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Wire 10:20 (CD) Album

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Zuletzt aktualisiert am 24. Jun. 2024 19:02:41 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Title
10:20
EAN
5024545882124
Edition
Album
Release Date
19/06/2020
No Of Discs
1
MPN
PF26CD
UPC
5024545882124
Artist
Wire
Format
CD
Producer
Colin Newman
Release Year
2020
Record Label
Pink Flag
Release Title
10:20 [Digipak] *
Style
Experimental Rock
Genre
Rock
Run Time
38 Mins 11 Seconds

Über dieses Produkt

Product Identifiers

Producer
Colin Newman
Record Label
Pink Flag
UPC
5024545882124
eBay Product ID (ePID)
14050180832

Product Key Features

Release Year
2020
Format
CD
Genre
Rock
Run Time
38 Mins 11 Seconds
Style
Experimental Rock
Artist
Wire
Release Title
10:20 [Digipak] *

Additional Product Features

Distribution
Redeye Music Distribution
Country/Region of Manufacture
USA
Number of Discs
1
Additional information
Audio Mixer: Colin Newman. Recording information: Resident, London &Swim Studio; Rockfield, Manmouth &Swim Studio. Photographer: Jon Wozencroft. In 2020, Wire fans were lucky enough to get not one but two potent reminders of the band's consistent greatness. The first was that January's Mind Hive, which proved their political statements and sharply honed post-punk were just as relevant then as when they formed over 40 years prior. The next was 10:20, a collection of reimagined rarities and live favorites that felt just as fresh, even though its recordings spanned the 2010s and its material stretched all the way back to 1978's Chairs Missing. Wire took a similar approach and also struck gold with 2013's Change Becomes Us, which found them revisiting songs they'd played live in 1979 and 1980. This time, the particulars of each track are more complex; Wire wrote the slow-burning "He Knows" in 2000 when Bruce Gilbert was still a member of the band, it became a staple of their live show in 2008, and the recording that appears here dates from 2010 sessions with Laika's Margaret Fiedler. No matter how convoluted the histories of these songs are, they all make the most of Wire's evergreen strengths. "German Shepherds," originally from 1989's It's Beginning to and Back Again, is a fine example of their slanted guitar pop, as is "The Art of Persistence," a circa-2000 rarity that wouldn't have sounded out of place on either 154 or Mind Hive. The band's blazing punk is as vital as ever on the Chairs Missing leftover "Underwater Experiences," while Fiedler adds her six strings to the triple-guitar onslaught of "Burning Boy" (originally from A Bell Is a Cup.Until It Is Struck), and the 1985 vintage "Over Theirs" is remade with the slow, ominous grind Wire perfected years later. Other standouts include "Small Black Reptile," which the band transforms from synth pop into something in between psych-rock and shoegaze (and boasts some of Colin Newman's most playfully deadpan vocals) and "Wolf Collides," an eerily poignant Silver/Lead outtake that's just as compelling as anything that ended up on the album. Hearing Wire riff on their past and present so brilliantly makes 10:20 both a dream come true for longtime fans and a surprisingly good introduction to their music for newcomers. ~ Heather Phares

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