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Maria Magdalena: Das Bild einer Frau durch die Jahrhunderte von Maisch, Ingrid-

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Mary Magdalene: The Image of a Woman Through the Centuries by Maisch, Ingrid
by Maisch, Ingrid | PB | Good
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Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ... Mehr erfahrenÜber den Artikelzustand
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“Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ...
Binding
Paperback
Weight
0 lbs
Product Group
Book
IsTextBook
No
ISBN
9780814624715
Book Title
Mary Magdalene : the Image of a Woman Through the Centuries
Publisher
Liturgical Press
Item Length
9 in
Publication Year
1998
Format
Trade Paperback
Language
English
Item Height
0.6 in
Author
Ingrid Maisch
Genre
Religion
Topic
Christianity / Catholic, Biblical Biography / New Testament
Item Weight
11 Oz
Item Width
6 in
Number of Pages
208 Pages

Über dieses Produkt

Product Identifiers

Publisher
Liturgical Press
ISBN-10
0814624715
ISBN-13
9780814624715
eBay Product ID (ePID)
996332

Product Key Features

Book Title
Mary Magdalene : the Image of a Woman Through the Centuries
Number of Pages
208 Pages
Language
English
Publication Year
1998
Topic
Christianity / Catholic, Biblical Biography / New Testament
Genre
Religion
Author
Ingrid Maisch
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
11 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
98-005542
Reviews
The study is a good example of the fruits of good contemporary biblical research and of the value of feminist interpretation and theological methodology. The Vidyajyoti Journal
Dewey Decimal
[B]
Synopsis
No other female image has been so strongly influenced by the culture and history of past European centuries as Mary Magdalene. From ancient times to the present, Mary Magdalene has been a summary image of the feminine in each era. Despised as a sinner, revered as a saint, admired as a model disciple, Mary Magdalene became the symbol of all women whose fate she shared throughout history: honored, defamed, pushed to the margins, elevated to unreality, and degraded. Ingrid Maisch examines Mary Magdalene's life from the perspectives of the biblical witnesses through Christian Gnosticism, the early Church interpreters, the Middle Ages to the present. She shows that while the biblical Mary Magdalene still had a leading role in the Jesus movement, in the Middle Ages she gradually became a saint held up to console sin-conscious Christians. In the Reformation and the baroque era, she was seen primarily as a penitent, then as an image of melancholy and resignation. Bourgeois modernity adopted the secularized figure of the Magdalene as a tool for social criticism, especially regarding the treatment of women. In recent decades critical exegesis of the biblical texts and feminist theology revealed another image of Mary Magdalene: the first witness of the Resurrection. Mary Magdalene is one of the great women of the Bible, yet attitudes toward her in the Church and in art, history, and society have wavered between veneration of her as a saint and curiosity about her sinful" past. In Mary Magdalene Ingrid Maisch stresses that reflecting on Mary Magdalene means not only looking behind the history of the influence of the woman from Magdala but also inquiring about women in general, for the image of Mary Magdalene in every era is an indicator of the image borne by women at the time. Chapters are "Mary Magdalene in the New Testament," "The Heiress of the Empire of Light: The Gnostic Mary Magdalene," "Mary Magdalene as Interpreted by the Medieval Mystics," "Mary Magdalene as Saint: The Middle Ages," "The Penitent Magdalene: A Symbol of the Baroque Era," "Mary Magdalene Between Religion and Aesthetics," "A Pearl More Precious than All Others: Magdalene in Brentano's Jesus-Novel," "The Fallen Woman, the Noble Courtesan," "The Woman at Jesus' Feet: Mary Magdalene in Modern Spiritual Poetry," "The 'sinful Magdalene from Bethany': The Confused Image Today," and "Freed from Sins, Demons, and Subjection." Includes eight pages of full color images of Mary Magdalene from earliest to most recent times., No other female image has been so strongly influenced by the culture and history of past European centuries as Mary Magdalene. From ancient times to the present, Mary Magdalene has been a summary image of the feminine in each era. Despised as a sinner, revered as a saint, admired as a model disciple, Mary Magdalene became the symbol of all women whose fate she shared throughout history: honored, defamed, pushed to the margins, elevated to unreality, and degraded. Ingrid Maisch examines Mary Magdalene's life from the perspectives of the biblical witnesses through Christian Gnosticism, the early Church interpreters, the Middle Ages to the present. She shows that while the biblical Mary Magdalene still had a leading role in the Jesus movement, in the Middle Ages she gradually became a saint held up to console sin-conscious Christians. In the Reformation and the baroque era, she was seen primarily as a penitent, then as an image of melancholy and resignation. Bourgeois modernity adopted the secularized figure of the Magdalene as a tool for social criticism, especially regarding the treatment of women. In recent decades critical exegesis of the biblical texts and feminist theology revealed another image of Mary Magdalene: the first witness of the Resurrection. Mary Magdalene is one of the great women of the Bible, yet attitudes toward her in the Church and in art, history, and society have wavered between veneration of her as a saint and curiosity about her sinful" past. In Mary Magdalene Ingrid Maisch stresses that reflecting on Mary Magdalene means not only looking behind the history of the influence of the woman from Magdala but also inquiring about women in general, for the image of Mary Magdalene in every era is an indicator of the image borne by women at the time. Chapters are "Mary Magdalene in the New Testament," "The Heiress of the Empire of Light: The Gnostic Mary Magdalene," "Mary Magdalene as Interpreted by the Medieval Mystics," "Mary Magdalene as Saint: The Middle Ages," "The Penitent Magdalene: A Symbol of the Baroque Era," "Mary Magdalene Between Religion and Aesthetics," "A Pearl More Precious than All Others: Magdalene in Brentano's Jesus-Novel," "The Fallen Woman, the Noble Courtesan," "The Woman at Jesus' Feet: Mary Magdalene in Modern Spiritual Poetry," "The 'sinful Magdalene from Bethany' The Confused Image Today," and "Freed from Sins, Demons, and Subjection." Includes eight pages of full color images of Mary Magdalene from earliest to most recent times.
LC Classification Number
BS2485.M3413 1998

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