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Red-Inked Retablos (Camino del - Paperback, by González Rigoberto - Very Good

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Artikelmerkmale

Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Type
Paperback
ISBN
9780816521357
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
University of Arizona Press
ISBN-10
0816521352
ISBN-13
9780816521357
eBay Product ID (ePID)
143638412

Product Key Features

Edition
2
Book Title
Red-Inked Retablos
Number of Pages
168 Pages
Language
English
Topic
Lgbt
Publication Year
2013
Genre
Biography & Autobiography
Author
Rigoberto González, Rigoberto Gonzalez
Book Series
Camino Del Sol Ser.
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
8.6 Oz
Item Length
8.9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2012-031238
Reviews
"Throughout, even when wading through territory rife with tough emotions, he maintains his grace, humor, and powers of wide observation. [...] Amen, Rigoberto, amen." --Daniel Olivas, Los Angeles Review of Books, "These beautifully written personal essays pay tribute to the people and events that influence Gonzlez's work as a poet, writer, critic, and literary activist. This work is also a call to action, an invitation, and a hope for the next generation of scholars to keep up with the flourishing literary production by Latino mariposa writers." --Emmy Prez, author of Solstice Gonzlez's most explicit work of advocacy. . . . Red-Inked Retablos reads like the work of an elder statesman, a mentor who knows the struggle's score." -- The Economy, "These beautifully written personal essays pay tribute to the people and events that influence Gonzlez's work as a poet, writer, critic, and literary activist. This work is also a call to action, an invitation, and a hope for the next generation of scholars to keep up with the flourishing literary production by Latino mariposa writers."--Emmy Prez, author of Solstice, "These beautifully written personal essays pay tribute to the people and events that influence González's work as a poet, writer, critic, and literary activist. This work is also a call to action, an invitation, and a hope for the next generation of scholars to keep up with the flourishing literary production by Latino mariposa writers."--Emmy Pérez, author of Solstice  , "A sharp collection of 13 pieces--personal essays, literary criticism, and speeches--this book pleasantly mixes lyricism with clear-eyed frankness. Poet González, author of the memoir Butterfly Boy , writes beautifully and searingly about his experiences as a gay Latino, and the work of his fellow queer and Latina/o writers. It's to González's credit that his essays and literary criticism share similarities, intelligently analyzing his own experiences in the former, and foregrounding the raw connections people have with books in the latter. In recounting his experiences and arguments, González's voice finds a wonderful synergy, staying intimate, compassionate, and uncompromising." -- Publishers Weekly, "Blurs the seeming duality in creative nonfiction between the expository and the personal." - Daniel Chacón, author of Unending Rooms, "González is an excellent writer. His observations reveal both the traditional and more modern views of the culture he grew up in and learned to live with." --W. David Laird, Southwest Books of the Year "Blurs the seeming duality in creative nonfiction between the expository and the personal." --Daniel Chacón, author of Unending Rooms, "Blurs the seeming duality in creative nonfiction between the expository and the personal." Daniel Chacón, author of Unending Rooms, "These beautifully written personal essays pay tribute to the people and events that influence González's work as a poet, writer, critic, and literary activist. This work is also a call to action, an invitation, and a hope for the next generation of scholars to keep up with the flourishing literary production by Latino mariposa writers."-Emmy Pérez, author of Solstice  , "González is an excellent writer. His observations reveal both the traditional and more modern views of the culture he grew up in and learned to live with."-W. David Laird, Southwest Books of the Year "Blurs the seeming duality in creative nonfiction between the expository and the personal." Daniel Chacón, author of Unending Rooms, "These beautifully written personal essays pay tribute to the people and events that influence González's work as a poet, writer, critic, and literary activist. This work is also a call to action, an invitation, and a hope for the next generation of scholars to keep up with the flourishing literary production by Latino mariposa writers."--Emmy Pérez, author of Solstice, "Throughout, even when wading through territory rife with tough emotions, he maintains his grace, humor, and powers of wide observation. […] Amen, Rigoberto, amen." -Daniel Olivas, Los Angeles Review of Books, "Blurs the seeming duality in creative nonfiction between the expository and the personal." - Daniel Chacn, author of Unending Rooms, "In these fierce essays, Rigoberto Gonzalez asserts his place in the English language canon as a queer Chicano writer not a hyphenated person, but a whole person. He has fought for this space, and just try to take it from him. Rather than a bitter recounting, Rigo shows us what makes literature worthwhile: compassion. By becoming an outstanding writer, mentor, and critic, he has become a model for all of us."-Kathleen Alcalá, author of The Desert Remembers My Name, "These beautifully written personal essays pay tribute to the people and events that influence González's work as a poet, writer, critic, and literary activist. This work is also a call to action, an invitation, and a hope for the next generation of scholars to keep up with the flourishing literary production by Latino mariposa writers." --Emmy Pérez, author of Solstice González's most explicit work of advocacy. . . .  Red-Inked Retablos  reads like the work of an elder statesman, a mentor who knows the struggle's score." -- The Economy, "A sharp collection of 13 pieces-personal essays, literary criticism, and speeches-this book pleasantly mixes lyricism with clear-eyed frankness. Poet González, author of the memoir Butterfly Boy , writes beautifully and searingly about his experiences as a gay Latino, and the work of his fellow queer and Latina/o writers. It's to González's credit that his essays and literary criticism share similarities, intelligently analyzing his own experiences in the former, and foregrounding the raw connections people have with books in the latter. In recounting his experiences and arguments, González's voice finds a wonderful synergy, staying intimate, compassionate, and uncompromising."- Publishers Weekly, "A sharp collection of 13 pieces-personal essays, literary criticism, and speeches-this book pleasantly mixes lyricism with clear-eyed frankness. Poet González, author of the memoir Butterfly Boy, writes beautifully and searingly about his experiences as a gay Latino, and the work of his fellow queer and Latina/o writers. It's to González's credit that his essays and literary criticism share similarities, intelligently analyzing his own experiences in the former, and foregrounding the raw connections people have with books in the latter. In recounting his experiences and arguments, González's voice finds a wonderful synergy, staying intimate, compassionate, and uncompromising."-Publishers Weekly, "These beautifully written personal essays pay tribute to the people and events that influence González's work as a poet, writer, critic, and literary activist. This work is also a call to action, an invitation, and a hope for the next generation of scholars to keep up with the flourishing literary production by Latino mariposa writers." --Emmy Pérez, author of Solstice González's most explicit work of advocacy. . . . Red-Inked Retablos reads like the work of an elder statesman, a mentor who knows the struggle's score." -- The Economy, "These beautifully written personal essays pay tribute to the people and events that influence González's work as a poet, writer, critic, and literary activist. This work is also a call to action, an invitation, and a hope for the next generation of scholars to keep up with the flourishing literary production by Latino mariposa writers."-Emmy Pérez, author of Solstice González's most explicit work of advocacy. . . .  Red-Inked Retablos  reads like the work of an elder statesman, a mentor who knows the struggle's score."- The Economy, "In these fierce essays, Rigoberto Gonzalez asserts his place in the English language canon as a queer Chicano writer - not a hyphenated person, but a whole person. He has fought for this space, and just try to take it from him. Rather than a bitter recounting, Rigo shows us what makes literature worthwhile: compassion. By becoming an outstanding writer, mentor, and critic, he has become a model for all of us."-Kathleen Alcalá, author of The Desert Remembers My Name, "In these fierce essays, Rigoberto González asserts his place in the English language canon as a queer Chicano writer--not a hyphenated person, but a whole person. He has fought for this space, and just try to take it from him. Rather than a bitter recounting, Rigo shows us what makes literature worthwhile: compassion. By becoming an outstanding writer, mentor, and critic, he has become a model for all of us." --Kathleen Alcalá, author of The Desert Remembers My Name
Table Of Content
Foreword: When Butterflies Are Red: Mariposa Literary Activism Maythee Rojas Acknowledgments Introduction: About Retablos, About Mariposa Memory Self-Portraits The Truman Capote Aria Confessions of a Gay Catholic Boy Orphans in the Terrorist World Easter Rock: 1983 Memory Lessons, Memory Lesions Studies Andrés Montoya: The Ice Worker Still Sings The Poet Ai: An Appreciation Beloved Jotoranos Lullaby from Thomas James Roxana's Melody Speeches To the Writer, to the Activist, to the Citizen The Gay Brown Beret Suite Trinity Toward a Mariposa Consciousness
Synopsis
In the Mexican Catholic tradition, retablos are ornamental structures made of carved wood framing an oil painting of a devotional image, usually a patron saint. Acclaimed author and essayist Rigoberto Gonz lez commemorates the passion and the pain of these carvings in his new volume Red-Inked Retablos, a moving memoir of human experience and thought. This frank new collection masterfully combines accounts from Gonz lez's personal life with reflections on writers who have influenced him. The collection offers an in-depth meditation on the development of gay Chicano literature and the responsibilities of the Chicana/o writer. Widely acclaimed for giving a voice to the Chicano GLBT community, Gonz lez's writing spans a wide range of genres: poetry, fiction, nonfiction, and bilingual books for children and young adults. Introduced by Women's Studies professor Maythee Rojas, Retablos collects thirteen pieces that together provide a narrative of Gonz lez's life from his childhood through his career as a writer, critic, and mentor. In Red-Inked Retablos, Gonz lez continues to expand his oeuvre on mariposa (literally, "butterfly") memory, a genre he pioneered in which Chicano/a writers openly address non-traditional sexuality. For Gonz lez, mariposa memory is important testimony not only about reconfiguring personal identity in relation to masculinity, culture, and religion. It's also about highlighting values like education, shaping a sex-positive discourse, and exercising agency through a public voice. It's about making the queer experience a Chicano experience and the Chicano experience a queer one., In the Mexican Catholic tradition, retablos are ornamental structures made of carved wood framing an oil painting of a devotional image, usually a patron saint. Acclaimed author and essayist Rigoberto González commemorates the passion and the pain of these carvings in his new volume Red-Inked Retablos, a moving memoir of human experience and thought. This frank new collection masterfully combines accounts from González's personal life with reflections on writers who have influenced him. The collection offers an in-depth meditation on the development of gay Chicano literature and the responsibilities of the Chicana/o writer. Widely acclaimed for giving a voice to the Chicano GLBT community, González's writing spans a wide range of genres: poetry, fiction, nonfiction, and bilingual books for children and young adults. Introduced by Women's Studies professor Maythee Rojas, Retablos collects thirteen pieces that together provide a narrative of González's life from his childhood through his career as a writer, critic, and mentor. In Red-Inked Retablos, González continues to expand his oeuvre on mariposa (literally, "butterfly") memory, a genre he pioneered in which Chicano/a writers openly address non-traditional sexuality. For González, mariposa memory is important testimony not only about reconfiguring personal identity in relation to masculinity, culture, and religion. It's also about highlighting values like education, shaping a sex-positive discourse, and exercising agency through a public voice. It's about making the queer experience a Chicano experience and the Chicano experience a queer one., In the Mexican Catholic tradition, retablos are ornamental structures made of carved wood framing an oil painting of a devotional image, usually a patron saint. Acclaimed author and essayist Rigoberto González commemorates the passion and the pain of these carvings in his new volume Red-Inked Retablos, a moving memoir of human experience and thought. The collection offers an in-depth meditation on the development of gay Chicano literature and the responsibilities of the Chicana/o writer.
LC Classification Number
PS3557.O4695A6 2013

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