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Rockin' Out of the Box: Geschlechtermanöver im alternativen Hard Rock-
by Schippers, Mimi | PB | VeryGood
US $9,59
Ca.EUR 8,61
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eBay-Artikelnr.:375421922904
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780813530758
- Subject Area
- Music, Social Science
- Publication Name
- Rockin' Out of the Box : Gender Maneuvering in Alternative Hard Rock
- Publisher
- Rutgers University Press
- Item Length
- 9 in
- Subject
- Gender Studies, Anthropology / Cultural & Social, Genres & Styles / Rock
- Publication Year
- 2002
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 13 Oz
- Item Width
- 6 in
- Number of Pages
- 232 Pages
Über dieses Produkt
Product Identifiers
Publisher
Rutgers University Press
ISBN-10
081353075X
ISBN-13
9780813530758
eBay Product ID (ePID)
5038738194
Product Key Features
Number of Pages
232 Pages
Publication Name
Rockin' Out of the Box : Gender Maneuvering in Alternative Hard Rock
Language
English
Publication Year
2002
Subject
Gender Studies, Anthropology / Cultural & Social, Genres & Styles / Rock
Type
Textbook
Subject Area
Music, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
13 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2001-048791
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
306.4/84
Table Of Content
Preface Acknowledgments 1. Gender and Rock Music: So What's New? 2. The Gender Order of Mainstream Rock Culture 3. This is Alternative Hard Rock: Rock Culture as Gender Maneuvering 4. Gender Maneuvering in Face-to-Face Interaction 5. The Body in Alternative Hard Rock 6. Sexuality and Gender Maneuvering 7. Feminist Politics Notes Index
Synopsis
Given the long history of feminism and its contested place in popular culture, important, practical questions arise: What effect, if any, have feminist ideas and practices had on the lives of young men and women who grew up with them? How do these individuals negotiate the realities of gender in their daily lives?, Given the long history of feminism and its contested place in popular culture, important, practical questions arise: What effect, if any, have feminist ideas and practices had on the lives of young men and women who grew up with them? How do these individuals negotiate the realities of gender in their daily lives? In Rockin' Out of the Box , Mimi Schippers, employing the crucial feminist insight that gender is a constantly shifting performance and not an essential quality related to sex, explores the gender roles, assumptions, and transgressions of the men and women involved in the alternative hard rock scene. The author focuses on this sizable section of rock music both because it is widely inclusive of men and women and because it explicitly adopted feminism as its point of departure from mainstream music. Schippers uses the innovative term gender maneuvering to explain her observations that gender and sexuality are negotiated and always changing features of social relations. This process, she demonstrates, operates as a cultural practice and as an individual strategy of resistance to socially prescribed gender roles. Schippers, who spent more than two years frequenting alternative hard rock clubs and concerts in Chicago, conducted extensive interviews with fans as well as musicians, including Ian MacKaye of Fugazi, Eddie Vedder of Pearl Jam, Kim Thayil of Soundgarden, Donita Sparks and Jennifer Finch of L7, Kat Bjelland and Lori Barbero of Babes in Toyland, Rose of Poster Children, Louise Post and Nina Gordon of Veruca Salt, and Liz Davis and Valerie Agnew of 7 Year Bitch. As it documents the development of a rock music genre that has so far received little academic attention, this book also demonstrates how this musical culture contributes to our understanding of the daily practices of gender relations among young people., Given the long history of feminism and its contested place in popular culture, important, practical questions arise: What effect, if any, have feminist ideas and practices had on the lives of young men and women who grew up with them? How do these individuals negotiate the realities of gender in their daily lives? In Rockin? Out of the Box , Mimi Schippers, employing the crucial feminist insight that gender is a constantly shifting performance and not an essential quality related to sex, explores the gender roles, assumptions, and transgressions of the men and women involved in the alternative hard rock scene. The author focuses on this sizable section of rock music both because it is widely inclusive of men and women and because it explicitly adopted feminism as its point of departure from mainstream music. Schippers uses the innovative term gender maneuvering to explain her observations that gender and sexuality are negotiated and always changing features of social relations. This process, she demonstrates, operates as a cultural practice and as an individual strategy of resistance to socially prescribed gender roles. Schippers, who spent more than two years frequenting alternative hard rock clubs and concerts in Chicago, conducted extensive interviews with fans as well as musicians, including Ian MacKaye of Fugazi, Eddie Vedder of Pearl Jam, Kim Thayil of Soundgarden, Donita Sparks and Jennifer Finch of L7, Kat Bjelland and Lori Barbero of Babes in Toyland, Rose of Poster Children, Louise Post and Nina Gordon of Veruca Salt, and Liz Davis and Valerie Agnew of 7 Year Bitch. As it documents the development of a rock music genre that has so far received little academic attention, this book also demonstrates how this musical culture contributes to our understanding of the daily practices of gender relations among young people., In Rockin' Out of the Box , Mimi Schippers, employing the crucial feminist insight that gender is a constantly shifting performance and not an essential quality related to sex, explores the gender roles, assumptions, and transgressions of the men and women involved in the alternative hard rock scene. The author focuses on this sizable section of rock music both because it is widely inclusive of men and women and because it explicitly adopted feminism as its point of departure from mainstream music. Schippers uses the innovative term gender maneuvering to explain her observations that gender and sexuality are negotiated and always changing features of social relations.
LC Classification Number
ML3918
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