Intended AudienceTrade
SynopsisThe world's leading authority on Feng Shui, and author of several international bestsellers, presents 168 surefire strategies for eliminating excess baggage, renewing energy, and generating new pathways within your house and mind. Lillian Too's colorful guide offers strategies that range from practical cleaning (including tidying tabletop clutter) to visualizations. For specific needs or a general feng shui makeover, here are simple, affordable solutions., Try 168 Feng Shui ways for dejunking your home. You'll love the way it looks, and you'll feel positive and vibrant. Eliminating whatever's piled in corners, hidden in closets, and not moved or used in a long time is restorative. Lillian Too reveals how to remove the clutter and rearrange a room using traditional Feng Shui principles so that good energy flows, replacing clutter with a soothing and comforting ambiance. You'll feel a sense of well-being and pleasure, simply because you're at home. Book jacket., One of troubador/flaneur Chris Leo's claims to fame is that he holds the highest score on the rigorous New York City Tour Guide Exam. He's done a lot of walking in his days. Over the past decade, dividing his time between Manhattan and Cupra Marittima, Italy, the walking has amounted to a gamut of lyric texts reflecting his follies and diversions along the way in an apropos hodgepodge of formats. From his novels White Pigeons and 57 Octaves, which come with accompanying music and drawings, to his polylingual children's book Coomoococklemungmung, illustrated by Buenos Aires-based artist Francesca Massai, to albums with his word-burdened bands The Van Pelt, The Lapse and Vague Angels, the delivery is always the same: cat's paw on a very big mouse. Leo's fourth book, Feathers Like Leather, is a collection of short stories, poems and etymologies, each a raw and urgent account of his life abroad--even in his own hometown. From obsessive language dissection to personal sexual questionings, Leo lends a relentless charm to his writing that emanates from the page as if it's being sung.