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This lens is solidly built. I have used it on several occasions since I got it a few days ago. The edge of the image is not wonderful at full aperture, but by f5.6 it is! The lens mechanisms seem to function very well. There is less flare than other lenses I have used with short focal length. It seems to be made from quality materials, and all of its functions are very smooth. The "soft" lens cap is a very good thing for such a lens. The images that I have obtained are great.
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An excellent improvement to the already sought after 15mm Ultrawide Rectilinear design. It is sharper at all apertures, has less flare issues when light hits the front element and is great for indoor architecture due to its Ultrawide Rectilinear design. The rectilinaer design greatly minimizes the distortion you get from standard wide angle or fishey lenses and saves you from having to free transform or "fix" in Photoshop. You can use Gel Filters on the back of the lens, but it is not necessary if you are shooting digital. This lens is meant to be used with a Nikon FX Digital or 35mm Camera. If you have a DX lens, get the Excellent 12-24mm instead. Some Full frame Canon users remove or cut the Diaphragm Adjusting Plate on the back and use an adapter for a superior 14mm wideangle. Others use this lens as a great Video or Movie lens on Nikon mount cameras or using a Cine mount adapter. If you come across one of these "converted" lenses that is missing the Diaphragm Adjusting Plate, it is an easy fix to get it back to normal. Order part number 1K 611-857 from Nikon (costs around $2.00) and replace the Diaphragm Adjusting Plate. Then run a few aperture tests to make sure you have set the plate properly for exposure control, if you care to do it yourself. Otherwise send it in to Nikon and they will replace it and calibrate it for a MUCH higher price. If you want SUPERIOR Ultrawide Glass and can afford it, get the twice as expensive 14 to 24mm FX Lens instead. It is a slight improvement in optical design over the 14mm 2.8, but be prepared to lug around a Large Heavy lens. I sold my 15mm 3.5 to upgrade to the 14mm 2.8 and I am extremely satisfied with this addition to my lens arsenal. The 14mm is one of the older lenses that has better dust seals, real f/stops and a solid , less-plastic build. It can be used with every Nikon camera made since the late 70s except for the consumer grade digitals that only use AF-S or AF- I lenses. There is no need to put this lens on any DX camera anyway, as it is overkill. Great Lens for FX Users!Vollständige Rezension lesen
I have missed the older Nikon lenses for the mere fact they were more durable than these new expensive plastic lenses we have on the market today. I have the Nikon 14-24 F2.8 and it is back to the shop again for repairs. First it rolled off my bag and dropped less that a 30cm which caused barrel issues. The is second time is the aperture is sticking and one side of the focal plane is off. I am a working pro who does a ton of architecture photography and real estate. This lens is tack sharp and durable as hell! Great aspherical addition to your camera bag!
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As you know prime lenses are super sharp and this one is no exception. This lens is fast focusing and super quiet. The fast f/2.8 aperture make this lens exceptional for photographing in low light. It's an awesome lens for up-close concert photography, landscapes, photo-journalism, architecture, or whatever else you can think of. The ultra-wide lens can give your photos a unique perspective with a 114º picture angle and virtually no barrel distortion. This lens works great with DX or FX cameras. I use it with both my D700 and my D300 with equally good results, but it really excels on an FX camera. Since this is a D lens there is an aperture ring so you can use this lens with film cameras as well. It works great with my F90X. The only other lens that comes close to this one is the 14-24mm zoom and that one goes for $1600!!! Everyone one knows that wide-angle zooms are always shot at the widest point anyway, so save yourself some dough (and a hernia), buy a smaller and lighter 14mm prime... The only thing that keeps this lens from getting an excellent rating is the vignetting wide open and the slight softness in the corners. It's not a big deal to me, but it may be an issue for others.Vollständige Rezension lesen
I find this lens to be very sharp. The one I purchased on ebay is the older push pull zoom and focus style. Mine was in bargain condition with a few cosmetic issues, the glass is clean though and the images are crisp. A 70-200 VR is nice but you wont find one cheap. The two ring 80-200 is an improvement on this design and includes a tripod mount, but generally those lenses run about twice as much as this one. To use this lens with the modern digital cameras you can only use manual and aperture priority and must set the lens f stop in the camera menu. Once I did that I have no problems with metering or autofocus. I use the 80-200mm primarily for portraits and most often with the camera on a tripod. If you are looking for a sharp telephoto zoom for your Nikon at a small price, you can't go wrong with one of these older ED zoom lenses.Vollständige Rezension lesen
I bought this primarily for asto-photography, have used it for some landscape and architectural as well. Great lens, only thing I don't like is the leather lens cap, which is hard to take off and replace in the field, would much prefer a hard cap, even though it would have be very large.
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Nikon 80-200mm f/2.8D ED AF Zoom Nikkor Lens is a very good quality lens. It's fast (fixed f/2.8), solid (built like a tank), produce great quality image, and priced very reasonably for a professional grade telephoto lens. Having said that, there are some additional features that would be nice to have for this lens such as image stabilization, more silent autofocus (AF-S), and shorter minimum focus distance but those features will make this lens a lot more expensive (as those feature is included in the Nikon 70-200mm f/2.8 AF-S VR lens). If budget is not an issue, then I would recommend the 70-200mm f/2.8 AF-S VR (the Vibration Reduction technology and faster and more silent focus are very useful) or the 80-200mm f/2.8 AF-S (which has faster and more silent focus). If large aperture (fast lens)is not your main requirement, then you can get the 70-300mm VR (at a lower price) There are several version of 80-200mm f/2.8 lens, and the latest one (non AF-S model and that Nikon still produce as of 2009) is the two ring model. The one ring push pull model is also good quality lens (solidly built and produce great image quality) but autofocus is much slower. If budget is an issue, the older push pull model would still be a good choice too. FYI: This lens will not autofocus with Nikon D40, D40x, D60 or D5000. Pros 1. Great quality lens (very sharp pictures. 3 of the glasses made/coated with ED technology) 2. Very fast (fixed f/2.8 throughout the zoom range) 3. Very reasonably priced (compared to 70-200mm f/2.8 AF-S VR and 80-200mm f/2.8 AF-S) 4. Built to last. Very solid 5. Great for sport, action, wedding and low-light photography 6. Uses standard 77mm lens filter 7. Bokeh is very nice at f/2.8 8. Autofocus much faster than the older 80-200mm f/2.8 model (the push pull version) 9. The price is very stable (I bought mine several years ago and I could still sell it at the same price today) 10. With non full frame Nikon DSLR, the focal length becomes 120-300mm equivalent (nice reach). you can get Nikon 80-400mm for more reach but that lens is not fixed f/2.8). Cons 1. Heavy at 2 lbs 14 oz or 1.3kg. (Good arm exercise :), or using tripod or monopod would be nice) 2. Autofocus not as fast and silence as the AF-S model (70-200mm f/2.8 AF-S and 80-200mm f/2.8 AF-S), but the autofocus limiter switch improves autofocus time 3. Tripod collar is too close to the zoom ring (you can remove or adjust the tripod collar though) 4. Thread for the filter can be better (it's made of plastic) 5. Lens hood is sold separately (highly recommended to reduce flare and internal reflection) 6. More expensive than Non-Nikon (sigma, tamron etc) brand alternative (some comparable price but they have faster and silence focus) 7. Lens could jump around a bit during autofocusing if you are not strong enough (due to the glass moving fast as the lens autofocus) 8. No Manual focus override mode on Autofocus mode 9. No Macro mode (can't be use for macro shot). closest focusing distance is quite far 10. No VR (Vibration Reduction), which will help a lot for this type of lens (heavy and telephoto) In conculsion, if you are looking for a Nikon professional grade telephoto lens that is reasonably prices, you can't really beat this Nikon 80-200mm f/2.8D ED AF Zoom Nikkor lens. This lens is really good choice for sport, action, wedding, low-light, indoor photography.Vollständige Rezension lesen
The Nikon 14-24mm f2.8 raised the standard for ultra wide angle lenses, and some have argued, made every prime in its range obsolete. Yet, for equally sharp images from f5.6 upward, this 14mm f2.8 is absolutely AWESOME! Light weight, compact size, and half the price of the new standard 14-24mm, this lens travels well and won't disappoint. I owned and sold the much larger, heavier and more expensive 14-24 and while I have eyed it from time to time, I will never purchase another. I was blessed to get my 14mm used on ebay at an incredible bargain basement price, and it will have to be pried from my hands before I give it up.
I have always enjoyed using very wide lenses in conventional photography and 3D. For several years I have been using a Korean 8mm DX fisheye but it didn't always do the job. This lens works well on both my film cameras and DSLRs. This lens is large but still fits in my camera case. So far the weakest point is the "sock" that protects the front elements. It is a little awkward to use. A better designed lens cap is not impossible. The ability to use filters is very limited to a gel slot at the rear of the lens. Brand new this lens is very expensive (for my budget).
The Nikon 14mm f2.8 lens is a great lens if you know how to use it. The newer Nikon 14-24 G zoom is considered by some to be sharper, but the 14mm prime has a place if you already own the 17-35 f2.8 Nikkor. Keep in mind that the 17-35 has front filter threads and the 14-24 does not. No front mount filter of any type for the 14-24 zoom. So, a great prime 14 with adjustable f stops and a 17-35 zoom with adjustable f stops and filter threads. The lens, if you know how to use it, can set your work apart from others. You can get really close and be oh so intimate with your view! Great creative possibilities. Can't say enough great things about it. On a full frame (FX) camera this thing is a must have if you want to produce someting that has a different look.