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Rezensionen (10)
11. Feb 2017
A sad story told well
The Scissors Massacre 2 (Slit Mouth Woman 2) is a rather sad movie, told in a fairly realistic style, unlike the 2007 film. Reminiscient of Hikiko-san in the 2008 film Scream Girls direced by Hisaaki Nagaoka the way it's told. The Malaysian DVD was subtitled by the same company that had released the film previously in Singapore, so the English translation is much better than films that were only subtitled in English on Malaysian DVD (the most infamous case being Tomie vs Tomie). The only problem is that some of the subtitles are so fast that I had to rewind and freeze-frame them to see what they said if and when a sentence was only one to three words long.
28. Apr 2016
Not so great.
I read this after a friend recommended it. I had read The Day of the Triffids and The Chrysalids by the same author recently, so I figured I'd give it a go. I wish I hadn't. I should have stuck with my first impression of the 1960 movie version (under the name Village of the Damned) being thoroughly uninteresting. Right after, I read John Wyndham's book Chocky, and while I preferred Chocky to The Midwich Cuckoos, it doesn't hold a candle to The Day of the Triffids and The Chrysalids.
16. Mai 2006
One of Bowie's Best
0 von 1 finden das hilfreich Now, as then, Lodger has always been one of Bowie's very best albums.
There are some very strange experimental songs, some essays in irony, and
some of the artist's very best rockers. Depite "Boys Keep Swinging" and
"D.J.," which were the first two singles, the two that cook are "Red Sails"
and "Look Back in Anger." Except for "Ashes to Ashes," nothing on Scary
Monsters is as good as these tracks.
On the now-out-of-print Ryko version, there was a bonus track from
the Lodger sessions called "I Pray, Ole," which is lyrically embarrassing,
but one of the most finger-snapping, catchy things Bowie's ever recorded.
In this manner, it reminds one of two of the bonus tracks on the Ryko Man
Who Sold the World: "Lightning Frightening" and "Holy Holy."
In its overall feel, Lodger approximates what I think is Bowie's best
ever album, which is -- not Ziggy Stardust, but -- Diamond Dogs.