The Animated Bestiary: Animals, Cartoons, and Culture By Paul We

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Publication Name
The Animated Bestiary: Animals, Cartoons, and Culture
ISBN
9780813544151
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Rutgers University Press
ISBN-10
0813544157
ISBN-13
9780813544151
eBay Product ID (ePID)
66590851

Product Key Features

Number of Pages
236 Pages
Publication Name
Animated Bestiary : Animals, Cartoons, and Culture
Language
English
Subject
Film / Genres / Animated, Media Studies, Animation (See Also Film / Genres / Animated), Film / History & Criticism
Publication Year
2008
Type
Textbook
Subject Area
Performing Arts, Social Science
Author
Paul Wells
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
14.9 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2008-007764
Dewey Edition
22
Reviews
"Wells has proven himself to be a leading scholar of animation and has here produced a solid piece of scholarship that shows an incredible breadth of knowledge." Eric Smoodin, author ofRegarding Frank Capra: Audience, Celebrity, and American Film Studies, 1930-1960, Wells has proven himself to be a leading scholar of animation and has here produced a solid piece of scholarship that shows an incredible breadth of knowledge.
TitleLeading
The
Illustrated
Yes
Dewey Decimal
791.43/662
Table Of Content
The bear who wasn't : bestial ambivalence Of mice and men : what do animals mean? "I don't care what you say, I'm cold" : anthropomorphism, practice, narrative Which came first, the chicken or the egg? : performance, philosophy, tradition Creature comforted : animal politics, animated memory
Synopsis
Cartoonists and animators have given animals human characteristics for so long that audiences are now accustomed to seeing Bugs Bunny singing opera and Mickey Mouse walking his dog Pluto. The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Consequently, and principally through anthropomorphism, animation uses animals to play out a performance of gender, sex and sexuality, racial and national traits, and shifting identity, often challenging how we think about ourselves. Wells draws on a wide range of examples, from the original King Kongto Nick Park's Chicken Run to Disney cartoons such as Tarzan, The Jungle Book, and Brother Bear to reflect on people by looking at the ways in which they respond to animals in cartoons and films., The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos., Cartoonists and animators have given animals human characteristics for so long that audiences are now accustomed to seeing Bugs Bunny singing opera and Mickey Mouse walking his dog Pluto. The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Consequently, and principally through anthropomorphism, animation uses animals to play out a performance of gender, sex and sexuality, racial and national traits, and shifting identity, often challenging how we think about ourselves. Wells draws on a wide range of examples, from the original King Kongto Nick Park's Chicken Run to Disney cartoonsùsuch as Tarzan, The Jungle Book, and Brother Bearùto reflect on people by looking at the ways in which they respond to animals in cartoons and films.
LC Classification Number
PN1995

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USt-IdNr.: GB 724498118
CRN: 03800600

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