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Horror nach 9/11: Welt der Angst, Kino des Terrors-
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eBay-Artikelnr.:335117925458
Artikelmerkmale
- Artikelzustand
- Book Title
- Horror after 9/11: World of Fear, Cinema of Terror
- ISBN
- 9780292726628
- Subject Area
- Performing Arts, History
- Publication Name
- Horror after 9/11 : World of Fear, Cinema of Terror
- Publisher
- University of Texas Press
- Item Length
- 9.3 in
- Subject
- Film / Genres / Horror, United States / 21st Century, Film / History & Criticism
- Publication Year
- 2011
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.9 in
- Item Weight
- 16 Oz
- Item Width
- 6.3 in
- Number of Pages
- 273 Pages
Über dieses Produkt
Product Identifiers
Publisher
University of Texas Press
ISBN-10
0292726627
ISBN-13
9780292726628
eBay Product ID (ePID)
109225133
Product Key Features
Number of Pages
273 Pages
Language
English
Publication Name
Horror after 9/11 : World of Fear, Cinema of Terror
Subject
Film / Genres / Horror, United States / 21st Century, Film / History & Criticism
Publication Year
2011
Type
Textbook
Subject Area
Performing Arts, History
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
16 Oz
Item Length
9.3 in
Item Width
6.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2011-019055
Dewey Edition
23
Reviews
Just reading Horror after 9/11 evokes a rush of memories relating to thetrauma, the terror, and embodied fear that was experienced that day, bringinginto focus just how thoroughly filmmaking has been impacted by 9/11. Bywidening the scope of analysis beyond the immediate repercussions of terrorismand emphasizing the correlation of global events with cultural production,this book provides a welcome and necessary contribution to film and culturalstudies., "Just reading Horror after 9/11 evokes a rush of memories relating to the trauma, the terror, and embodied fear that was experienced that day, bringing into focus just how thoroughly filmmaking has been impacted by 9/11. By widening the scope of analysis beyond the immediate repercussions of terrorism and emphasizing the correlation of global events with cultural production, this book provides a welcome and necessary contribution to film and cultural studies"--Journal of the Fantastic in the Arts, Just reading Horror after 9/11 evokes a rush of memories relating to the trauma, the terror, and embodied fear that was experienced that day, bringing into focus just how thoroughly filmmaking has been impacted by 9/11. By widening the scope of analysis beyond the immediate repercussions of terrorism and emphasizing the correlation of global events with cultural production, this book provides a welcome and necessary contribution to film and cultural studies.
Illustrated
Yes
Dewey Decimal
791.43/616409
Table Of Content
Acknowledgments Introduction (Aviva Briefel and Sam J. Miller) Part One. Why Horror? Chapter 1. Black Screens, Lost Bodies: The Cinematic Apparatus of 9/11 Horror (Laura Frost) Chapter 2. Let's Roll: Hollywood Takes on 9/11 (Elisabeth Ford) Chapter 3. Transforming Horror: David Cronenberg's Cinematic Gestures after 9/11 (Adam Lowenstein) Part Two. Horror Looks at Itself Chapter 4. Caught on Tape? The Politics of Video in the New Torture Film (Catherine Zimmer) Chapter 5. Cutting into Concepts of "Reflectionist" Cinema? The Saw Franchise and Puzzles of Post-9/11 Horror (Matt Hills) Chapter 6. The Host versus Cloverfield (Homay King) Chapter 7. "Shop 'Til You Drop!": Consumerism and Horror (Aviva Briefel) Part Three. Horror in Action Chapter 8. Historicizing the Bush Years: Politics, Horror Film, and Francis Lawrence's I Am Legend (Steffen Hantke) Chapter 9. "I Am the Devil and I'm Here to Do the Devil's Work": Rob Zombie, George W. Bush, and the Limits of American Freedom (Linnie Blake) Chapter 10. "Forever Family" Values: Twilight and the Modern Mormon Vampire (Travis Sutton and Harry M. Benshoff) Chapter 11. Assimilation and the Queer Monster (Sam J. Miller) Selected Bibliography Selected Filmography Contributors Index
Synopsis
Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn, ' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language., Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel ; Cloverfield ; 28 Days Later ; remakes of The Texas Chainsaw Massacre , Dawn of the Dead , and The Hills Have Eyes ; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn, ' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language., Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language., The first major exploration of the horror film genre through the lens of 9/11 and the subsequent transformation of American and global society., Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel ; Cloverfield ; 28 Days Later ; remakes of The Texas Chainsaw Massacre , Dawn of the Dead , and The Hills Have Eyes ; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language.
LC Classification Number
PN1995.9.H6H64 2011
Copyright Date
2011
ebay_catalog_id
4
Artikelbeschreibung des Verkäufers
Rechtliche Informationen des Verkäufers
Books4cause Inc.
Jaysen Lifchitz
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United States
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eBay-Artikelnr.:335117925458
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