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Folk Music U. S. A. : The Changing Voice of Protest by Ronald D. Lankford Jr. (2005, Perfect)

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Product Identifiers

PublisherMusic Sales Corporation
ISBN-100825673003
ISBN-139780825673009
eBay Product ID (ePID)44398420

Product Key Features

Book TitleFolk Music U. S. A. : the Changing Voice of Protest
Number of Pages208 Pages
LanguageEnglish
TopicGenres & Styles / Folk & Traditional
Publication Year2005
IllustratorYes
GenreMusic
AuthorRonald D. Lankford Jr.
FormatPerfect

Dimensions

Item Height0.6 in
Item Weight13.8 Oz
Item Length9.3 in
Item Width6.2 in

Additional Product Features

Intended AudienceTrade
LCCN2004-028955
Dewey Edition22
Dewey Decimal781.62/00973/09045
SynopsisThis definitive story of American folk music focuses on how a minority music genre suddenly became the emergent voice of a generation at the end of the Eisenhower years. From Kingston Trio's "Tom Dooley" in 1958 to Bob Dylan's electric performance at the Newport Folk Festival in 1965, folk influenced American culture and eventually became absorbed into popular music. The author also explores how authentic folk is now experiencing a second revival, taking its place in our contemporary fascination with roots music., This definitive story of American folk music focuses on how a minority music genre suddenly became the emergent voice of a generation at the end of the Eisenhower years. Go back to a more innocent time of Washington Square jam sessions, Pete Seeger sing-alongs, and Greenwich Village coffee houses. The book shows how the social issues of early rural folk music were adapted by young people in the late fifties as college students bought guitars and banjos, attended hootenannies, and marched on the Capital for Civil Rights. They neglected their textbooks for copies of Sing Out! and Broadside, and spent their hard-earned cash on the latest Joan Baez album and Limeliters? concert. From Kingston Trio's "Tom Dooley" in 1958 to Bo ( Dylan's electric performance at the Newport Folk Festival in 1965, folk influenced American culture and eventually became absorbed into popular music. The author also explores how authentic folk is now experiencing a second revival.
LC Classification NumberML3551.L28 2005