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Schubert's Fingerprints: Studies in the Instrumental Works by Susan Wollenberg (2011, Hardcover)

Über dieses Produkt

Product Identifiers

PublisherRoutledge
ISBN-101409421228
ISBN-139781409421221
eBay Product ID (ePID)109047963

Product Key Features

Number of Pages344 Pages
LanguageEnglish
Publication NameSchubert's Fingerprints: Studies in the Instrumental Works
SubjectHistory & Criticism, Genres & Styles / Classical, Individual Composer & Musician
Publication Year2011
TypeTextbook
AuthorSusan Wollenberg
Subject AreaMusic
FormatHardcover

Dimensions

Item Height1.1 in
Item Weight27.3 Oz
Item Length9.3 in
Item Width6.5 in

Additional Product Features

Intended AudienceCollege Audience
LCCN2011-010442
Dewey Edition23
IllustratedYes
Dewey Decimal780.92
SynopsisAs Robert Schumann put it, 'Only few works are as clearly stamped with their author's imprint as his'. This book explores Schubert's stylistic traits in a series of chapters each discussing an individual 'fingerprint' with case studies drawn principally from the piano and chamber music. The notion of Schubert's compositional fingerprints has not previously formed the subject of a book-length study. The features of his personal style considered here include musical manifestations of Schubert's 'violent nature', the characteristics of his thematic material, and the signs of his 'classicizing' manner. In the process of the discussion, attention is given to matters of form, texture, harmony and gesture in a range of works, with regard to the various 'fingerprints' identified in each chapter. The repertoire discussed includes the late string quartets, the String Quintet, the E flat Piano Trio and the last three piano sonatas. Developing ideas which she first proposed in a series of journal articles and contributions to symposia on Schubert, Professor Wollenberg takes into account recent literature by other scholars and draws together her own researches to present her view of Schubert's 'compositional personality'. Schubert emerges as someone exerting intellectual control over his musical material and imbuing it with poetic resonance.
LC Classification NumberML410.S3