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Die neue Cambridge Geschichte Indiens, Band 1, Teil 3: Mogul- und Rajput-Malerei-
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eBay-Artikelnr.:256507893194
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780521400275
- Subject Area
- Art, History
- Publication Name
- Mughal and Rajput Painting
- Publisher
- Cambridge University Press
- Item Length
- 9.6 in
- Subject
- Middle Eastern, Asia / India & South Asia, Asian / Indian & South Asian
- Publication Year
- 1992
- Series
- The New Cambridge History of India Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.7 in
- Item Weight
- 24.1 Oz
- Item Width
- 6.7 in
- Number of Pages
- 302 Pages
Über dieses Produkt
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
0521400279
ISBN-13
9780521400275
eBay Product ID (ePID)
770541
Product Key Features
Number of Pages
302 Pages
Language
English
Publication Name
Mughal and Rajput Painting
Publication Year
1992
Subject
Middle Eastern, Asia / India & South Asia, Asian / Indian & South Asian
Type
Textbook
Subject Area
Art, History
Series
The New Cambridge History of India Ser.
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
24.1 Oz
Item Length
9.6 in
Item Width
6.7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
91-026573
Reviews
"Mughal and Rajput Painting provides a useful and stimulating r_sum_ of current knowledge."Times Literary Supplement, "Mughal and Rajput Painting provides a useful and stimulating résumé of current knowledge." Times Literary Supplement, "Beach's work is a sumptuous survey of the history of this long tradition....The strengths of the work lie in Beach's expertise, diligent research, and perceptive insights into the particular origins and peculiar techniques, as well as in the 195 plates (16 of them in color.) Indispensable for South Asia collections and equally valuable for the cognoscenti." Choice, "Mughal and Rajput Painting provides a useful and stimulating résumé of current knowledge."Times Literary Supplement
Dewey Edition
20
Series Volume Number
Vol. I: 3
Illustrated
Yes
Dewey Decimal
954
Table Of Content
List of illustrations; General editor's preface; Preface; Introduction; 1. Painting in North India before 1540; 2. 1540-80: painting at Muslim courts; 3. 1580-1600: the new imperial style and its impact; 4. 1600-60: Mughal painting and the rise of local workshops; 5. 1600-1700: the growth of local styles; 6. 1700-1800: the dominance of Rajput painting; 7. 1800-58: traditionalism and new influences; Appendix; Bibliographical essay; Index.
Synopsis
The Mughals - descendants of Timur and Genghiz Khan with strong cultural ties to the Persian world - seized political power in north India in 1526 and became the most important artistically active Muslim dynasty on the subcontinent. In this richly illustrated book, Dr Milo Beach shows how, between 1555 and 1630 in particular, Mughal patronage of the arts was incessant and radically innovative for the Indian context. The author reveals how Mughal painting was defined by the styles popular at the imperial court, whereas Pajput painting consisted of many local court styles, corresponding to the various Hindu kingdoms, each with different tastes and artistic inspirations. By reproducing nearly 200 examples in this study, Milo Beach traces the interplay of the traditions of Mughal and Rajput painting from the sixteenth to nineteenth centuries. He demonstrates the tolerance each showed towards outside influence and change and thus helps to define a uniquely Indian attitude towards the arts., The Mughals seized political power in north India in 1526 and became the most important artistically active Muslim dynasty on the subcontinent. In this richly illustrated work, Dr. Milo Beach shows how Mughal patronage of the arts was radically innovative for the Indian context and profoundly altered the character of painting in the Rajput Hindu areas of north India. He reveals the different styles and subjects of Mughal and Rajput painting and the interplay of the two traditions. Beach also explores the tolerance each showed toward outside influence and change, demonstrating a uniquely Indian attitude towards the arts., The Mughals - descendants of Timur and Genghiz Khan with strong cultural ties to the Persian world - seized political power in north India in 1526 and became the most important artistically active Muslim dynasty on the subcontinent. In this richly illustrated book, Dr Milo Beach shows how, between 1555 and 1630 in particular, Mughal patronage of the arts was incessant and radically innovative for the Indian context.
LC Classification Number
DS436 .N47 1987 pt.
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