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Death on the Cheap : The Lost B Movies of Film Noir by Arthur Lyons (2000, Trade Paperback)

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Product Identifiers

PublisherGrand Central Publishing
ISBN-100306809966
ISBN-139780306809965
eBay Product ID (ePID)1673620

Product Key Features

Book TitleDeath on the Cheap : the Lost B Movies of Film Noir
Number of Pages224 Pages
LanguageEnglish
Publication Year2000
TopicFilm / Guides & Reviews, Modern / 20th Century, Film / Genres / Crime, Film / Direction & Production, Film / History & Criticism
IllustratorYes
GenrePerforming Arts, History
AuthorArthur Lyons
FormatTrade Paperback

Dimensions

Item Height0.6 in
Item Weight12.8 Oz
Item Length9 in
Item Width6.1 in

Additional Product Features

Intended AudienceTrade
LCCN00-043164
Dewey Edition21
Dewey Decimal791.43/655
SynopsisRobert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: "Hell, we didn't know what film noir was in those days. We were just making movies. Cary Grant and all the big stars at RKO got all the lights. We lit our sets with cigarette butts." Film noir was made to order for the "B," or low-budget, part of the movie double bill. It was cheaper to produce because it made do with less lighting, smaller casts, limited sets, and compact story lines,about con men, killers, cigarette girls, crooked cops, down-and-out boxers, and calculating, scheming, very deadly women. In Death on the Cheap , Arthur Lyons entertainingly looks at the history of the B movie and how it led to the genre that would come to be called noir, a genre that decades later would be transformed in such "neo-noir" films as Pulp Fiction, Fargo , and L.A. Confidential . The book, loaded with movie stills, also features a witty and informative filmography (including video sources) of B films that have largely been ignored or neglected, lost" to the general public but now restored to their rightful place in movie history thanks to Death on the Cheap ., Robert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: Hell, we didn't know what film noir was in those days. We were just making movies. Cary Grant and all the big stars at RKO got all the lights. We lit our sets with cigarette butts. Film noir was made to order for the B, or low-budget, part of the movie double bill. It was cheaper to produce because it made do with less lighting, smaller casts, limited sets, and compact story lines--about con men, killers, cigarette girls, crooked cops, down-and-out boxers, and calculating, scheming, very deadly women. In Death on the Cheap , Arthur Lyons entertainingly looks at the history of the B movie and how it led to the genre that would come to be called noir, a genre that decades later would be transformed in such neo-noir films as Pulp Fiction, Fargo , and L.A. Confidential . The book, loaded with movie stills, also features a witty and informative filmography (including video sources) of B films that have largely been ignored or neglected--"lost to the general public but now restored to their rightful place in movie history thanks to Death on the Cheap ., Robert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: "Hell, we didn't know what film noir was in those days. We were just making movies. Cary Grant and all the big stars at RKO got all the lights. We lit our sets with cigarette butts." Film noir was made to order for the "B," or low-budget, part of the movie double bill. It was cheaper to produce because it made do with less lighting, smaller casts, limited sets, and compact story lines--about con men, killers, cigarette girls, crooked cops, down-and-out boxers, and calculating, scheming, very deadly women. In Death on the Cheap , Arthur Lyons entertainingly looks at the history of the B movie and how it led to the genre that would come to be called noir, a genre that decades later would be transformed in such "neo-noir" films as Pulp Fiction, Fargo , and L.A. Confidential . The book, loaded with movie stills, also features a witty and informative filmography (including video sources) of B films that have largely been ignored or neglected--"lost" to the general public but now restored to their rightful place in movie history thanks to Death on the Cheap .
LC Classification NumberPN1995.9.F54L96 2000

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