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NEU Der Liverpooler Begleiter zur Welt Science-Fiction Film von Sonja Fritzsche Har-
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eBay-Artikelnr.:381154812497
Artikelmerkmale
- Artikelzustand
- ISBN
- 9781781380383
- EAN
- 9781781380383
- Subject Area
- Literary Criticism, Performing Arts, Référence, History
- Publication Name
- Liverpool Companion to World Science Fiction Film
- Publisher
- Liverpool University Press
- Item Length
- 9.2 in
- Subject
- Modern / 21st Century, Référence, Modern / 20th Century, General, Film / History & Criticism, Film / Genres / Science Fiction & Fantasy
- Publication Year
- 2014
- Series
- Liverpool Science Fiction Texts and Studies Lup Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.7 in
- Item Weight
- 12.3 Oz
- Item Width
- 6.1 in
- Number of Pages
- 256 Pages
Über dieses Produkt
Product Identifiers
Publisher
Liverpool University Press
ISBN-10
1781380384
ISBN-13
9781781380383
eBay Product ID (ePID)
201640695
Product Key Features
Number of Pages
256 Pages
Publication Name
Liverpool Companion to World Science Fiction Film
Language
English
Publication Year
2014
Subject
Modern / 21st Century, Référence, Modern / 20th Century, General, Film / History & Criticism, Film / Genres / Science Fiction & Fantasy
Type
Textbook
Subject Area
Literary Criticism, Performing Arts, Référence, History
Series
Liverpool Science Fiction Texts and Studies Lup Ser.
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
12.3 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
'A welcome and overdue addition to the critical discourse surrounding science fiction cinema. This book provides an important point of entry for those academics and students who wish to broaden their understanding of science fiction film as a global phenomenon rather than simply as a Hollywood or Anglophone practice.' Peter Wright, Edge Hill University, "A welcome and overdue addition to the critical discourse surrounding science fiction cinema. This book provides an important point of entry for those academics and students who wish to broaden their understanding of science fiction film as a global phenomenon rather than simply as a Hollywood or Anglophone practice."--Dr Peter Wright, Edge Hill University
Dewey Edition
23
Series Volume Number
47
Illustrated
Yes
Dewey Decimal
791.43615
Table Of Content
Introduction - Sonja Fritzsche PART I: AFRICA 1. The Environmental Dominant in Wanuri Kahiu?s Pumzi - Ritch Calvin PART II: ASIA 2. Death Ray on a Coral Island as China?s First Science Fiction Film - Jie Zhang 3. Indian Science Fiction Cinema: An Overview - Jessica Langer and Dominic Alessio 4. On the Monstrous Planet: or, How Godzilla Took a Roman Holiday - Takayuki Tatsumi, translated by Seth Jacobowitz PART III: EUROPE 5. Invaders, Launchpads and Hybrids: The Importance of Transmediality in British Science Fiction Film in the 1950s - Derek Johnston 6. Gender and Apocalypse in Eastern European Cinema - Jason Merrill 7. Casting for a Socialist Earth: Multicultural Whiteness in the East German/Polish Science-Fiction Film Silent Star (1960) - Evan Torner 8. Looking for French Science Fiction Cinema - Daniel Tron 9. Science Fiction Interventions in Irish Cinema - Katie Moylan 10. The Uncomfortable Relationship Between Science Fiction and Italy:Film, Humor, and Gender - Rafaella Boccolini PART IV: NORTH AMERICA 11. Are Black Women the Future of Man? The Role of Black Women in Political and Cultural Transformation in Science Fiction from the US and Cameroon - Robyn Citizen PART V: SOUTH AMERICA 12. Maradona on the Moon: Postcolonial Politics and Cultural Hybridity in Argentina?s Goodbye Dear Moon - Mariano Paz 13. Alert Limit! A Short History of Brazilian Science Fiction Film and Its Fight for Survival in a Rarefied Atmosphere - Alfredo Suppia PART VI: DIGITAL CINEMA 14. Digital Film and Audiences - Pawel Frelik Recommended Viewing, Acknowledgements Illustrations Notes on Contributors Introduction - Sonja Fritzsche PART I: AFRICA 1. The Environmental Dominant in Wanuri Kahiu's Pumzi - Ritch Calvin PART II: ASIA 2. Death Ray on a Coral Island as China's First Science Fiction Film - Jie Zhang 3. Indian Science Fiction Cinema: An Overview - Jessica Langer and Dominic Alessio 4. On the Monstrous Planet: or, How Godzilla Took a Roman Holiday - Takayuki Tatsumi, translated by Seth Jacobowitz PART III: EUROPE 5. Invaders, Launchpads and Hybrids: The Importance of Transmediality in British Science Fiction Film in the 1950s - Derek Johnston 6. Gender and Apocalypse in Eastern European Cinema - Jason Merrill 7. Casting for a Socialist Earth: Multicultural Whiteness in the East German/Polish Science-Fiction Film Silent Star (1960) - Evan Torner 8. Looking for French Science Fiction Cinema - Daniel Tron 9. Science Fiction Interventions in Irish Cinema - Katie Moylan 10. The Uncomfortable Relationship Between Science Fiction and Italy:Film, Humor, and Gender - Rafaella Boccolini PART IV: NORTH AMERICA 11. Are Black Women the Future of Man? The Role of Black Women in Political and Cultural Transformation in Science Fiction from the US and Cameroon - Robyn Citizen PART V: SOUTH AMERICA 12. Maradona on the Moon: Postcolonial Politics and Cultural Hybridity in Argentina's Goodbye Dear Moon - Mariano Paz 13. Alert Limit! A Short History of Brazilian Science Fiction Film and Its Fight for Survival in a Rarefied Atmosphere - Alfredo Suppia PART VI: DIGITAL CINEMA 14. Digital Film and Audiences - Pawel Frelik Recommended Viewing Index
Synopsis
The Liverpool Companion to World Science Fiction Film offers critical insights into SF far beyond the more common Anglo-American narratives. Contributors take either a national or transnational approach, and stretch the geographic and conceptual boundaries of science fiction cinema. Recurrent themes include genre discussions, engagement with Hollywood, and the international subgenre of science fiction parody. Chapters contain a variety of perspectives and styles: from gender and race studies, to the eco-critical, and the post-colonial; from the avant-garde, to socialist realism, and the Hammer film. Edited by Sonja Fritzsche, the collection contains fourteen chapters written by specialists from around the world. Film traditions represented include Argentina, Australia, Brazil, Cameroon, China, the Czech Republic, France, Germany, India, Ireland, Italy, Japan, Kenya, Poland, the United Kingdom, and the United States. There is also a chapter on digital shorts. From the dinosaur myth that became Godzilla to Brazilian science fiction comedy, from China?s Death Ray to Kenya?s Pumzi, this book will broaden the horizons of scholars and students of science fiction., The first comprehensive companion to science fiction film as a global, rather than solely Anglo-American, concern., The Liverpool Companion to World Science Fiction Film offers critical insights into SF far beyond the more common Anglo-American narratives. Contributors take either a national or transnational approach, and stretch the geographic and conceptual boundaries of science fiction cinema. Recurrent themes include genre discussions, engagement with Hollywood, and the international subgenre of science fiction parody. Chapters contain a variety of perspectives and styles: from gender and race studies, to the eco-critical, and the post-colonial; from the avant-garde, to socialist realism, and the Hammer film. Edited by Sonja Fritzsche, the collection contains fourteen chapters written by specialists from around the world. Film traditions represented include Argentina, Australia, Brazil, Cameroon, China, the Czech Republic, France, Germany, India, Ireland, Italy, Japan, Kenya, Poland, the United Kingdom, and the United States. There is also a chapter on digital shorts. From the dinosaur myth that became Godzilla to Brazilian science fiction comedy, from China's Death Ray to Kenya's Pumzi, this book will broaden the horizons of scholars and students of science fiction., The Liverpool Companion to World Science Fiction Film offers critical insights into SF far beyond the more common Anglo-American narratives. Contributors take either a national or transnational approach, and stretch the geographic and conceptual boundaries of science fiction cinema. Recurrent themes include genre discussions, engagement with Hollywood, and the international subgenre of science fiction parody. Chapters contain a variety of perspectives and styles: from gender and race studies, to the eco-critical, and the post-colonial; from the avant-garde, to socialist realism, and the Hammer film. Edited by Sonja Fritzsche, the collection contains fourteen chapters written by specialists from around the world. Film traditions represented include Argentina, Australia, Brazil, Cameroon, China, the Czech Republic, France, Germany, India, Ireland, Italy, Japan, Kenya, Poland, the United Kingdom, and the United States plus a chapter on digital shorts. From the dinosaur myth that became Godzilla to Brazilian science fiction comedy, from China's Death Ray to Kenya's Pumzi, this book will broaden the horizons of scholars and students of Science Fiction.
LC Classification Number
PN1995.9.S26L58 2014
Copyright Date
2014
ebay_catalog_id
4
Artikelbeschreibung
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