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The Pointer Sisters: Ruth Pointer, Anita Pointer, June Pointer (vocals). Additional personnel: David Katay, George Doering, Dennis Herring, Mark Goldenberg (guitar); Gary Herbig, Jim Horn (reeds); Chuck Findley, Gary Grant (trumpet); Dick "Slide" Hyde (trombone); John Barnes (piano); William Smith (organ); Vince Melamed (Rhodes); Paul Fox (Emulator); John Van Tongeren (synthesizer, Mini Moog); Brock Walsh (synthesizer, drum programming); Stephen Mitchell (synthesizer, programming); Tommy Faragher, Greg Phillinganes (synthesizer); Nate Watts, Eddie Watkins, Louis Johnson (bass); Howie Rice (drums, mini moog, synthesizers, bass, guitar, percussion); Bruce Roberts, Andy Goldmark (drums, synthesizers, programming); John Robinson (drums); Michael Boddicker (synthesizer programming); Barry Mann, Francis Buckley, Glen Ballard, Bob Mithoff, Reek Havok (drum programming); Paulinho Da Costa (percussion). Recorded at Studio 55, Baby 'O Recorders, The Music Grinder, & Brian Elliot Studios, Los Angeles, California. By the time the Pointer Sisters unleashed their 1983 Break Out LP, they had racked up six Top Ten singles spread between the pop and R&B charts. Break Out would prove to be their new wave breakthrough, peppering both charts with five further songs -- half the album -- while the LP itself spent over a year on the charts. Astute performers, the Pointer Sisters had embraced the 1980s' penchant for synthesized sonics wholeheartedly and used them to fine effect across songs that were upbeat and slick, space-age dance grooves that brought a new dimension to the trio's sound. Both "Jump (For My Love)" and "Automatic" were massive hits during early 1984, as both injected the sisters' trademark harmonies with fresh grooves that culminated in an appealing blend of old and new. "Neutron Dance," meanwhile, with Ruth Pointer's rich lead vocal laying over an extraordinarily snappy and nearly frenetic melody, did double duty, also featuring in the film Beverly Hills Cop. Using those three songs as a springboard, Break Out powers on through one groover after another with few surprises, although "Dance Electric" combines a synthesizer straight out Human League territory with a blistering guitar solo and "Easy Persuasion" emerges as a smoky ballad of sorts. Although Break Out is a far cry from the Pointer Sisters' earliest intentions, it still charms and pleases. It's a vital part of the early-'80s tapestry, a sonic signpost for the ultimate feel-good generation. ~ Amy Hanson
