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Standort: USAAngemeldet seit: 27. Dez 2003

Alle Bewertungen (464)

  • t***b (835)- Bewertung vom Käufer.
    Letzte 6 Monate
    Bestätigter Kauf
    Great seller, good communication, and nice packing.
  • u***o (1326)- Bewertung vom Käufer.
    Letztes Jahr
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    Items as described. Quick shipping. Would buy again. Thanks!
  • 1***g (737)- Bewertung vom Käufer.
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    Received item as pictured and described, on time with no issues. Seller communicates well and acts promptly. Thank you!
  • h***6 (1019)- Bewertung vom Käufer.
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    red/brown is a great communicator and a fast shipper with great knowledge and helpful. I will buy from again no questions asked
  • l***d (472)- Bewertung vom Käufer.
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    All positive, fast shipping!! A+++ SELLER 5 STARS GREAT COMMUNICATION!!!
  • w***3 (26)- Bewertung vom Käufer.
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    Great communication and I can tell this is a guy who loves gear as much as I do. Thank you!
Rezensionen (8)
GOTOH Push-in/Screw-in Arm for WILKINSON VS100 Tremolos A7 Whammy Bar - CHROME
21. Jan 2018
VS100 Tremolo bar by Gotoh
This fits both the Wilkinson tremolo, and the Gotoh 1996GT Floyd Rose licensed tremolo. I bought one of these to replace the ugly tremolo bar that the Gotoh locking tremolos now have. They are slightly tapered with a groove to suggest a tremolo tip. AWFUL! It's ugly and it feels bad in the hand when using. The Wilkinson design is a perfect and EXACT replacement for this tremolo bar was well. Buy it, use it, and see why I did. Nice and shiny with a smooth appearance!
Fender Vintage-Style ’50s Stratocaster Soft "V" Neck - Maple Fingerboard
10. Mär 2017
Awesome vintage clone neck!
I bought this neck sight unseen. When I got it I thought "WOW! What an awesome value!" It's already drilled for mounting holes in the heel, and in the headstock for machine heads. The only thing you have to do to use it is bolt it on, string it up, and place your string guide, and drill the hole for it. It's already leveled frets, finished nut, decals, and stamped heel give it a complete look, and feel. For a lot less than aftermarket manufacturers offer theirs WITHOUT A FINISH, this neck is an excellent deal! The only thing I don't like about it is the phony-baloney amber coloured finish that they put on it thinking that looks cool, or more vintage - it doesn't. It looks fake, and unappealing. I bought a reissue with the same finish back in 2003. So I stripped it, and refinished it with true nitrocellulose lacquer - not acrylic, with Plasti-kote brand which invented it in 1923! I'm not going to do that with this one as I've gotten used to looking at it now. I just wish that Fender would stop using this colour on their guitar necks! Otherwise I have no real complaints other than the fretboard radius. It's too bad that when Fender came out with these guitars in 1950 that he didn't use a flatter radius so that it wouldn't choke out so easily. This has a nice soft V shape rounding out about the 10th fret that makes this very comfortable to play without fatigue even when I play with my thumb over the side of the neck. It's meaty without being too thick, or thin. I think that this, and the U shaped neck are the best feeling neck shapes that Fender has to offer which is a lot considering that other manufacturers copy Fenders' body designs, and necks! All in all, a great neck for the price with accurate detailing, and shapes for headstock, heel, and overall shape. Other than the colour of the finish this is the ultimate tribute to one of the greatest instruments of all time!
5 von 6 finden das hilfreich
GRETSCH G5420T SUNBURST ELECTROMATIC HOLLOW BODY GUITAR GIG BAG INCLUDED
25. Jul 2016
Excellent quality and features
After reading a lot of reviews I thought maybe it's time for a more in depth look at this guitar. I've played a lot of guitars - HUNDREDS over the course of thirty two years, but this is one of the very best that I've had the personal pleasure to play! The pickups sound very sweet, and pure Gretsch vintage. They aren't exactly the same from guitar to guitar since they are made to varying specifications from model to model. This is something that shouldn't be expected to sound the same with every amplifier as this is something that is impossible to recreate perfectly from one amp manufacturer to another! It's unreasonable to say that these sound differently from each other when playing the same model as these are wound with CNC powered pickup winding machines. The difference is in what string guage, and the settings of your amp, and the guitar are according to your own preference. I used a Fender Deluxe Reverb and this sounded exactly like all the old recordings of songs that I listened to from the 60's! Although I don't own one yet as I'm still on the fence as to what colour I want, I have played a lot of Gretsch and other brands of guitars and this is one of the best values for what some call an "entry model" which this guitar isn't. The Duo Jet, and the Double Jet are considered entry models, but not this kind of guitar that uses this hollow type of construction. This the affordable version of the USA custom shop models costing thousands of dollars, but the features, and appointments are on par with their USA counterparts. The fit and finish are perfect with no buffing marks on it, and the fret work is great. Although one inlay on the one that I played (white with gold hardware) was a little less than perfectly fit into the hole cut for it. It was very easy on the hands with the U shaped neck that was much like a Les Paul Custom with a fairly thick body that allows for that true hollow body honk that only comes from a guitar such as this! The weight is what you'd expect of a hollow body. The action could've been a little lower to my taste, but it was pretty decent with no choking out when bending notes, or playing chords. It stayed in tune really well even when using the tremolo bar with a little aggressiveness - it played all the way through songs without the need for retuning afterward! Even after an hour playing straight through it only had to be retuned twice since the strings were still new. The finish and the fit on the machine heads were nicely done with the tightness that you'd expect from USA made machines. The nut was precisely cut and allowed the strings to ring true which you won't get with just any type of material, but the synthetic bone kept it true to form tone wise. The bridge isn't the best, but it allows for unilateral tuning which is nice, but not authentic to the original Melita bridge design, nor is it as attractive. The control layout is correct, and a great looking setup for this guitar and it's easy to use, and makes sense. The bar is in the just the right place for easy use when needed swings out of the way when you don't want to use it. The finish on the chrome is smooth with no apparent scratches in the metal beneath that you usually see on overseas guitars made in the orient. The binding is well done with no finish overlap, or paint smudges. All the wood is smoothly sanded, and properly shaped with no high or low spots, and the grain doesn't show through the finish surface when looking at it at an angle, or straight at it. There are no joinery lines in the finish and all the plastic is uniformly cut with the wood where the two join together. All in all I say that Gretsch did their homework when deciding to capitalize on their own history and appeal rather than going with some new radical strat inspired designs, and stuck with the one true hollow body manufacturer shape that has withstood the test of time, and is the most beloved. Sure you could put a solid block through the middle, but it would lose a lot of the characteristic quality that Gretsch guitars are known for! The same is true with their pickup design - this isn't something that you're going to get from just any guitar. The same is true as if you put a strat pickup in a Les Paul and vice - versa. It may sound a lot like it, but the true guitar that this pickup was designed for won't be exactly the same! I nitpicked, and thoroughly inspected this particular model with several different guitars, and they all passed with flying colours! I'm a guitar maker, not just a builder, or one who modifies them, but I make them from scratch. Not all guitars are going to please all people, but that's where I come in; to alter either an existing guitar with whatever pleases its' owner or to make one from scratch with the appointments that anyone would appreciate. However, this guitar is one of those right off the rack! I wouldn't change it, or any of its' appointments. Gretsch's truly one of the few that got it right the first time!

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