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Freiheit: Die Kunst der Novembergruppe 1918-1935 von Thomas Kohler: gebraucht-

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Freedom: The Art of the Novembergruppe 1918-1935 by Thomas Kohler: Used
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Artikelzustand
Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
Publication Date
2019-01-15
Pages
256
ISBN
9783791357812
Book Title
Freedom : the Art of the Novembergruppe 1918-1935
Original Language
German
Publisher
Prestel Gmbh & Co KG.
Item Length
11.2 in
Publication Year
2019
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
1.3 in
Author
Kristina Kratz-Kessemeier
Genre
Art
Topic
Collections, Catalogs, Exhibitions / Group Shows, History / Modern (Late 19th Century to 1945), Collections, Catalogs, Exhibitions / General, European
Item Weight
52.6 Oz
Item Width
8.8 in
Number of Pages
256 Pages

Über dieses Produkt

Product Identifiers

Publisher
Prestel Gmbh & Co KG.
ISBN-10
3791357816
ISBN-13
9783791357812
eBay Product ID (ePID)
12038734461

Product Key Features

Original Language
German
Book Title
Freedom : the Art of the Novembergruppe 1918-1935
Number of Pages
256 Pages
Language
English
Publication Year
2019
Topic
Collections, Catalogs, Exhibitions / Group Shows, History / Modern (Late 19th Century to 1945), Collections, Catalogs, Exhibitions / General, European
Illustrator
Yes
Genre
Art
Author
Kristina Kratz-Kessemeier
Format
Hardcover

Dimensions

Item Height
1.3 in
Item Weight
52.6 Oz
Item Length
11.2 in
Item Width
8.8 in

Additional Product Features

Intended Audience
Trade
LCCN
2018-287365
Dewey Edition
23
Dewey Decimal
709.430904
Synopsis
On the centennial of the founding of the November Group, this book presents the latest scholarly research on an idealistically ambitious and aesthetically fruitful period of German art. In the wake of World War I and the German Revolution of November 1918, a group of German artists, architects, composers, and writers banded together to work toward a democratic society that would reflect the values of the Weimar constitution. Some of the most celebrated artists of the period were members or participated in their numerous exhibitions, including Otto Dix, Max Ernst, Walter Gropius, George Grosz, Ludwig Mies van der Rohe, L szl Moholy-Nagy, Hannah H ch, and Piet Mondrian. In an effort to reflect the liberal values of Germany's newly established socialist government, the group was open to all styles, from Cubism, Futurism, and Expressionism to Dada, Abstraction, and New Objectivity. Until their dissolution in 1935, when they were banned by the Nazi regime, they exhibited nearly 3,000 works throughout the country. This book focuses on three distinct periods over the course of the group's history. Each section features essays and a series of elegantly reproduced illustrations. Presenting over one hundred works, this stunning compilation offers new perspectives on the avant garde art of Weimar Germany, its socio-utopian ideals, and its attempts to build bridges inside the artistic community as well as between the artists and their fellow citizens., On the centennial of the founding of the November Group, this book presents the latest scholarly research on an idealistically ambitious and aesthetically fruitful period of German art. In the wake of World War I and the German Revolution of November 1918, a group of German artists, architects, composers, and writers banded together to work toward a democratic society that would reflect the values of the Weimar constitution. Some of the most celebrated artists of the period were members or participated in their numerous exhibitions, including Otto Dix, Max Ernst, Walter Gropius, George Grosz, Ludwig Mies van der Rohe, László Moholy-Nagy, Hannah Höch, and Piet Mondrian. In an effort to reflect the liberal values of Germany's newly established socialist government, the group was open to all styles, from Cubism, Futurism, and Expressionism to Dada, Abstraction, and New Objectivity. Until their dissolution in 1935, when they were banned by the Nazi regime, they exhibited nearly 3,000 works throughout the country. This book focuses on three distinct periods over the course of the group's history. Each section features essays and a series of elegantly reproduced illustrations. Presenting over one hundred works, this stunning compilation offers new perspectives on the avant garde art of Weimar Germany, its socio-utopian ideals, and its attempts to build bridges inside the artistic community as well as between the artists and their fellow citizens.
LC Classification Number
N6868.5.N6

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