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Eine kurze Geschichte der westlichen Musik: von Paul Griffiths-
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Ca.EUR 82,81
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Standort: Wharton, New Jersey, USA
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eBay-Artikelnr.:325823179056
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780521842945
- EAN
- 9780521842945
- Subject Area
- Music
- Publication Name
- Concise History of Western Music
- Publisher
- Cambridge University Press
- Item Length
- 8.6 in
- Subject
- History & Criticism, General
- Publication Year
- 2006
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1.1 in
- Item Weight
- 21.7 Oz
- Item Width
- 5.9 in
- Number of Pages
- 360 Pages
Über dieses Produkt
Product Information
Paul Griffiths shows how music has changed through the centuries, and suggests how that change mirrors development in the human notion of time, from the eternity of heaven to the computer's microsecond. An essential read for students, teachers and classical music lovers alike.
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
0521842948
ISBN-13
9780521842945
eBay Product ID (ePID)
50235206
Product Key Features
Number of Pages
360 Pages
Language
English
Publication Name
Concise History of Western Music
Publication Year
2006
Subject
History & Criticism, General
Type
Textbook
Subject Area
Music
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
21.7 Oz
Item Length
8.6 in
Item Width
5.9 in
Additional Product Features
LCCN
2005-029842
Dewey Edition
22
Reviews
'Griffiths finds graceful ways of saying the conventional things that have to be said and of slipping in the less conventional ... a fresh formulation of the riddle of past and present, and the future.' Joseph Kerman, New York Review of Books, '… thought-provoking, compelling and remarkably comprehensive narrative, this is easily one of the most thought-provoking, enjoyable and stimulating reads on Western music to have been published in the past ten years.' BBC Music Magazine, 'Griffiths is reknowned as a writer on new music, and this bias brings a fresh perspective to his take on pre-20th century composition.' Classical FM, 'The book is clearly laid out, with page-heading summaries making it valuable for academic study.' International Record Review, '... thought-provoking, compelling and remarkably comprehensive narrative this is easily one of the most thought-provoking, enjoyable and stimulating reads on Western music to have been published in the past ten years.' BBC Music Magazine, '... [an] elegant and highly readable style ... thought-provoking, compelling and remarkably comprehensive narrative ... this is easily one of the most thought-provoking, enjoyable and stimulating reads on Western music to have been published in the past ten years.' BBC Music Magazine, ..."(an) elegant and highly readable style...thought-provoking, compelling and remarkably comprehensive narrative...this is easily one of the most thought-provoking, enjoyable and stimulating reads on Western music to have been published in the past ten years." -- BBC Music Magazine, 'Paul Griffiths manages to cover a huge number of composers and musical styles in his comprehensive history. He shows a clear understanding of the nature of the development of music in the West and, though clearly argued, it is a dense read.' Reference Reviews, 'Hidden behind the deadpan title is an extremely rich and thoughtful text: a concise history, as it say on the tin, but also a warm meditation on the philosophy of music … Each chapter culminates in a subtle cliff-hanger, and the whole thing reads exquisitely.' Saturday Guardian, Review Supplement, '… text is filled with Griffith's typically excellent thought-provoking observations …' The New York Review, 'Paul Griffiths, adept at clear, succinct presentations, manages to reduce the millennia and centuries to just 300 pages; and, to make matters easier, he gives the terms without which the story cannot be told, a brisk and lively explanation and encourages the reader to read, listen further and think ... an original and a stimulating book. I hope others will find it so, too.' Methodist Recorder, 'Paul Griffiths, adept at clear, succinct presentations, manages to reduce the millennia and centuries to just 300 pages; and, to make matters easier, he gives the terms without which the story cannot be told, a brisk and lively explanation and encourages the reader to read, listen further and think … an original and a stimulating book. I hope others will find it so, too.' Methodist Recorder, "The book is clearly laid out, with page – heading summaries making it valuable for academic study." -- International Record Review, "...attention to the ways of the different musics of the past and present 'proceed through time' is the main novelty of this book...A Concise History of Western Music [is] new and distinctive. This is an adroit and knowing book..." -Joseph Kerman, The New York Review, "The book is clearly laid out, with page - heading summaries making it valuable for academic study." -- International Record Review, "Hidden behind the deadpan title is an extremely rich and thoughtful text: a concise history, as it says on the tin, but also a warm meditation on the philosophy of music...Each chapter culminates in a subtle cliff-hanger, and the whole thing reads exquisitely." -- Guardian, "Centered on the conceptualization of time in music, Griffiths' precis traces a course of development from ancient Greece and Babylonia to the present...A well-written must for classical-music listeners and teachers." -Booklist, "The book is clearly laid out, with page - heading summaries making it valuable for academic study." -International Record Review, 'A Concise History of Western Music (concise maybe, but substantial enough to merit every one of its 350 pages) is a joy.' The Book Depository, '… an approachable and enjoyable tour of thousands of years of our cultural history, in the company of a familiar and erudite guide.' Tenby Observer, "Centered on the conceptualization of time in music, Griffiths' precis traces a course of development from ancient Greece and Babylonia to the present...A well-written must for classical-music listeners and teachers." -- Booklist, 'Anyone who can write a concise history of music deserves a medal...Paul Griffiths, adept at clear, succinct presentations, manages to reduce the millennia and centuries to just 300 pages; and, to make matters easier, he gives the terms without which the story cannot be told a brisk and lively explanation and encourages the reader to read, listen further and think...an original and a stimulating book." -Methodist Recorder, "Hidden behind the deadpan title is an extremely rich and thoughtful text: a concise history, as it says on the tin, but also a warm meditation on the philosophy of music...Each chapter culminates in a subtle cliff-hanger, and the whole thing reads exquisitely." -Guardian, "...(an) elegant and highly readable style...thought-provoking, compelling and remarkably comprehensive narrative...this is easily one of the most thought-provoking, enjoyable and stimulating reads on Western music to have been published in the past ten years." -BBC Music Magazine, 'Griffiths finds graceful ways of saying the conventional things that have to be said and of slipping in the less conventional … a fresh formulation of the riddle of past and present, and the future.' Joseph Kerman, New York Review of Books, '... text is filled with Griffith's typically excellent thought-provoking observations ...' The New York Review, "One of the UK's most eloquent and intelligent writers on classical music, Griffiths' A Concise History of Western Music (concise maybe, but substantial enough to merit every one of its 350 pages) is a joy." -- The Book Depository, 'Hidden behind the deadpan title is an extremely rich and thoughtful text: a concise history, as it say on the tin, but also a warm meditation on the philosophy of music ... Each chapter culminates in a subtle cliff-hanger, and the whole thing reads exquisitely.' Saturday Guardian, Review Supplement, 'Anyone who can write a concise history of music deserves a medal...Paul Griffiths, adept at clear, succinct presentations, manages to reduce the millennia and centuries to just 300 pages; and, to make matters easier, he gives the terms without which the story cannot be told a brisk and lively explanation and encourages the reader to read, listen further and think...an original and a stimulating book." -- Methodist Recorder, '... an approachable and enjoyable tour of thousands of years of our cultural history, in the company of a familiar and erudite guide.' Tenby Observer, "...(an) elegant and highly readable style...thought-provoking, compelling and remarkably comprehensive narrative...this is easily one of the most thought-provoking, enjoyable and stimulating reads on Western music to have been published in the past ten years." -- BBC Music Magazine, "One of the UK's most eloquent and intelligent writers on classical music, Griffiths' A Concise History of Western Music (concise maybe, but substantial enough to merit every one of its 350 pages) is a joy." -The Book Depository
Target Audience
College Audience
Illustrated
Yes
Dewey Decimal
780.9
Lc Classification Number
Ml160.G823 2006
Table of Content
Prehistory; Part I. Time Whole: 1. From Babylonians to Franks; Part II. Time Measured 1100-1400: 2. Troubadours and organists; 3. Ars nove and Narcissus's clock; Part III. Time Sensed 1400-1630: 4. Harmony, the light of time; 5. The radiance of the High Renaissance; 6. Reformation and heartache; 7. To speak in music; Part IV. Time Known 1630-1770: 8. Baroque mornings; 9. Fugue, concerto and operatic passion; 10. Rococo and reform; Part V. Time Embraced 1770-1815: 11. Sonata as comedy; 12. Revolution's momentum; Part VI. Time Escaping 1815-1907: 13. The deaf man and the singer; 14. Angels and other prodigies; 15. New Germans and old Vienna; 16. Romantic evenings; 17. Nightfall and sunrise; Part VII. Time Tangled 1908-75: 18. To begin again; 19. Forwards and backwards, and sideways; 20. The people's needs; 21. To begin again again; 22. Whirlwind; Part VIII. Time Lost 1975-: 23. Echoes in the labyrinth; 24. Interlude; Glossary; Further reading and listening.
Copyright Date
2006
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