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Rezensionen (13)
16. Apr 2010
Get on On The Town
Any time you're afforded the opportunity to see Gene Kelly, Frank Sinatra, Ann Miller, Betty Garret, the all too rarely seen Vera Ellen, Jules Munshin all at once, in a lark in N.Y.- TAKE IT! The first 4 stars mentioned were ABSOLUTELY at their peak. The production was shut down often while in N.Y. because Frank Sinatra was the hottest guy on radio at the time and his movie career was also hitting its peak.Despite the appearances very little was shot in N.Y.. It may be called dated, maybe naive, it MUST be considered great entertainment. I believe it rivals ANY of the best musicals. Oh sure it's fluff, has limited social import, makes all the profound statement of any of the Rogers, Astaire musicals and many others and it's fun. Places the same critical magnifying glass as does Abbott and Costello on the dramatic concerns of society. AND IT'S FUN!!! The movie is really insight to the point we (the U.S.) were still growing and learning. It truely is insight to a simpler time, a time we could still collectively laugh at silly. It should be yearned for again. Try this, I'm sure you'll like it.
21. Nov 2009
Simply remarkable stuff.
I'm not sure what to say about something this wonderful. Rosemary Clooney is a uniquely gifted singer. There can be no question of this. Her voice is spot on, laser precise, and so soulful. Johnny Mercer is the poet-laureate of the U.S.A.. An extremely grounded poet with a clever wit and a talent for rhyming where it might be impossible for anyone less wry or earthy. This is not to say he's some southern bumkin- FAR FROM IT! He was a man with an incredible command of the english language, and, eager to use it. Remarkable; a poetic genius' works rendered by a prototypical jazz master. If vocal jazz is your style you really owe it to yourself to listen to this. Go on get it, it's that worthy.
11. Nov 2008
George Benson 'Nuff Said
What's not to like? George Benson is a national treasure! FEW real jazz players have stayed well in the vein of true jazz and have had some "crossover" success in the world of popular, commercial, musical reality. This is NOT a thing to be spurned or belittled. If you play some Jazz/stoned fusion and find that 3/4 of the U.S. is not in your market what do you gain? Your discordance and lack of identifiable beat may make the beatniks of late 40s or early - mid 50s swoon at your "vision" and cause the rest of the musical world to loose lunch. Anyway in this DVD Benson takes you through some progressions, shows off some chord work most of us will never embrace, but it gives you a technical level to aspire to. It shows what you can do when you live, sleep, breath, eat, and dream being a guitar player. Mr. Benson gives a little personal history and blends it with the lesson. The lesson on dual note (octave) runs tells not only who he got it from but how he does it and what the problens are further into the run. Fretboard navigation is labeled as what it is; scales. There's no nonsense here, some sincere touching on reality here. While Sir George sits amid spaceous, very nice surroundings he points out a possibly less appreciated absolute: that if you don't enjoy some semblance of commercial success you may staunchly hold your head high for your own vision and hock your axe for food. This means the masses will never know you had a vision or possibly that you ever existed. Hooray for you but, personally, I'm very glad we've got the genius of George Benson here, now. You'll see how blistering fast he is - all the while learning and being entertained on a very personable one on one level. I'm a blues player personally and LOVED seeimg how much I didn't know. By the by, there's no such thing as knowing too much. Whadaya have to loose? This is a great players DVD but given so much tutoring it may be a bit heavy for non-players.I loved it.