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ARCHIVE FEVER: USES OF THE DOCUMENT IN CONTEMPORARY ART - BY OKWUI ENWEZOR
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- Sofort-KaufenARCHIVE FEVER: USES OF THE DOCUMENT IN CONTEMPORARY ART - BY OKWUI ENWEZOR
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Standort: New York, New York, USA
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eBay-Artikelnr.:406375563612
Artikelmerkmale
- Artikelzustand
- Neuwertig
- Hinweise des Verkäufers
- “In perfect condition, like new.”
- ISBN
- 9783865216229
Über dieses Produkt
Product Identifiers
Publisher
Steidl Gmbh & Co. Ohg
ISBN-10
3865216226
ISBN-13
9783865216229
eBay Product ID (ePID)
64188446
Product Key Features
Book Title
Archive Fever : Uses of the Document in Contemporary Art
Number of Pages
264 Pages
Language
English
Topic
Collections, Catalogs, Exhibitions / General, General, Photoessays & Documentaries
Publication Year
2008
Illustrator
Yes
Genre
Photography
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
10.6 Oz
Item Length
9 in
Item Width
8 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
Number of Volumes
1 vol.
Dewey Decimal
779
Synopsis
Was it Joseph Cornell's dossiers on ballerinas and artists that first proposed the model of the archive as a creative storehouse, a vehicle for the ordering of chaotic fragments? Over the past 30 years, successive generations have taken wide-ranging approaches to archives, most of them (like Cornell) concentrating on photographic and filmic collections. Organized and written by renowned scholar and ICP Adjunct Curator Okwui Enwezor, and taking its title from Jacques Derrida's book of the same name, Archive Fever gathers leading contemporary artists who use archival materials in the fabrication of their work. As Derrida notes, the Greek etymology of "archive" connotes both "commencement" and "commandment," implying that authority is as much at stake as authenticity. For artists, of course, these imperatives provoke all kinds of exciting opportunities for eccentricity and falsification, and the works included herein take many forms, including physical archives arranged by bizarre cataloguing methods, imagined biographies of fictitious persons, collections of found and anonymous photographs, film versions of photographic albums and photomontages composed from historical photographs. These images offer a wide-ranging subject matter, but are linked by the artists' shared meditation on photography and film as the quintessential media of the archive. Artists include Tacita Dean, Stan Douglas, Felix Gonzalez-Torres, Zoe Leonard, Il n Lieberman, Walid Raad, Thomas Ruff, Anri Sala, Fazal Sheikh, Eyal Sivan, Lorna Simpson and Vivan Sundaram, among others., Was it Joseph Cornell's dossiers on ballerinas and artists that first proposed the model of the archive as a creative storehouse, a vehicle for the ordering of chaotic fragments? Over the past 30 years, successive generations have taken wide-ranging approaches to archives, most of them (like Cornell) concentrating on photographic and filmic collections. Organized and written by renowned scholar and ICP Adjunct Curator Okwui Enwezor, and taking its title from Jacques Derrida's book of the same name, Archive Fever gathers leading contemporary artists who use archival materials in the fabrication of their work. As Derrida notes, the Greek etymology of "archive" connotes both "commencement" and "commandment," implying that authority is as much at stake as authenticity. For artists, of course, these imperatives provoke all kinds of exciting opportunities for eccentricity and falsification, and the works included herein take many forms, including physical archives arranged by bizarre cataloguing methods, imagined biographies of fictitious persons, collections of found and anonymous photographs, film versions of photographic albums and photomontages composed from historical photographs. These images offer a wide-ranging subject matter, but are linked by the artists' shared meditation on photography and film as the quintessential media of the archive. Artists include Tacita Dean, Stan Douglas, Felix Gonzalez-Torres, Zoe Leonard, Ilán Lieberman, Walid Raad, Thomas Ruff, Anri Sala, Fazal Sheikh, Eyal Sivan, Lorna Simpson and Vivan Sundaram, among others., Was it Joseph Cornell's dossiers on ballerinas and artists that first proposed the model of the archive as a creative storehouse, a vehicle for the ordering of chaotic fragments? Over the past 30 years, successive generations have taken wide-ranging approaches to archives, most of them (like Cornell) concentrating on photographic and filmic collections. Organized and written by renowned scholar and ICP Adjunct Curator Okwui Enwezor, and taking its title from Jacques Derrida's book of the same name, "Archive Fever" gathers leading contemporary artists who use archival materials in the fabrication of their work. As Derrida notes, the Greek etymology of "archive" connotes both "commencement" and "commandment," implying that authority is as much at stake as authenticity. For artists, of course, these imperatives provoke all kinds of exciting opportunities for eccentricity and falsification, and the works included herein take many forms, including physical archives arranged by bizarre cataloguing methods, imagined biographies of fictitious persons, collections of found and anonymous photographs, film versions of photographic albums, and photomontages composed from historical photographs. These images offer a wide-ranging subject matter but are linked by the artists' shared meditation on photography and film as the quintessential media of the archive. Artists in the exhibition include Tacita Dean, Stan Douglas, Felix Gonzalez-Torres, Zoe Leonard, Ilan Lieberman, Walid Raad, Thomas Ruff, Anri Sala, Fazal Sheikh, Eyal Sivan, Lorna Simpson and Vivan Sundaram, among others., Organized and written by renowned scholar and ICP Adjunct Curator Okwui Enwezor, and taking its title from Jacques Derrida's book of the same name, Archive Fever gathers leading contemporary artists who use archival materials in the fabrication of their work.
LC Classification Number
TR8205
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