Reviews
"The master musician and producer offers a typically idiosyncratic take on his life and art . . . Readers will savor the unique character of the producer's unconventional technique, which often employs setting up a jerry-rigged studio with vintage gear in an exotic locale . . . Lanois' book bursts with atmosphere and feeling. He is that rare breed, a lyrical technocrat, and he emerges from the work as one of music's most unusual and charismatic figures. There's really nothing like this oft-rapturous work in the canon of musical memoirs." --Kirkus (starred review), Marvelous . . . [A] jam-packed work that bears comparison to Chronicles: Volume 1 , the 2004 tome by Lanois' former production client Bob Dylan . . . A wonderful read., "This book is bursting with memorable anecdotes about [Lanois's] collaborators, another of the debut author's many gifts to fans of rock and country music." -Kevin Canfield, San Francisco Chronicle "The master musician and producer offers a typically idiosyncratic take on his life and art . . . Readers will savor the unique character of the producer's unconventional technique, which often employs setting up a jerry-rigged studio with vintage gear in an exotic locale. . . Lanois' book bursts with atmosphere and feeling. He is that rare breed, a lyrical technocrat, and he emerges from the work as one of music's most unusual and charismatic figures. There's really nothing like this oft-rapturous work in the canon of musical memoirs." - Kirkus (starred review) "In his humble, self-effacing memoir of growing up poor in Canada, Lanois, born in a small Quebec town, describes the difficulties he faced . . . He discusses specific albums, including U2's The Joshua Tree and the Unforgettable Fire , Dylan's Oh Mercy and Time Out of Mind , and Harris's Wrecking Ball . And that makes this a real treat for serious music fans." - Booklist "Marvelous . . . [A] jam-packed work that bears comparison to Chronicles: Volume 1 , the 2004 tome by Lanois' former production client Bob Dylan . . . A wonderful read." -Christopher Morris, "Soundcheck," Variety "Daniel Lanois' memoir could've easily been a 'look-at-where-I've-come-from-and-look-what-I've-accomplished' bit of swagger and boast-but it never comes close to being that. As he swings from sounding like an excited young Edison as he and Brian Eno unlock sonic secrets, to remembering his young-boy fear of forgetting the addresses of any of his 120 newspaper route customers, Lanois writes with an openness and honesty about himself that leaves you feeling this is truly an interesting and humble man. When he describes some of the processes used in recording the highly successful albums he's produced, Lanois does it in a way that explains what he was feeling and what he was looking f∨ he makes the case and leaves you understanding where his heart was at the time. It's that passion thing; Soul Mining is packed with it." -Brian Robbins, Glide Magazine, Daniel Lanois' memoir could've easily been a 'look-at-where-I've-come-from-and-look-what-I've-accomplished' bit of swagger and boast--but it never comes close to being that. As he swings from sounding like an excited young Edison as he and Brian Eno unlock sonic secrets, to remembering his young-boy fear of forgetting the addresses of any of his 120 newspaper route customers, Lanois writes with an openness and honesty about himself that leaves you feeling this is truly an interesting and humble man. When he describes some of the processes used in recording the highly successful albums he's produced, Lanois does it in a way that explains what he was feeling and what he was looking for; he makes the case and leaves you understanding where his heart was at the time. It's that passion thing; Soul Mining is packed with it., The master musician and producer offers a typically idiosyncratic take on his life and art . . . Readers will savor the unique character of the producer's unconventional technique, which often employs setting up a jerry-rigged studio with vintage gear in an exotic locale. . . Lanois' book bursts with atmosphere and feeling. He is that rare breed, a lyrical technocrat, and he emerges from the work as one of music's most unusual and charismatic figures. There's really nothing like this oft-rapturous work in the canon of musical memoirs., "This book is bursting with memorable anecdotes about [Lanois's] collaborators, another of the debut author's many gifts to fans of rock and country music." -- Kevin Canfield, San Francisco Chronicle "The master musician and producer offers a typically idiosyncratic take on his life and art . . . Readers will savor the unique character of the producer's unconventional technique, which often employs setting up a jerry-rigged studio with vintage gear in an exotic locale. . . Lanois' book bursts with atmosphere and feeling. He is that rare breed, a lyrical technocrat, and he emerges from the work as one of music's most unusual and charismatic figures. There's really nothing like this oft-rapturous work in the canon of musical memoirs." -- Kirkus (starred review) "In his humble, self-effacing memoir of growing up poor in Canada, Lanois, born in a small Quebec town, describes the difficulties he faced . . . He discusses specific albums, including U2's The Joshua Tree and the Unforgettable Fire , Dylan's Oh Mercy and Time Out of Mind , and Harris's Wrecking Ball . And that makes this a real treat for serious music fans." -- Booklist "Marvelous . . . [A] jam-packed work that bears comparison to Chronicles: Volume 1 , the 2004 tome by Lanois' former production client Bob Dylan . . . A wonderful read." -- Christopher Morris, "Soundcheck," Variety "Daniel Lanois' memoir could've easily been a 'look-at-where-I've-come-from-and-look-what-I've-accomplished' bit of swagger and boast--but it never comes close to being that. As he swings from sounding like an excited young Edison as he and Brian Eno unlock sonic secrets, to remembering his young-boy fear of forgetting the addresses of any of his 120 newspaper route customers, Lanois writes with an openness and honesty about himself that leaves you feeling this is truly an interesting and humble man. When he describes some of the processes used in recording the highly successful albums he's produced, Lanois does it in a way that explains what he was feeling and what he was looking for; he makes the case and leaves you understanding where his heart was at the time. It's that passion thing; Soul Mining is packed with it." -- Brian Robbins, Glide Magazine, In his humble, self-effacing memoir of growing up poor in Canada, Lanois, born in a small Quebec town, describes the difficulties he faced . . . He discusses specific albums, including U2's The Joshua Tree and the Unforgettable Fire , Dylan's Oh Mercy and Time Out of Mind , and Harris's Wrecking Ball . And that makes this a real treat for serious music fans., This book is bursting with memorable anecdotes about [Lanois's] collaborators, another of the debut author's many gifts to fans of rock and country music.
