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Flugzeugbild: Eine Brice Marden Retrospektive von Gary Garrels und Brice Marden (HC)-
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Standort: Nevada City, California, USA
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eBay-Artikelnr.:405860384332
Artikelmerkmale
- Artikelzustand
- Features
- Revised
- ISBN
- 9780870704468
Über dieses Produkt
Product Identifiers
Publisher
Museum of Modern Art
ISBN-10
087070446X
ISBN-13
9780870704468
eBay Product ID (ePID)
6038913240
Product Key Features
Book Title
Plane Image : a Brice Marden Retrospective
Number of Pages
330 Pages
Language
English
Publication Year
2006
Topic
Individual Artists / General, Collections, Catalogs, Exhibitions / General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
73.7 Oz
Item Length
11 in
Item Width
9.7 in
Additional Product Features
Intended Audience
Trade
LCCN
2006-930572
Dewey Edition
22
Number of Volumes
1 vol.
Dewey Decimal
759.13074
Synopsis
Brice Marden: A Retrospective ISBN 0-87070-446-X / 978-0-87070-446-8 Hardcover, 11.5 x 9.5 in. / 240 pgs / 248 color. / U.S. $60.00 CDN $72.00 October / Art, In the autumn of 2006, The Museum of Modern Art will present Brice Marden: A Retrospective, the artist's first major American retrospective. The exhibition, which will travel to San Francisco and Berlin, will constitute an unprecedented gathering of Marden's work, with more than 50 paintings and an equal number of drawings, balanced across the artist's career. The accompanying catalogue is the first book to take readers through the full course of Marden's work as it has developed over more than 40 years from the early 1960s to the present, showing his gradual, deliberate evolution, along with his constant exploration of light, color and surface at every turn. Marden's first 20 years of work, characterized by the luminous monochrome panels for which he won his first acclaim, will for the first time appear alongside the celebrated production of the past 20 years, which followed a shift in the mid-1980s to calligraphic gestures in shimmering grounds, and another shift in the past decade to heightened color. Two of Marden's newest paintings appear here for the first time. Gary Garrels interprets Marden's work and places it in historical context. Carol C. Mancusi-Ungaro, of the Center for the Technical Study of Modern Art at Harvard, examines issues of materials, processes and conservation. Richard Shiff, Brenda Richardson and Michael Duffy explore Marden's early use of a grid and his engagement with time and space in the studio, as well as his observation of the elemental qualities of nature, his representational links to nature, and the distinctive emotional effects of the abstract monochrome works for which he was initially recognized. Marden himself addresses his working methods in aninterview, and a comprehensive chronology, exhibition history and bibliography close the book out., Essays by Gary Garrels, Richard Shiff, Brenda Richardson, Carol C. Mancusi-Ungaro and Michael Duffy., In the autumn of 2006, The Museum of Modern Art will present Brice Marden: A Retrospective , the artist's first major American retrospective. The exhibition, which will travel to San Francisco and Berlin, will constitute an unprecedented gathering of Marden's work, with more than 50 paintings and an equal number of drawings, balanced across the artist's career. The accompanying catalogue is the first book to take readers through the full course of Marden's work as it has developed over more than 40 years from the early 1960s to the present, showing his gradual, deliberate evolution, along with his constant exploration of light, color and surface at every turn. Marden's first 20 years of work, characterized by the luminous monochrome panels for which he won his first acclaim, will for the first time appear alongside the celebrated production of the past 20 years, which followed a shift in the mid-1980s to calligraphic gestures in shimmering grounds, and another shift in the past decade to heightened color. Two of Marden's newest paintings appear here for the first time. Gary Garrels interprets Marden's work and places it in historical context. Carol C. Mancusi-Ungaro, of the Center for the Technical Study of Modern Art at Harvard, examines issues of materials, processes and conservation. Richard Shiff, Brenda Richardson and Michael Duffy explore Marden's early use of a grid and his engagement with time and space in the studio, as well as his observation of the elemental qualities of nature, his representational links to nature, and the distinctive emotional effects of the abstract monochrome works for which he was initially recognized. Marden himself addresses his working methods in an interview, and a comprehensive chronology, exhibition history and bibliography close the book out.
LC Classification Number
ND237.M239A4 2006
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