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Dancehall: Ein Leser über jamaikanische Musik und Kultur, Taschenbuch von Niaah, Sonja...-
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Artikelmerkmale
- Artikelzustand
- Book Title
- Dancehall : A Reader on Jamaican Music and Culture
- ISBN
- 9789766407506
- Subject Area
- Music
- Publication Name
- Dancehall : a Reader on Jamaican Music and Culture
- Publisher
- University of T.H.E. West Indies Press
- Item Length
- 10 in
- Subject
- History & Criticism, Ethnomusicology, Genres & Styles / Reggae
- Publication Year
- 2020
- Series
- Sound Culture Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1.2 in
- Item Weight
- 31.7 Oz
- Item Width
- 7 in
- Number of Pages
- 506 Pages
Über dieses Produkt
Product Identifiers
Publisher
University of T.H.E. West Indies Press
ISBN-10
9766407509
ISBN-13
9789766407506
eBay Product ID (ePID)
24038662993
Product Key Features
Number of Pages
506 Pages
Publication Name
Dancehall : a Reader on Jamaican Music and Culture
Language
English
Publication Year
2020
Subject
History & Criticism, Ethnomusicology, Genres & Styles / Reggae
Type
Textbook
Subject Area
Music
Series
Sound Culture Ser.
Format
Trade Paperback
Dimensions
Item Height
1.2 in
Item Weight
31.7 Oz
Item Length
10 in
Item Width
7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2020-504545
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
781.646097292
Table Of Content
Acknowledgements and Permissions Introduction SONJAH STANLEY NIAAH Part 1: Early Reflections The Development of Jamaican Popular Music GARTH WHITE Slackness Hiding from Culture: Erotic Play in the Dancehall CAROLYN COOPER Murderation: The Question of Violence in the Sound System Dance NORMAN C. STOLZOFF Gun Talk and Girls? Talk: The DJ Clash JOSEPH PEREIRA Part 2: Negotiation, Urban Space and Experience Post-Nationalist Geographies: Rasta, Ragga and Reinventing Africa LOUIS CHUDE-SOKEI An Archaeology of Dancehall: Garrison Life at Fort Rocky ZACHARY J.M. BEIER Sampling City: Kingston in the Social Imaginary of Jamaican Popular Music ANNA KASAFI PERKINS Tommy Lee as ?Uncle Demon?: Contemporary Cultural Hybridity in Jamaican Dancehall ROBIN CLARKE Dancehall Political Patronage and Gun Violence: Political Affiliations and the Glorification of Gun Culture DENNIS HOWARD Part 3: Engagement, Spectacle and the Language of Performance Video Light: Dancehall and the Aesthetics of Spectacular Un-visibility in Jamaica KRISTA THOMPSON ?Spar wid Me? and Other Stories of Civic Engagement in the Sound Clash Arena JOSHUA CHAMBERLAIN Death before Dishonour: Language and the Jamaican Sound System Clash AUDENE S. HENRY Part 4: Sexual Politics and Aesthetics Out and Bad: Toward a Queer Performance Hermeneutic in Jamaican Dancehall NADIA ELLIS Fashion Ova Style: Dancehall?s Masculine Duality DONNA HOPE Ghetto Girls/Urban Music: Jamaican Ragga Music and Female Performance TRACEY SKELTON ?A Uman Wi Niem!? Sexual Desire and the Poetics of ?Badness? in the Works of Lady Saw and Tanya Stephens AGOSTINHO PINNOCK Part 5: Sound System, Riddim and Practice A Caribbean Taste of Technology: Creolization and the Ways of Making of the Dancehall Sound System JULIAN HENRIQUES The Riddim Method: Aesthetics, Practice and Ownership in Jamaican Dancehall PETER MANUEL AND WAYNE MARSHALL ??Sleng Teng? Dominate Bad, Bad?: Understanding Jamaica?s ?Computerized? Riddim Craze ERIN C. MacLEOD Sleng Teng: Redefining Jamaica?s Digital Riddims RAY HITCHINS Part 6: Ritual, Celebration, Space Ritual and Community in Dancehall Performance SONJAH STANLEY NIAAH Egúngún in Disguise: The Jamaican Nine Night Ceremony LENA DELGADO DE TORRES Representations of ?Obeah? and ?Bad-Mind? in Contemporary Jamaican Dancehall KATE LAWTON Part 7: Adornment, Embodiment and Style Fabricating Identities: Survival and the Imagination in Jamaican Dancehall Culture BIBI BAKARE-YUSUF Dancehall Bodies: Performing In/Securities ?H? PATTEN Born in Chanel, Christen in Gucci: The Rhetoric of Brand Names and Haute Couture in Jamaican Dancehall ANDREA SHAW NEVINS Part 8: The Dancehall Transnation Music and Orality: Authenticity in Japanese Sound System Culture MARVIN D. STERLING Zimdancehall: Jamaican Music in a Transatlantic and African Perspective ANDREA HOLLINGTON Black Music, Popular Culture and Existential Capital: The Relationship between Appropriation and Originality BRUNO BARBOZA MUNIZ White Faces in Intimate Spaces: Jamaican Popular Music in Global Circulation LARISA KINGSTON MANN Part 9: Tribute to Bogle ?Bogle ah di Order fi di Day?: Dance and Identity in Jamaican Dancehall SONJAH STANLEY NIAAH Contributors
Synopsis
Dancehall: A Reader on Jamaican Music and Culture contextualizes the emergence of the globally popular dancehall genre, while tracing the complex and often contradictory aspects of its evolution, dispersion and politics. This collection of foundational essays places dancehall in context with cutting-edge analyses of performance modes and expression, genre development, and impact in the wider local, regional and international socio-political milieu of struggles by black Jamaicans in particular and cultural adherents more broadly. Dancehall is one of eight musical genres created in Jamaica and, in the past two decades, it has become one of the most influential Jamaican cultural exports since reggae. The impact of dancehall extends far beyond Jamaica and is evident in music genres (such as hip hop, trip hop, jungle, reggaeton, South African kwaito and Nigerian Afrobeats) and international fashion, film and dance. This interdisciplinary volume documents various aspects of dancehall?s global impact, evolution and influence in gender, political economy, geography, ethnomusicology, spirituality, music production, fashion and language. Each selection interrogates the range of meanings ascribed to dancehall culture, a phenomenon which has been seen to be associated with violence, crime and debauchery. This collection exposes the immense cultural work towards self-expression and identity in post-colonial Jamaica which takes shape through dancehall and the contributors apply a new level of seriousness, depth and academic rigour to dancehall studies., Contextualizes the emergence of the dancehall genre, while tracing the complex and often contradictory aspects of its evolution, dispersion and politics. This collection of foundational essays places dancehall in context with cutting-edge analyses of performance modes and expression, genre development, and impact on the wider struggles.
LC Classification Number
ML3532
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