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Frecobaldi: Flüssige Perle - Pessi / Eguëz CD Flora wie neu-

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Standort: Geneva GE, Schweiz

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Format: CD

Release Title: Frecobaldi: Liquide Perle

Edition: Flora

UPC: 5425008377599

EAN: 5425008377599

Artist: Giovanna Pessi, Eduardo EgEz

Release Year: 2012

Record Label: Flora

Style: Ground / Partita, Toccata, Partita, Aria, Medley, Dance, Saltarello, Galliard, Variation, Character Piece

Genre: Suite, Dance & Electronica, Toccata, Ground, Partita, Aria, Medley, Variations, Classical, Saltarello, Galliard, Character Piece

Run Time: 49 min.

Über dieses Produkt

Product Identifiers

Record Label

Flora

UPC

5425008377599

eBay Product ID (ePID)

144580266

Product Key Features

Format

Release Year

2012

Genre

Suite, Dance & Electronica, Toccata, Ground, Partita, Aria, Medley, Variations, Classical, Saltarello, Galliard, Character Piece

Run Time

49 min.

Style

Ground / Partita, Toccata, Partita, Aria, Medley, Dance, Saltarello, Galliard, Variation, Character Piece

Artist

Giovanna Pessi, Eduardo EgEz

Additional Product Features

Distributor

Allegro Corporation Dist

Spar Code

DDD

Release Date

20120220

Artikelbeschreibung des Verkäufers

Rechtliche Informationen des Verkäufers

MUSICS, Olivier Keller

oliver keller

rue Bautte 16

1201 Genève

Switzerland

Kontaktinformationen anzeigen

:nofeleT3480023220

:liaM-Emoc.liamg@evenegscisum

CRN-Nummer:

CH66001120027

Handelsregisternummer:

CH66001120027

Ich versichere, dass alle meine Verkaufsaktivitäten in Übereinstimmung mit allen geltenden Gesetzen und Vorschriften der EU erfolgen.

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von rababmaster
21. Okt. 2013
Buy it and love it!
This review is from a copy provided by a friend, who acquired it via Amazon, and who complained the inserts provided little information. First, we need to clarify the source. The selections are from the "Chigi manuscript of the first half of the 17th c.": the Chigi collection is stored at the Vatican Library, and contains a variety of writings. The particular manuscript used for this recording is NOT the Flanders 1498-1503 Chigi ms. C.VIII.234 that contains Ockeghem, Agricola, Baumel, Busnois, des Prez, Compere et al. This is from another ms. in the collection that contains 17th c. keyboard compositions, especially works by Girolamo Frescobaldi d1643, and dance tunes, and other material. In fact, the sources are Italian and German, and written not only for keyboards, but also for guitar ... This review is from a copy provided by a friend, who acquired it via Amazon, and who complained the inserts provided little information. First, we need to clarify the source. The selections are from the "Chigi manuscript of the first half of the 17th c.": the Chigi collection is stored at the Vatican Library, and contains a variety of writings. The particular manuscript used for this recording is NOT the Flanders 1498-1503 Chigi ms. C.VIII.234 that contains Ockeghem, Agricola, Baumel, Busnois, des Prez, Compere et al. This is from another ms. in the collection that contains 17th c. keyboard compositions, especially works by Girolamo Frescobaldi d1643, and dance tunes, and other material. In fact, the sources are Italian and German, and written not only for keyboards, but also for guitar and lute. Nor is this CD to be confused with one of the same title of works of Giovanni Antonio Terzi on the E Lucevan Le Stelle label 2001 w a soprano and two lutenists. Although this CD was recorded in August 2006, and versions were available in Europe at least back in September 2011, it was not released, on the Flora label, until last week in April of 2013. The title is apparently from a "greatest hit" by madrigalist Luca Marenzio in his Primo Libro, and was reworked and circulated extensively: it refers to tears (although a subtle reading of the lyric hints at body fluid of another, male, kind. Let's not go there.). The duo is Giovanna Pessi, arpa doppia, who has played harp since she was seven years old, and Eduardo Eguez, theorbo / guitar, of Buenos Aries, who also had an early start. Both studied at the renowned Schola Cantorum Basiliensis, and both are accomplished recording and performing artists with long and worthy catalogues. Now to the point: is this CD worth acquiring and listening to? The answer is a resounding YES. Buy it without hesitation, and your heart and ears and mind will be rewarded. The performances are crisp, delicate and sensitive without being wimpy or overly scholastic. The balance between theorbo or guitar and harp is perfect. The selections vary from dance tunes (gagliarda, saltarello, corrento) to more serious compositions, including at least one by Ferrini, and all are performed with equal excellence and attention. The recording quality is next-to-you live, every note audible and clear, nothing murky: this is no mean feat itself when dealing with two instruments of so many strings, from low to high registers. I am always a little suspicious when musicologists, and musicians, claim improvisation as a natural practice for music of this period. I wonder, what are they adding or leaving out that might have been uncharacteristic of the composers' intentions? There is no way to know without recourse to the manuscripts, so let's not dither about it. This is very rewarding for close repeated listenings, which it deserves, and it is satisfying even as casual background music. I cannot resist an additional note: I hope Christina Pluhar hears this CD and is challenged to record a CD of similar music of this period, which is her forte, in self-accompaniment: after all, she plays both harp and theorbo brilliantly. [ Additional note to harp lovers: Giovanna's harps are by Eric Wilhelm Kleinmann, Beat Wolf, and Rainer Thurau.]- Daniel in Portland

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