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Tom Horn: Die letzten bösen Männer von Monaghan, Jay-
by Monaghan, Jay | PB | Acceptable
US $10,54
Ca.EUR 9,47
Artikelzustand:
“Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend ”... Mehr erfahrenÜber den Artikelzustand
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Buch mit deutlichen Gebrauchsspuren. Der Einband kann einige Beschädigungen aufweisen, ist aber in seiner Gesamtheit noch intakt. Die Bindung ist möglicherweise leicht beschädigt, in ihrer Gesamtheit aber noch intakt. In den Randbereichen wurden evtl. Notizen gemacht, der Text kann Unterstreichungen und Markierungen enthalten, es fehlen aber keine Seiten und es ist alles vorhanden, was für die Lesbarkeit oder das Verständnis des Textes notwendig ist. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers.
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eBay-Artikelnr.:196047521597
Artikelmerkmale
- Artikelzustand
- Akzeptabel
- Hinweise des Verkäufers
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 0803282346
- Book Title
- Tom Horn : Last of the Bad Men
- Publisher
- University of Nebraska Press
- Item Length
- 9 in
- Publication Year
- 1997
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.7 in
- Genre
- History
- Topic
- General
- Item Weight
- 0 Oz
- Item Width
- 6 in
- Number of Pages
- 290 Pages
Über dieses Produkt
Product Identifiers
Publisher
University of Nebraska Press
ISBN-10
0803282346
ISBN-13
9780803282346
eBay Product ID (ePID)
1100511
Product Key Features
Book Title
Tom Horn : Last of the Bad Men
Number of Pages
290 Pages
Language
English
Publication Year
1997
Topic
General
Illustrator
Yes
Genre
History
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
0 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
97-001508
Reviews
"Confronting a character whose episodes were savagely dramatic, Mr. Monaghan avoided romantic gilding."- New York Times Book Review, "Jay Monaghan does an excellent job of retelling [Horn's story. . . . [He knew the Tom Horn country at first hand, talked to dozens of oldtimers who saw Tom in the flesh, [collected Tom Horn material for twenty or thirty years. . . . Tom Horn ought to be the last word."- Time, "Jay Monaghan does an excellent job of retelling [Horn's] story. . . . [He knew] the Tom Horn country at first hand, talked to dozens of oldtimers who saw Tom in the flesh, [collected] Tom Horn material for twenty or thirty years. . . . Tom Horn ought to be the last word."-Time, "Confronting a character whose episodes were savagely dramatic, Mr. Monaghan avoided romantic gilding."-New York Times Book Review, "Confronting a character whose episodes were savagely dramatic, Mr. Monaghan avoided romantic gilding."- New York Times Book Review ., "Confronting a character whose episodes were savagely dramatic, Mr. Monaghan avoided romantic gilding."-New York Times Book Review., "Jay Monaghan does an excellent job of retelling [Horn's] story. . . . [He knew] the Tom Horn country at first hand, talked to dozens of oldtimers who saw Tom in the flesh, [collected] Tom Horn material for twenty or thirty years. . . . Tom Horn ought to be the last word."-Time., "Jay Monaghan does an excellent job of retelling [Horn's] story. . . . [He knew] the Tom Horn country at first hand, talked to dozens of oldtimers who saw Tom in the flesh, [collected] Tom Horn material for twenty or thirty years. . . . Tom Horn ought to be the last word."- Time .
Dewey Edition
21
Dewey Decimal
973.8/4/092
Synopsis
"The last great folk tale of the last American frontier"--that's how Jay Monaghan describes the crimson career of Tom Horn, defender of property rights, soldier of fortune, range detective, professional killer. Tom Horn, who had chased after Geronimo and ridden the trains as a Pinkerton operative, was drawn to wherever the action was--ultimately to Wyoming as a hired gun for the cattle barons. Finally he went too far--and paid at the end of a rope in 1903. For years afterward, whenever a man was found murdered on the high plains, people said, "Somebody tom-horned that fellow.", New York City in the Jazz Age was host to a pulsating artistic and social revolution. Uptown, an unprecedented explosion in black music, literature, dance, and art sparked the Harlem Renaissance. While the history of this African-American awakening has been widely explored, one chapter remains untold: the story of a group of women collectively dubbed "Miss Anne."Sexualized and sensationalized in the mainstream press--portrayed as monstrous or insane--Miss Anne was sometimes derided within her chosen community of Harlem as well. While it was socially acceptable for white men to head uptown for "exotic" dancers and "hot" jazz, white women who were enthralled by life on West 125th Street took chances. Miss Anne in Harlem introduces these women--many from New York's wealthiest social echelons--who became patrons of, and romantic participants in, the Harlem Renaissance. They include Barnard College founder Annie Nathan Meyer, Texas heiress Josephine Cogdell Schuyler, British activist Nancy Cunard, philanthropist Charlotte Osgood Mason, educator Lillian E. Wood, and novelist Fannie Hurst--all women of accomplishment and renown in their day. Yet their contributions as hostesses, editors, activists, patrons, writers, friends, and lovers often went unacknowledged and have been lost to history until now.In a vibrant blend of social history and biography, award-winning writer Carla Kaplan offers a joint portrait of six iconoclastic women who risked ostracism to follow their inclinations--and raised hot-button issues of race, gender, class, and sexuality in the bargain. Returning Miss Anne to her rightful place in the interracial history of the Harlem Renaissance, Kaplan's formidable work remaps the landscape of the 1920s, alters our perception of this historical moment, and brings Miss Anne to vivid life.
LC Classification Number
E83.88.H67H34 1997
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