Now, in this masterly study of the genre from philosopher-theorist, Padraic Killeen, that moment gets its due. Arguing for this state of apparent passivity to be considered as a 'dark interval' or glimpse of potentiality, Killeen invokes a pantheon of thinkers - Gilles Deleuze, Maurice Blanchot, Giorgio Agamben, Slavoj zizek and others - to tease out just how this might affect our reading of Noir. As he moves easily between his choice of texts, from classic films such as Jacques Tourneur's Cat People through The Long Goodbye , Alphaville , Wong Kar Wai's 2046 and The Big Lebowski , Killeen demonstrates an extraordinary facility for interrogating established perspectives while always remaining lucid and focused. This is at once a film lover's guide to Noir and a rigorous application of philosophical thought to one of popular culture's most enduring genres." -- Ruth Barton, Head of School of Creative Arts, Trinity College Dublin, Ireland, Film noir, Padraic Killeen argues, is a cinema of missing persons. It is around this condition of missingness, gleaned from intervallic moments of inertia and irruption, passivity and passion, arrest and absorption, that this perceptive and philosophically probing study gracefully pivots. Through an eclectic and innovative montage of theories and films that effortlessly transcends the discursive constraints of genre, period, and style, The Dark Interval presents a fresh and conceptually rich prism that brings out a paradoxically redemptive light from the shades of noir.
Illustrated
Yes
Dewey Decimal
791.43/655
Lc Classification Number
Pn1995.9.F54
Table of Content
Acknowledgments List of Figures Introduction The Interval as a Philosophical Concept ( Prelude ) 1. The 'Dark Interval' in Noir: From Iconography to Affect 2. The Passion of Ed Crane: Narrative Dissolution, Zero Affect, and Beatitude in The Man Who Wasn't There 3. Vesperal Noir: Intervallic Suspension in Cat People 4. Saving Those Who Weep: The Interval of Affective Rupture in Alphaville 5. 2046 : Orphic Lingering in the Dark Interval (Or, What Becomes of Lemmy's Cigarettes) 6. Outside The Law: The Long Goodbye , Temporal Lapse, and Force-of-Law 7. Missing Persons and Deadbeats: Abiding in the Dark Interval 8. Coda: Passion at the Impasse - Noir in Transit Bibliography Index
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