When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive "New Women." Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism.
Product Identifiers
Publisher
Harvard University Press
ISBN-10
0674003330
ISBN-13
9780674003330
eBay Product ID (ePID)
1720377
Product Key Features
Book Title
Female Spectacle : the Theatrical Roots of Modern Feminism
Author
Susan A. Glenn
Format
Hardcover
Language
English
Topic
Theater / General, Theater / History & Criticism, Entertainment & Performing Arts, Women's Studies
Publication Year
2000
Illustrator
Yes
Genre
Biography & Autobiography, Social Science, Performing Arts
Number of Pages
306 Pages
Dimensions
Item Length
9.5 in
Item Height
0.4 in
Item Width
6.4 in
Item Weight
23.3 Oz
Additional Product Features
Lc Classification Number
Pn1590.W64g59 2000
Reviews
Glenn prods readers into thinking about women's demands for roles in public life...As with the best history, Glenn's research sheds light on both past events and present dilemmas. Her argument and research thus provide an important historical context for the recent flood of memoirs about feminist activism in the 1960s-1990s.
Table of Content
Introduction 1. The Bernhardt Effect: Self-Advertising and the Age of Spectacle 2. Mirth and Girth: The Politics of Comedy 3. The Strong Personality: Female Mimics and the Play of the Self 4. The Americanization of Salome: Sexuality, Race, and the Careers of the Vulgar Princess 5."The Eyes of the Enemy": Female Activism and the Paradox of Theater 6."Nationally Advertised Legs": How Broadway Invented "The Girls" 7."Like All the Rest of Womankind Only More So": The Chorus Girl Problem and American Culture Conclusion: The Legacy of Female Spectacle Abbreviations Notes Acknowledgments Index
Copyright Date
2000
Target Audience
Trade
Lccn
00-040683
Dewey Decimal
792/.082/0973
Dewey Edition
21
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