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[WIE BESEHEN] Nikon F4S 35 mm Spiegelreflexkamera Gehäuse DP-20 MB-21 Akkugriff aus Japan-

Interesting-Japan

(5056)

US $107,39

Ca.EUR 99,00

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“AS IS. Not working condition.”

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Standort: Fukuoka, Fukuoka, Japan

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Lieferung zwischen Mo, 17. Jun und Mo, 24. Jun nach 43230 bei heutigem Zahlungseingang

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eBay-Artikelnr.:166617459401

Zuletzt aktualisiert am 12. Mai. 2024 12:15:10 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand: Als Ersatzteil / defekt

Hinweise des Verkäufers: “AS IS. Not working condition.”

Brand: Nikon

Type: SLR

Format: 35 mm

Focus Type: Auto & Manual

Color: Black

Model: Nikon F4S

MPN: 1791

Country/Region of Manufacture: Japan

Item Weight: 45.12 Oz

UPC: Does not apply

Artikelbeschreibung des Verkäufers

Rechtliche Informationen des Verkäufers

Peacock LLC

Hiroshi Miyahara

Hakomatsu 2 19 21 601

Higashi ku Fukuoka shi

8120061 Fukuoka

Japan

Kontaktinformationen anzeigen

:liaM-Epj.oc.oohay@dleif_enirhs

Ich versichere, dass alle meine Verkaufsaktivitäten in Übereinstimmung mit allen geltenden Gesetzen und Vorschriften der EU erfolgen.

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eBay-Artikelnr.:166617459401

Zuletzt aktualisiert am 12. Mai. 2024 12:15:10 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Kostenloser Versand	USA	Expedited Shipping from outside US	Lieferung zwischen Mo, 17. Jun und Mo, 24. Jun nach 43230

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Interesting-Japan

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Thank you! Great price and fast shipping from Japan. All the best! A++

Nikon D200 Camera + MB-D200 +AF Nikkor 35-70mm F/3.3-4.5D + 35-105mm F3.5-4.5D (Nr. 156235377692)

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From Japan, this seller seems to have many good lens combo. Bought these Tamrons for Nikon D5000 - was not sure AF would work and it doesn't as these have no integral motor. In good condition except 300 zoom had loose lens hood ring now held with gaffa tape. Despite this seems good value but will be testing quality on holiday.

Lot of 2 Tamron AF 28-300mm F/3.5-6.3 A06 + 28-80mm F3.5-5.6 Lens 177D for Nikon (Nr. 166415307495)

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Excellent, fast delivery. Thank you.

LIRE! Nikon F4 SLR 35 mm Film Camera Body Only DP-20 Noir Fabriqué au Japon (Nr. 155832097803)

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von martitanne-74
31. Mär. 2017Relevanteste positive Rezension
Ein wahrer Kameraklassiker
Die Nikon F4 stellt einen Meilenstein im Kamerabau dar: Die erste Profikamera mit Autofokus, eingebautem Motor, 1/8000 Verschlusszeit, 1/250 Blitzsynchrozeit und Mehrfeldmessung. Jede Funktion hat einen eigenständigen Schalter oder Hebel. Die Kamera ist somit weitestgehend selbsterklärend. Auch für heutige Verhältnisse ist der Autofocus recht flott und funktioniert selbst bei schlechten Lichtverhältnissen erstaunlich zuverlässig. Einzig mit bewegten Motiven hat die Schärfennachführung Mühe. Sodann weist die Kamera bloss ein mittiges Messfeld auf, was einen in der Bildgestaltung etwas einschränken kann.Die Nikon F4 stellt einen Meilenstein im Kamerabau dar: Die erste Profikamera mit Autofokus, eingebautem Motor, 1/8000 Verschlusszeit, 1/250 Blitzsynchrozeit und Mehrfeldmessung. Jede Funktion hat einen eigenständigen Schalter oder Hebel. Die Kamera ist somit weitestgehend selbsterklärend. Auch für heutige Verhältnisse ist der Autofocus recht flott und funktioniert selbst bei schlechten Lichtverhältnissen erstaunlich zuverlässig. Einzig mit bewegten Motiven hat die Schärfennachführung Mühe. Sodann weist die Kamera bloss ein mittiges Messfeld auf, was einen in der Bildgestaltung etwas einschränken kann.
Bestätigter Kauf: JaZustand: GebrauchtVerkauft von: otaku_japan2016
von gwhitegeog
02. Jun. 2023
Possibly the best 35mm SLR camera ever made
A beautiful camera. Nikon's classic was made from 1988 to 1996. Though its early autofocus system was relatively primitive, it remained compatible with Nikkor manual focus lenses. The camera is just about perfect, if you can cope with its size and weight. Amazingly constructed from over 1500 parts, it's solid and very well engineered. Its shutter mechanism is far more robust that Canon cameras of that era and if you buy a 30 year old model, its much less likely to require servicing. No LCD, just manual dials. Matrix metering and a full information viewfinder and works from 6 x AA batteries. If you buy one, check that the battery chamber and grip have not been affected by battery leakage. Also check the shutter for damage and check that the viewfinder is functioning and that the camera ... A beautiful camera. Nikon's classic was made from 1988 to 1996. Though its early autofocus system was relatively primitive, it remained compatible with Nikkor manual focus lenses. The camera is just about perfect, if you can cope with its size and weight. Amazingly constructed from over 1500 parts, it's solid and very well engineered. Its shutter mechanism is far more robust that Canon cameras of that era and if you buy a 30 year old model, its much less likely to require servicing. No LCD, just manual dials. Matrix metering and a full information viewfinder and works from 6 x AA batteries. If you buy one, check that the battery chamber and grip have not been affected by battery leakage. Also check the shutter for damage and check that the viewfinder is functioning and that the camera works across all shutter speeds. A truly classic camera, that is a pleasure to hold and use.
Bestätigter Kauf: JaZustand: GebrauchtVerkauft von: greenapostrophe
von orovus5
26. Apr. 2017
A Heavyweight Classic
I bought an F4S new, in the late 1980s, as an F3 replacement. I loved everything about it except its weight. The shutter was very fast, great metering options and the AF (new at the time) fun. It is among the last cameras that could take almost any earlier Nikon lens. It also had a mechanical mirror lockup (at a time when I had an ancient fisheye lens that required that). Sadly, it did not age well, with its LCDs bleeding and frequent need to clean the battery contacts. For long trips I switched to an small, light FG. By 2010, though it still looked mint, the F4S had virtually no cash value. I lent it to a friend who promptly lost it (long, dull story). Recently I was able to buy a well-worn, functional, late model F4S (on eBay) for a song. While I shoot mostly heavy Nikon FX ... I bought an F4S new, in the late 1980s, as an F3 replacement. I loved everything about it except its weight. The shutter was very fast, great metering options and the AF (new at the time) fun. It is among the last cameras that could take almost any earlier Nikon lens. It also had a mechanical mirror lockup (at a time when I had an ancient fisheye lens that required that). Sadly, it did not age well, with its LCDs bleeding and frequent need to clean the battery contacts. For long trips I switched to an small, light FG. By 2010, though it still looked mint, the F4S had virtually no cash value. I lent it to a friend who promptly lost it (long, dull story). Recently I was able to buy a well-worn, functional, late model F4S (on eBay) for a song. While I shoot mostly heavy Nikon FX DSLRs these days I still use film from time to time and the F4S fits right in. The 21st century economics of film cameras are weird. My replacement F4S came with an "E" focusing screen which just happens to be my favorite. When I looked at the remaining accessories from the original F4S I found its default split-image "K" screen. On eBay a "K" screen by itself can cost more than an entire F4S!
Bestätigter Kauf: JaZustand: GebrauchtVerkauft von: monacamera-japan
von Tpgi-RhaTZO@Deleted
10. Feb. 2010
Old school with new equipment
I recently bought the F4 Nikon. Why a 15 yr old film camera? 1. Wanted a Camera that will last my remaining days. The F4 promises to have longevity as well as a robust spare parts inventory due to qty sold. Camteck - great local repair shop 3 blocks from my house! ;>) (hopefully 10yrs? - If I'd known I'd have lived this long - I'd have taken better care of myself - and my F1's!) 2. I will be using my digital cameras to calibrate my film cameras (via Mac's) therefore using the digitals as previous poloroids could be to nail the exposures prior to shooting film. Ergo gaining superiority of film resolution (with Scan to disk) while avoiding undo expense of multiple bracketing and PPP (post partum pain) I do not enjoy retouching or computer ... I recently bought the F4 Nikon. Why a 15 yr old film camera? 1. Wanted a Camera that will last my remaining days. The F4 promises to have longevity as well as a robust spare parts inventory due to qty sold. Camteck - great local repair shop 3 blocks from my house! ;>) (hopefully 10yrs? - If I'd known I'd have lived this long - I'd have taken better care of myself - and my F1's!) 2. I will be using my digital cameras to calibrate my film cameras (via Mac's) therefore using the digitals as previous poloroids could be to nail the exposures prior to shooting film. Ergo gaining superiority of film resolution (with Scan to disk) while avoiding undo expense of multiple bracketing and PPP (post partum pain) I do not enjoy retouching or computer retouching unless I get a real winner. 3. Great old lenses are available at fraction of prices. (they still get the job done if you know what your doing) 4. Believe Film will go same way as turntables (just like records vs CD's - there is a difference) officianoro's will understand and cope with inefficiecies of old school/technologies. Trust this usefull - BIT
von bogrod
25. Jan. 2007
Closest to perfect you can find in a 35mm camera
Wow - where could I possibly start when doing a review of this camera body? I guess I can only relate my own personal buying decisions with this particular camera. I went from a Nikon FA (which finally gave up the ghost) and I had to make a long and hard decision about where I was going to go from there in terms of a camera body. I had a few requirements. One being that I had grown use to matrix metering with my manual focus glass. That was something that I really, really did not want to give up. My other requirement was that I wanted something that had autofocus capability (certainly not a big priority for me). Thirdly, I wanted something that had mirror lockup. And finally I also wanted spot metering. Basically, it got down to the F4. It's one thing to hear people wax ... Wow - where could I possibly start when doing a review of this camera body? I guess I can only relate my own personal buying decisions with this particular camera. I went from a Nikon FA (which finally gave up the ghost) and I had to make a long and hard decision about where I was going to go from there in terms of a camera body. I had a few requirements. One being that I had grown use to matrix metering with my manual focus glass. That was something that I really, really did not want to give up. My other requirement was that I wanted something that had autofocus capability (certainly not a big priority for me). Thirdly, I wanted something that had mirror lockup. And finally I also wanted spot metering. Basically, it got down to the F4. It's one thing to hear people wax poetic about using one of the F bodies. If you've never used one before, you might think that those people are perhaps influenced by the allure of a "status item". But once you've hit your finger on the shutter release of something like the F4, you will then know what they are talking about. I watched this happen with a friend of mine (who has used a 6006 for years) after he took his first exposure. There is virtually no vibration from mirror-slap. Nikon integrated a shutter balancer device that counter-balances the "shutter bounce" movement of the gears within the shutter system. Plus, the mirror box movement is so well dampened. The viewfinder: A delight. To some photographers who haven't had much experience with using a variety of bodies, they may never know the advantage of a good viewfinder. The finder in the F4 is clear and bright. On manual mode you can see in the range of +2 EV over and -2 EV under the "correct" exposure (which isn't available on other bodies) and the camera also has Aperture Direct Readout (something I also got use to with the manual cameras like my FA) which means you can see the selected aperture even with manual glass. Nikon F finders also have the advantage of being manufactured from a real block of optical glass. That helps immesurably with viewfinder brightness and clarity. The F finders are also free of distortions (in most of the other bodies there is a degree of pincushion distortion put in to compensate for the typical barrel distortion in wideangles) And what is truly unique is that all of the F finders have 100% coverage. So what you see in the viewfinder is exactly how it will be framed on the 35mm negative. The other advantage to this camera over the F5 is that it comes with three seperate power winders. The F4 was sold in the US under the F4s configuration, which had the MB-21 motor drive attachment. The MB-20 battery pack slims down the size of the camera considerably. This camera has a number of other nice touches: DX coding, viewfinder blind, the aforementioned mirror lockup (which is good when you want to take macro shots in the shutter speed area of 1 second to 1/15th of a second) and depth of field preview. Multiple exposure is onboard. You have the choice of manual or auto rewind. There is exposure and autofocus lock switches. Probably the BEST (and least known) aspect of the F4 is that it can used AF-S. Yes - you heard that right, it can use the AF-S suerfast/supersilent focusing. In general, you cannot go wrong with this camera if you're searching for a great manual 35mm camera that can in a pinch provide good (but limited) AF performance.

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