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If you are here looking at the Beyerdynamic DT 880, you already know what you are getting yourself into. I'm going to cut straight to the chase and talk about the outstanding characteristics of this headphone. Comfort level is 9 - the soft pads are very comfortable, clamp pressure is OK, not too tight and definitely not too light so it stays on your head (depends how big your head is). Sound quality is 9+ in a heart beat. Here is where I have to lay out the different parts of the sound spectrum. Highs (treble) is on the bright side for sure, but even that is relative to the source you are feeding to these headphones. Everything you read about the high frequencies is true, they are not "dark" sounding headphones. I would say the highs are clear, pristine, lots of detail especially in cymbal hits, trumpet stabs, female voices, high pitch wind or string instruments, kissing of guitar strings, distortion guitars in high registers, etc., so it has a snappy fast feel to the sound. Some people interpret this snappy feel as "exciting". That is pretty accurate. The caveat to this is that if you have music that is mostly high frequencies, then these headphones would probably sound harsh, ringing, or what people say "sibilant". There is a peak at about 7k so female voices or those S's jump out a little. The mid range is liquid smooth and pretty spot on, as flat as you should naturally get which translates to perhaps a kind of sonic politeness. Compare this to say a Sennhesier HD650, where the mids are more pronounced, you might feel the DT 880 mids sound little flat but that's exactly what it is. The sound is not colored. This is not a V shape graph, there is no dip in the middle or a "hole" in the mid frequencies nor is there an artificial bump to make the mid range sound "forward". You can hear voices and mid frequencies played at exactly where they are intended to be placed. Now let's focus on the Bass - this is where lots of people get it wrong because the consensus is that the DT 880 is lean on the bass. Not true at all! I find the bass to be full, detailed with lots of control. Not boomy. Definitely not like Skullcandy or Beats where the bass frequencies are totally exaggerated, completely washing out all other useful frequencies. If all you want to hear is bass, well, you need to go see a specialist. The natural world doesn't only generate bass frequencies, thanks very much. With that said, the low end is powerful and plentiful. The intro to Coldplay's Adventure of a Lifetime just blew me away! Talking about the bass. The sound stage is pretty good. Not wide like you're in outta space but definitely not claustrophobic like a pair of Grado's. There is enough room or "air" between instruments and you will experience a natural way of listening to music. You can further modify the sound via amplifiers or EQs to your liking, but either way you will get addicted to these headphones straight out of the box. Vollständige Rezension lesen
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High end Audiophile... Who knows good quality. These headphones for the price are fantastic. Analytical in a good way, clean sounding, and balanced across full range. Hard to say where in the frequency range these are best... which in a way is a compliment. Matches best with warm sounding system. Tube system would be of great benefit. If you have a Dac/amp that is portable... make sure the amp is quite powerful with a bass boost and gain. These in the end are a very balanced sounding set of headphones. Not a huge soundstage, but solid. Recommended for under $200. They are built very well. Made in Germany I believe which is nice compared to supporting other less conscious trading partners.
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Best headphones I've ever owned! Fantastic sound and super comfortable. I use these in my home studio for checking mixes and tracking. Probably not the best cans for tracking vocals or doing voice over because they are semi open. On the other hand, I think the semi open design causes less sound buildup giving a more open realistic sound.
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Excellent product. I already had used these in the studio many times so I already expected them to be perfect. If you listen to the phones as flat EQ you'll really enjoy classical, acoustic guitar, violin, etc. Personally I enjoy adult metal rock, electric or acoustic blues, or old and new country music most of the time. I found that it is necessary to use a small preamp mixer (Behringer $100) to boost the low frequency control for my pleasure experience - not a lot - just a little. If you want to try DT880 phones for rap music and shake your inner ear canals (that's not a criticism, it's actually true) - forget it. Try the enclosed DT770 phones instead. Or try the impressive cupped Dr. Beats if you want awesome bass. I also do some digital mixing and editing recorded speaking for audio books, so the DT880 phones are perfect for me. About the 250K impedance: they're just fine for most people - especially if you use a preamp/mixer like I said before. So don't grab a pair of DT880 cans and run to Best Buy then plug them into a lot of different receivers, CDs, or DVDs because the line impedances are different between various manufacturers. The products are from Germany. What else can I say? I read somewhere that some models are made in America or Canada. I can't verify if that's true or not. Even if they are, I suspect the diaphragm cones are the same German parts anyway. I like the straight cord. I don't like a coil cord so I'm happy about the Special Edition. My one only complaint that I wish the cable could be removed from the phones so it could be replaced easily. I'm careful with mine so it's not a problem for me but I can envision kids or Neanderthals pulling and stepping on shoes. In conclusion: go for it! The same phones are $200+ at some sellers so be careful. I got mine from an authorized dealership.Vollständige Rezension lesen
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Not a whole lot to say but these are the best headphones I've tried. I've owned Grado SR 225 for years, tried some Sennheiser products and also tried DT 990's and the DT 880's are hands down the best. The sound in the high registry sounds realistic I don't hear any colouring or sibilance, the bottom end is controlled but very present and nothing is lacking in the mid-range. They also sound very open despite being 'semi-open'. For me, I think these sound great for any music or any application because it sounds like the artist intended.
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