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    Been using eBay for 20 years.
    Standort: Vereinigtes KönigreichAngemeldet seit: 03. Nov 2004

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      Thank you for buying from ShopDirect365. ☑️ Prompt payment ☑️ Valued customer 👍
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      Great communication. A pleasure to do business with.
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      Thank you for an easy, pleasant transaction. Excellent buyer. A++++++.
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      Thank you for an easy, pleasant transaction. Excellent buyer. A++++++
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      Good buyer, prompt payment, valued customer, highly recommended.
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      Thank you for an easy, pleasant transaction. Excellent buyer. A++++++.
    Rezensionen (8)
    CE APPROVED 12W MAINS WALL CHARGER ADAPTER PLUG IPAD AIR IPHONE 4 5 6 SAMSUNG
    26. Jul 2018
    Although rated at 12 watts I’m only getting about 6-7 but it’s stable and doesn’t get too hot, unlike my 5 lead power supply.
    The British 60's - The Equals & The Foundations (2003) (CD)
    13. Mai 2020
    Real Soul Music
    I miss this kind of soul bluesy music. Long before synthetic processing.
    27. Jun 2008
    Controversial, child prostitution, Lolita scenario.
    This film shot Brook Shields controversially into the media spotlight and caused a typical moral panic in hypocritical Bible belt America. It deals with the invariably tragic nature of a supposedly intelligent and articulate, precocious child, pre-pubescent but already sexualised by having a (grooming) mother who unashamedly performs in front of her, like the analogous Rumer Willis, of the main character in 'Striptease', Demi Moore, where she inadvertently stumbles across her mother at work. Demi Moore's character behaves in a more 'Politically Correct Hollywood' way than the mother of Pretty Baby by apologising and checking her response to the embarrassing 'job' revelation. Susan Sarandon's character then, made no such apologies. How times have changed in politically sensitive Hollywood. This film is sumptuously filmed and has a very authentic, if claustrophobic, feel of late 19th century New Orleans with its constant close camera work. The cleanliness and gaudiness of the sets suggest an idealised version of what must have been a sordid arrangement. The drug taking and exceptionally ugly (even for a man) Madame is another bizarre twist to the sanitised story. The Humbert Humbert character seems unbelievably ingenuous, self-deluding and immature, like most paedophiles, I guess, though depicted as much less predatory, almost patrician, by comparison with the sick, evil, coercive psychopaths who prey on children the world over and stink out the Internet of today. This particular fig-leaf-edited version is typical of today's conflicted early 21st century America. Now pathetically trying to stuff the embarrassing late 20th century ‘permissive age’ genies back into the bottle (an Oppenheimer allusion) while being the powerhouse of Internet porn, on the other side of Hollywood Hill. Sleaze on an industrial scale greater than Hollywood itself - like the dilemma and consequences of inventing the atom bomb - “We have become defiled, changed and saddened by the experience and can never return to a state of innocence” , however much we pretend otherwise. I found his conceited, exploitative, pseudo-arty, (like 'Emmanuelle') child-porn film, neither 'beautiful' nor 'humane', as it does not represent any connection with real life experiences apart from the mildly suggested ugliness, pain and everlasting degradation of child prostitution. The director hints that somehow the Brook Shields character is relatively unharmed and maintains her sense of innocence and integrity to the end parting of the ways. Such is never the case in real life (or the much more graphic book) with all involved carrying the damage and dis-functionality through their lives into old age. I can only view 'Pretty Baby' with a very jaundiced eye and I suggest that, like 'Supping with the Devil', you need to use 'a very long spoon'. Suspend credulity as you watch this ‘dolls house’ set piece in pushing the boundaries beyond the limit of responsible decency for children, as in 'Taxi Driver', 'Blue Lagoon' and the released version of 'Leon'. All feature precocious and sexualised pre- and pubescent girls, trying to blur the line between vulgar exploitation and sexual exploration. I for one am not fooled by 'Art for Art's Sake' when blended with 'Money for God's Sake'. Sex can be and often is, used as a weapon by young girls to get 'their way' with much older men. Child Porn not Art.

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