The Culture of the Meiji Period by Daikichi Irokawa: New

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Book Title
The Culture of the Meiji Period
Publication Date
1988-10-21
Pages
344
ISBN
9780691000305
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Princeton University Press
ISBN-10
0691000301
ISBN-13
9780691000305
eBay Product ID (ePID)
848783

Product Key Features

Number of Pages
344 Pages
Language
English
Publication Name
Culture of the Meiji Period
Subject
Asia / Japan, World / Asian
Publication Year
1988
Type
Textbook
Subject Area
Political Science, History
Author
Daikichi Irokawa
Series
Princeton Library of Asian Translations Ser.
Format
Trade Paperback

Dimensions

Item Height
1 in
Item Weight
13 Oz
Item Length
8 in
Item Width
5 in

Additional Product Features

Intended Audience
College Audience
LCCN
84-042889
TitleLeading
The
Reviews
This book, a translation of Irokawa's 1969 classic Meiji no Bunka , is best described as an analysis of popular political consciousness in the Meiji period and its corruption by the Emperor System. . . . the translation is lucid and seamless, a remarkable achievement given the number of contributors who worked on it., "A fascinating account of aspects of Japanese culture between 1868 and the early twentieth century. . . . Irokawa Daikichi is an indefatigable researcher, and the fruits of his own and others' labors on back roads and in old storehouses are amply represented here. Moreover, he has discovered materials untouched since the Meiji period, and he is able to interpret them in fresh, provocative ways. He makes excellent use of poetry, letters, diaries, and songs to probe the mentality of peasants and rustic intellectuals, and he interprets his findings in a way that challenges major post-World War II trends in historiography." --J. Victor Koschmann, Journal of Asian Studies, "This book, a translation of Irokawa's 1969 classic Meiji no Bunka , is best described as an analysis of popular political consciousness in the Meiji period and its corruption by the Emperor System. . . . the translation is lucid and seamless, a remarkable achievement given the number of contributors who worked on it."-- L. L. Cornell, Pacific Affairs, This book, a translation of Irokawa's 1969 classic Meiji no Bunka , is best described as an analysis of popular political consciousness in the Meiji period and its corruption by the Emperor System. . . . the translation is lucid and seamless, a remarkable achievement given the number of contributors who worked on it. -- L. L. Cornell, Pacific Affairs, This book, a translation of Irokawa's 1969 classicMeiji no Bunka, is best described as an analysis of popular political consciousness in the Meiji period and its corruption by the Emperor System. . . . the translation is lucid and seamless, a remarkable achievement given the number of contributors who worked on it. -- L. L. Cornell, Pacific Affairs, "This book, a translation of Irokawa's 1969 classic Meiji no Bunka , is best described as an analysis of popular political consciousness in the Meiji period and its corruption by the Emperor System. . . . the translation is lucid and seamless, a remarkable achievement given the number of contributors who worked on it." --L. L. Cornell, Pacific Affairs, "A fascinating account of aspects of Japanese culture between 1868 and the early twentieth century. . . . Irokawa Daikichi is an indefatigable researcher, and the fruits of his own and others' labors on back roads and in old storehouses are amply represented here. Moreover, he has discovered materials untouched since the Meiji period, and he is able to interpret them in fresh, provocative ways. He makes excellent use of poetry, letters, diaries, and songs to probe the mentality of peasants and rustic intellectuals, and he interprets his findings in a way that challenges major post-World War II trends in historiography."-- J. Victor Koschmann, Journal of Asian Studies, A fascinating account of aspects of Japanese culture between 1868 and the early twentieth century. . . . Irokawa Daikichi is an indefatigable researcher, and the fruits of his own and others' labors on back roads and in old storehouses are amply represented here. Moreover, he has discovered materials untouched since the Meiji period, and he is able to interpret them in fresh, provocative ways. He makes excellent use of poetry, letters, diaries, and songs to probe the mentality of peasants and rustic intellectuals, and he interprets his findings in a way that challenges major post-World War II trends in historiography., A fascinating account of aspects of Japanese culture between 1868 and the early twentieth century. . . . Irokawa Daikichi is an indefatigable researcher, and the fruits of his own and others' labors on back roads and in old storehouses are amply represented here. Moreover, he has discovered materials untouched since the Meiji period, and he is able to interpret them in fresh, provocative ways. He makes excellent use of poetry, letters, diaries, and songs to probe the mentality of peasants and rustic intellectuals, and he interprets his findings in a way that challenges major post-World War II trends in historiography. -- J. Victor Koschmann, Journal of Asian Studies
Dewey Edition
19
Series Volume Number
36
Dewey Decimal
952.03/1

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