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eBay-Artikelnr.:363588911816
Artikelmerkmale
- Artikelzustand
- EAN
- 9780253222992
- ISBN
- 0253222990
- Binding
- TP
- Book Title
- Fashion in Film
- Item Length
- 9in
- Publisher
- Indiana University Press
- Publication Year
- 2011
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.9in
- Genre
- Design, Performing Arts
- Topic
- Fashion & Accessories, Film / History & Criticism
- Item Width
- 6in
- Item Weight
- 18.8 Oz
- Number of Pages
- 376 Pages
Über dieses Produkt
Product Information
This abundantly illustrated collection reveals that fashion in conjunction with film must be understood in a different way from fashion tout simple.
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253222990
ISBN-13
9780253222992
eBay Product ID (ePID)
92359324
Product Key Features
Book Title
Fashion in Film
Format
Trade Paperback
Language
English
Topic
Fashion & Accessories, Film / History & Criticism
Publication Year
2011
Type
Textbook
Genre
Design, Performing Arts
Number of Pages
376 Pages
Dimensions
Item Length
9in
Item Height
0.9in
Item Width
6in
Item Weight
18.8 Oz
Additional Product Features
Lc Classification Number
Pn1995.9.C56f385
Grade from
College Graduate Student
Reviews
"Adrienne Munich has edited a compelling collection of scholarly articles exploring the intense relationship between film and fashion, devoted to topics as various as vampire fashion, the adaptation of the New Look in 1950s Hollywood melodrama and fashion shows in French film. A stunning look at the enduring fascination of what to wear in the dream world that is film." -- Elizabeth Wilson, The individual essays work together effectively and are, for the most part, free of the jargon that sometimes mars both film and cultural analyses. . . . Recommended.November 2011, "This important anthology meanders between the histories of cinema and fashion, and beyond, to deliver fresh perspectives and approaches to a subject that is gathering a momentum. The wide-ranging essays reveal the complexity of fashion in film as an area of study, carefully considering film costume and fashion as separate yet deeply intertwined entities. Fashion is here addressed as an aesthetic form, as a signifier of the social, cultural and political, and, delightfully, also as a particular parallel to - if not the very fabric of - film. Fashion in Film should become an indispensable reader." -- Marketa Uhlirova, Director/Curator, Fashion in Film Festival, The individual essays work together effectively and are, for the most part, free of the jargon that sometimes mars both film and cultural analyses.... Recommended., Fashion in Film is a recommended pick for arts collections strong in fashion as well as film libraries., Adrienne Munich has edited a compelling collection of scholarly articles exploring the intense relationship between film and fashion, devoted to topics as various as vampire fashion, the adaptation of the New Look in 1950s Hollywood melodrama and fashion shows in French film. A stunning look at the enduring fascination of what to wear in the dream world that is film., "The individual essays work together effectively and are, for the most part, free of the jargon that sometimes mars both film and cultural analyses.... Recommended." -Choice, "Adrienne Munich has edited a compelling collection of scholarly articles exploring the intense relationship between film and fashion, devoted to topics as various as vampire fashion, the adaptation of the New Look in 1950s Hollywood melodrama and fashion shows in French film. A stunning look at the enduring fascination of what to wear in the dream world that is film." -Elizabeth Wilson, author of Adorned in Dreams, This important anthology meanders between the histories of cinema and fashion, and beyond, to deliver fresh perspectives and approaches to a subject that is gathering a momentum. The wide-ranging essays reveal the complexity of fashion in film as an area of study, carefully considering film costume and fashion as separate yet deeply intertwined entities. Fashion is here addressed as an aesthetic form, as a signifier of the social, cultural and political, and, delightfully, also as a particular parallel to - if not the very fabric of - film. Fashion in Film should become an indispensable reader., Munich has woven together a wonderful collection that lays bare not only the long standing interdependency between fashion and film, but also their interchangeability as sources of inspiration., "Fashion in Film is a recommended pick for arts collections strong in fashion as well as film libraries." -- Midwest Book Review, "Munich has woven together a wonderful collection that lays bare not only the long standing interdependency between fashion and film, but also their interchangeability as sources of inspiration." -- Louise Wallenberg, Director of the Center for Fashion Studies, Stockholm University, "The individual essays work together effectively and are, for the most part, free of the jargon that sometimes mars both film and cultural analyses.... Recommended." -- Choice, November 2011, "Fashion in Film is a recommended pick for arts collections strong in fashion as well as film libraries." -Midwest Book Review, This important anthology meanders between the histories of cinema and fashion, and beyond, to deliver fresh perspectives and approaches to a subject that is gathering a momentum. The wide-ranging essays reveal the complexity of fashion in film as an area of study, carefully considering film costume and fashion as separate yet deeply intertwined entities. Fashion is here addressed as an aesthetic form, as a signifier of the social, cultural and political, and, delightfully, also as a particular parallel to - if not the very fabric of - film. Fashion in Film should become an indispensable reader.--Marketa Uhlirova, Director/Curator, Fashion in Film Festival, "This important anthology meanders between the histories of cinema and fashion, and beyond, to deliver fresh perspectives and approaches to a subject that is gathering a momentum. The wide-ranging essays reveal the complexity of fashion in film as an area of study, carefully considering film costume and fashion as separate yet deeply intertwined entities. Fashion is here addressed as an aesthetic form, as a signifier of the social, cultural and political, and, delightfully, also as a particular parallel to - if not the very fabric of - film. Fashion in Film should become an indispensable reader." -Marketa Uhlirova, Director/Curator, Fashion in Film Festival, "Munich has woven together a wonderful collection that lays bare not only the long standing interdependency between fashion and film, but also their interchangeability as sources of inspiration." -Louise Wallenberg, Director of the Center for Fashion Studies, Stockholm University, "Fashion in Film is a recommended pick for arts collections strong in fashion as well as film libraries."-- Midwest Book Review "The individual essays work together effectively and are, for the most part, free of the jargon that sometimes mars both film and cultural analyses. . . . Recommended.November 2011"-- Choice "Adrienne Munich has edited a compelling collection of scholarly articles exploring the intense relationship between film and fashion, devoted to topics as various as vampire fashion, the adaptation of the New Look in 1950s Hollywood melodrama and fashion shows in French film. A stunning look at the enduring fascination of what to wear in the dream world that is film."--Elizabeth Wilson, author of Adorned in Dreams "Munich has woven together a wonderful collection that lays bare not only the long standing interdependency between fashion and film, but also their interchangeability as sources of inspiration."--Louise Wallenberg, Director of the Center for Fashion Studies, Stockholm University "This important anthology meanders between the histories of cinema and fashion, and beyond, to deliver fresh perspectives and approaches to a subject that is gathering a momentum. The wide-ranging essays reveal the complexity of fashion in film as an area of study, carefully considering film costume and fashion as separate yet deeply intertwined entities. Fashion is here addressed as an aesthetic form, as a signifier of the social, cultural and political, and, delightfully, also as a particular parallel to - if not the very fabric of - film. Fashion in Film should become an indispensable reader."--Marketa Uhlirova, Director/Curator, Fashion in Film Festival
Table of Content
Acknowledgments Introduction: Fashion Shows / Adrienne Munich Part 1. Fashioning Film 1. Costume Design, or, What Is Fashion in Film? / Drake Stutesman 2. What to Wear in a Vampire Film / Mary Ann Caws 3. Noir Fashion and Noir as Fashion / Ula Lukszo 4. Surface, Fabric, Weave: The Fashioned World of Wong Kar-wai / Giuliana Bruno Part 2. Filming Fashion 5. The Walkies: Early French Fashion Shows as a Cinema of Attractions / Caroline Evans 6. Wanting to Wear Seeing: Gilbert Adrian at MGM / Jane M. Gaines 7. "It will be a magnificent obsession": Femininity, Desire, and the New Look in 1950s Hollywood Melodrama / Stella Bruzzi 8. Adornment in the Afterlife of Victorian Fashion / Maura Spiegel 9. Sofia Coppola's Marie Antoinette: Costumes, Girl Power, and Feminism / Diana Diamond Part 3. Fashioning National Identities 10. Slave to Fashion: Maculinity, Suits, and the Maciste Films of Italian Silent Cinema / Jacqueline Reich 11. The Stars and Stripes in Fashion Films / Adrienne Munich 12. Does Dress Tell the Nation's Story? Fashion, History, and Nation in the Films of Fassbinder / Kristin Hole 13. Subversive Habits: Minority Women in Mani Ratnam's Roja and Dil Se / Sarah Berry Part 4. Epilogue: After Fashion 14. Un-Fashionable Age: Clothing and Unclothing the Older Woman's Body on Screen / E. Ann Kaplan List of Contributors Index
Copyright Date
2011
Lccn
2010-039230
Dewey Decimal
791.43/6564
Intended Audience
Trade
Series
New Directions in National Cinemas Ser.
Dewey Edition
22
Illustrated
Yes
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