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Flight From Fiesta - Waters, Frank - Taschenbuch - gut-

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Flight From Fiesta - Waters, Frank - paperback - Good
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eBay-Artikelnr.:405519461819
Zuletzt aktualisiert am 08. Apr. 2025 13:13:27 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
ISBN
9780804008921

Über dieses Produkt

Product Identifiers

Publisher
Ohio University Press
ISBN-10
0804008922
ISBN-13
9780804008921
eBay Product ID (ePID)
4461735

Product Key Features

Book Title
Flight from Fiesta
Number of Pages
146 Pages
Language
English
Publication Year
1987
Topic
General
Genre
Fiction
Author
Frank Waters
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
8.5 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
LCCN
86-023839
Dewey Edition
19
Reviews
"Waters' old themes ring resonantly in his newest book. The land breathes, as alive as its human overlay...the polarities are tense and unyielding."--Robert Smith, Bloomsbury Review, "Mr. Waters...is noted for the painterly eye he brings to the Southwest. Here, it remains as keen as ever... Flight From Fiesta has an admirable authenticity and humaneness."-- New York Times Book Review
Dewey Decimal
813/.52
Synopsis
Frank Waters, whose work has spanned half a century, has continually attempted to depict the reconciliation of opposites, to heal the national wounds of polarization. Flight From Fiesta, Waters' first novel in nearly two decades, is testimony to that aspiration, emerging as a moving and masterfully-told story of two characters who must discover the potential for common ground between their personalities. Set in Santa Fe in the mid-fifties, the story itself is deceptively simple. Elsie, a spoiled, self-centered ten-year-old Anglo tourist girl, has come to the annual Fiesta with her divorced mother and her mother's lover. When Elsie runs away from her hotel, she encounters Inocencio, an old alcoholic Pueblo Indian now reduced to selling pottery beneath the portal of the Palace of the Governors. With childish cunning she maneuvers Inocencio into taking her away with him. In the wake of the child's disappearance, as the local posse-mentality intensifies and Inocencio is suspected of kidnapping and perhaps molesting her, the frightened Indian flees to the hills, taking Elsie with him on a week-long odyssey through the mountains, towns, and pueblos of New Mexico. Waters' eye is precise, providing sharp visual detail on very page. His ear is flawless, especially in his rendering of the laconic and stolid Indian speech patterns. All through his book there is an immediacy and a feel for place and culture that cannot be fabricated but must be gained, as Waters himself has gained it, through a lifetime among these people, these towns, and these mountains. The reconciliation of the two fugitives of Flight From Fiesta serves to point, not didactically or allegorically, but emotionally and spiritually, but emotionally and spiritually, to the possibility of the grander reconciliation that Waters envisions., Frank Waters, whose work has spanned half a century, has continually attempted to depict the reconciliation of opposites, to heal the national wounds of polarization. Flight From Fiesta , Waters' first novel in nearly two decades, is testimony to that aspiration, emerging as a moving and masterfully-told story of two characters who must discover the potential for common ground between their personalities. Set in Santa Fe in the mid-fifties, the story itself is deceptively simple. Elsie, a spoiled, self-centered ten-year-old Anglo tourist girl, has come to the annual Fiesta with her divorced mother and her mother's lover. When Elsie runs away from her hotel, she encounters Inocencio, an old alcoholic Pueblo Indian now reduced to selling pottery beneath the portal of the Palace of the Governors. With childish cunning she maneuvers Inocencio into taking her away with him. In the wake of the child's disappearance, as the local posse-mentality intensifies and Inocencio is suspected of kidnapping and perhaps molesting her, the frightened Indian flees to the hills, taking Elsie with him on a week-long odyssey through the mountains, towns, and pueblos of New Mexico. Waters' eye is precise, providing sharp visual detail on very page. His ear is flawless, especially in his rendering of the laconic and stolid Indian speech patterns. All through his book there is an immediacy and a feel for place and culture that cannot be fabricated but must be gained, as Waters himself has gained it, through a lifetime among these people, these towns, and these mountains. The reconciliation of the two fugitives of Flight From Fiesta serves to point, not didactically or allegorically, but emotionally and spiritually, but emotionally and spiritually, to the possibility of the grander reconciliation that Waters envisions., Flight From Fiesta, Waters' first novel in nearly two decades, is testimony to that aspiration, emerging as a moving and masterfully-told story of two characters who must discover the potential for common ground between their personalities., Frank Waters, whose work has spanned half a century, has continually attempted to depict the reconciliation of opposites, to heal the national wounds of polarization.Flight, Frank Waters, whose work has spanned half a century, has continually attempted to depict the reconciliation of opposites, to heal the national wounds of polarization. "Flight From Fiesta," Waters first novel in nearly two decades, is testimony to that aspiration, emerging as a moving and masterfully told story of two characters who must discover the potential for common ground between their personalities. Set in Santa Fe in the mid fifties, the story itself is deceptively simple. Elsie, a spoiled, self centered ten year old Anglo tourist girl, has come to the annual Fiesta with her divorced mother and her mother s lover. When Elsie runs away from her hotel, she encounters Inocencio, an old alcoholic Pueblo Indian now reduced to selling pottery beneath the portal of the Palace of the Governors. With childish cunning she maneuvers Inocencio into taking her away with him. In the wake of the child's disappearance, as the local posse mentality intensifies and Inocencio is suspected of kidnapping and perhaps molesting her, the frightened Indian flees to the hills, taking Elsie with him on a week long odyssey through the mountains, towns, and pueblos of New Mexico. Waters eye is precise, providing sharp visual detail on very page. His ear is flawless, especially in his rendering of the laconic and stolid Indian speech patterns. All through his book there is an immediacy and a feel for place and culture that cannot be fabricated but must be gained, as Waters himself has gained it, through a lifetime among these people, these towns, and these mountains. The reconciliation of the two fugitives of "Flight From Fiesta" serves to point, not didactically or allegorically, but emotionally and spiritually, but emotionally and spiritually, to the possibility of the grander reconciliation that Waters envisions."
LC Classification Number
PS3545.A82F5 1987

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