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Buchkunst und Wissenschaft des digitalen Compositings: Techniken für visuelle Effekte Neu-
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- Sofort-KaufenBuchkunst und Wissenschaft des digitalen Compositings: Techniken für visuelle Effekte Neu
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Standort: Northbrook, Illinois, USA
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Lieferung zwischen Do, 27. Jun und Sa, 29. Jun nach 43230 bei heutigem Zahlungseingang
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eBay-Artikelnr.:314238894702
Artikelmerkmale
- Artikelzustand
- Pages
- 684
- Publication Date
- 2008-05-01
- Custom Bundle
- No
- Personalized
- No
- Features
- DVD Included
- Edition Number
- 2
- ISBN
- 9780123706386
- Subject Area
- Computers, Photography
- Publication Name
- Art and Science of Digital Compositing : Techniques for Visual Effects, Animation and Motion Graphics
- Publisher
- Elsevier Science & Technology
- Item Length
- 9.2 in
- Subject
- Techniques / Digital (See Also Computers / Digital Media / Photography), Computer Graphics, Image Processing, Digital Media / Photography (See Also Photography / Techniques / Digital)
- Publication Year
- 2008
- Series
- The Morgan Kaufmann Series in Computer Graphics Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Width
- 7.5 in
- Number of Pages
- 704 Pages
Über dieses Produkt
Product Information
The classic reference, with over 25,000 copies in print, has been massively expanded and thoroughly updated to include state-of-the-art methods and 400+ all-new full color images! "At ILM, compositing is one of the most important tools we use. If you want to learn more, this excellent 2nd-edition is detailed with hundreds of secrets that will help make your comps seamless. For beginners or experts, Ron walks you through the processes of analysis and workflows - linear thinking which will help you become deft and successfully tackle any shot." -- Dennis Muren ASC, Senior Visual Effects Supervisor, Industrial Light & Magic "Ron Brinkman's book is the definitive work on digital compositing and we have depended on this book as a critical part of our in-house training program at Imageworks since the 1999 Edition. We use this book as a daily textbook and reference for our lighters, compositors and anyone working with digital imagery. It is wonderful to see a new edition being released and it will certainly be required reading for all our digital artists here at Imageworks." -- Sande Scoredos, Executive Director of Training & Artist Development, Sony Pictures Imageworks The Art and Science of Digital Compositing is the only complete overview of the technical and artistic nature of digital compositing. It covers a wide range of topics from basic image creation, representation and manipulation, to a look at the visual cues that are necessary to create a believable composite. Designed as an introduction to the field, as well as an authoritative technical reference, this book provides essential information for novices and professionals alike. 17 new case-studies provide in-depth looks at the compositing work done on films such as Chronicles of Narnia: The Lion, the Witch and the Wardrobe, The Golden Compass, The Incredibles, King Kong, The Lord of the Rings: The Return of the King, Sin City, Spider-Man 2, Wallace and Gromit: The Curse of the Were-Rabbit, and Star Wars: Episode 3 - Revenge of the Sith. Includes new sections on 3D compositing, High Dynamic Range (HDR) imaging, Rotoscoping, and much more! All disc-based content for this title is now available on the Web.
Product Identifiers
Publisher
Elsevier Science & Technology
ISBN-10
0123706386
ISBN-13
9780123706386
eBay Product ID (ePID)
65665964
Product Key Features
Number of Pages
704 Pages
Language
English
Publication Name
Art and Science of Digital Compositing : Techniques for Visual Effects, Animation and Motion Graphics
Publication Year
2008
Subject
Techniques / Digital (See Also Computers / Digital Media / Photography), Computer Graphics, Image Processing, Digital Media / Photography (See Also Photography / Techniques / Digital)
Type
Textbook
Subject Area
Computers, Photography
Series
The Morgan Kaufmann Series in Computer Graphics Ser.
Format
Trade Paperback
Dimensions
Item Length
9.2 in
Item Width
7.5 in
Additional Product Features
Edition Number
2
Intended Audience
College Audience
LCCN
2007-053015
Dewey Edition
22
Reviews
*17 new case-studies provide in-depth looks at the compositing work done on films such as Chronicles of Narnia: The Lion, the Witch and the Wardrobe, The Golden Compass, The Incredibles, King Kong, The Lord of the Rings: The Return of the King, Sin City, Spider-Man 2, Wallace and Gromit: The Curse of the Were-Rabbit, and Star Wars: Episode 3 Revenge of the Sith. *The accompanying DVD-ROM features bonus resources, including example footage from hit films and projects that give readers hands-on experience with real industry materials. *Includes new sections on 3D compositing, High Dynamic Range (HDR) imaging, Rotoscoping, and much more!, Visual Effects has become a ridiculously complicated road to travel, but Ron's book manages to straighten it out, pave it, and gently drive you down it with ease. -Ken Ralston, Senior Visual Effects Supervisor, Sony Pictures Imageworks An essential reference, The Art and Science of Digital Compositing thoroughly covers the fundamentals that every professional compositor should know. -John Knoll, Visual Effects Supervisor Effective digital compositing is critical in almost all visual effects work, and this book acts as a "soup to nuts? reference on the subject. If you need a question answered, this is the book for you - recommended for novices and experts alike! -Eric Roth, Executive Director, Visual Effects Society Brinkmann has considerable experience both designing industry-leading VFX software and working at facilities applying this sort of software to create world-leading effects and imagery. It is this experience that makes The Art and Science of Digital Compositing the definitive text for the VFX industry and probably the most widespread book found on the desks of artists at MPC. -Nick Cannon, Chief Technology Officer, Moving Picture Company Without digital compositing, we would have no visual effects. This book is the fundamental reference tying the art of visual storytelling to the science of image manipulation through the lens of digital compositing. -Richard Weinberg, Ph.D., USC School of Cinematic Arts Ron's book is The Bible for visual effects. As soon as it becomes clear that someone doesn't know what they're talking about, I make them go and read this book before I'll speak with them again. -Kim Libreri, Vice President, Digital Domain, Visual Effects has become a ridiculously complicated road to travel, but Ron's book manages to straighten it out, pave it, and gently drive you down it with ease. -Ken Ralston, Senior Visual Effects Supervisor, Sony Pictures Imageworks An essential reference, The Art and Science of Digital Compositing thoroughly covers the fundamentals that every professional compositor should know. -John Knoll, Visual Effects Supervisor Effective digital compositing is critical in almost all visual effects work, and this book acts as a "soup to nuts" reference on the subject. If you need a question answered, this is the book for you - recommended for novices and experts alike! -Eric Roth, Executive Director, Visual Effects Society Brinkmann has considerable experience both designing industry-leading VFX software and working at facilities applying this sort of software to create world-leading effects and imagery. It is this experience that makes The Art and Science of Digital Compositing the definitive text for the VFX industry and probably the most widespread book found on the desks of artists at MPC. -Nick Cannon, Chief Technology Officer, Moving Picture Company Without digital compositing, we would have no visual effects. This book is the fundamental reference tying the art of visual storytelling to the science of image manipulation through the lens of digital compositing. -Richard Weinberg, Ph.D., USC School of Cinematic Arts Ron's book is The Bible for visual effects. As soon as it becomes clear that someone doesn't know what they're talking about, I make them go and read this book before I'll speak with them again. -Kim Libreri, Vice President, Digital Domain, *17 new case-studies provide in-depth looks at the compositing work done on films such as Chronicles of Narnia: The Lion, the Witch and the Wardrobe, The Golden Compass, The Incredibles, King Kong, The Lord of the Rings: The Return of the King, Sin City, Spider-Man 2, Wallace and Gromit: The Curse of the Were-Rabbit, and Star Wars: Episode 3 - Revenge of the Sith. *The accompanying DVD-ROM features bonus resources, including example footage from hit films and projects that give readers hands-on experience with real industry materials. *Includes new sections on 3D compositing, High Dynamic Range (HDR) imaging, Rotoscoping, and much more!, Visual Effects has become a ridiculously complicated road to travel, but Ron's book manages to straighten it out, pave it, and gently drive you down it with ease. -Ken Ralston, Senior Visual Effects Supervisor, Sony Pictures Imageworks An essential reference, The Art and Science of Digital Compositing thoroughly covers the fundamentals that every professional compositor should know. -John Knoll, Visual Effects Supervisor Effective digital compositing is critical in almost all visual effects work, and this book acts as a soup to nuts reference on the subject. If you need a question answered, this is the book for you recommended for novices and experts alike! -Eric Roth, Executive Director, Visual Effects Society Brinkmann has considerable experience both designing industry-leading VFX software and working at facilities applying this sort of software to create world-leading effects and imagery. It is this experience that makes The Art and Science of Digital Compositing the definitive text for the VFX industry and probably the most widespread book found on the desks of artists at MPC. -Nick Cannon, Chief Technology Officer, Moving Picture Company Without digital compositing, we would have no visual effects. This book is the fundamental reference tying the art of visual storytelling to the science of image manipulation through the lens of digital compositing. -Richard Weinberg, Ph.D., USC School of Cinematic Arts Ron's book is The Bible for visual effects. As soon as it becomes clear that someone doesn't know what they're talking about, I make them go and read this book before I'll speak with them again. -Kim Libreri, Vice President, Digital Domain
Illustrated
Yes
Dewey Decimal
778.5/2350285
Lc Classification Number
T385.B75 2008
Table of Content
1. Introduction to Digital Compositing2. Learning to See3. The Digital Representation of Visual Information4. Basic Image Manipulation5. Basic Image Compositing6. Matte Creation and Manipulation7. Time and Temporal Manipulations8. Image tracking and Stabilization9. Interface Interactions10. Formats: Media, Resolution, and Aspect Ratios11. Quality and Efficiency12. Creating Elements13. Additional Integration Techniques14. Advanced and Related Topics15. Case Studies AppendixA. Digital Compositing Software: Tools and FeaturesB. Digital Image File FormatsC. Common Film and Video Formats
Copyright Date
2008
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