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Beat Happening's Beat Happening von Bryan C. Parker (Englisch) Taschenbuch-
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eBay-Artikelnr.:396967404269
Artikelmerkmale
- Artikelzustand
- Type
- Does not apply
- ISBN-13
- 9781628929270
- ISBN
- 9781628929270
Über dieses Produkt
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1628929278
ISBN-13
9781628929270
eBay Product ID (ePID)
208674224
Product Key Features
Book Title
Beat Happening's Beat Happening
Number of Pages
184 Pages
Language
English
Topic
Genres & Styles / Punk, Genres & Styles / General, General, Genres & Styles / Rock
Publication Year
2015
Illustrator
Yes
Genre
Music
Book Series
33 1/3 Ser.
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
5.6 Oz
Item Length
6.5 in
Item Width
4.7 in
Additional Product Features
Intended Audience
Trade
LCCN
2015-012539
Dewey Edition
23
Reviews
"I actually saw their first performance. It was in somebody's kitchen, and Calvin jumped up and started performing on somebody's kitchen top. I thought from the first moment I heard their stuff that he had a very unique take on punk ... It was really quirky and really affected, but they were the ultimate DIY band. They had two instruments, which they borrowed - they didn't even own the instruments - and they never rehearsed ... So here's this band who don't own instruments, don't rehearse, they didn't even pay for their own records, and yet their first album is being honoured in the book series 33 1/3. You've got the Ramones, Michael Jackson, the Beatles ... oh, and Beat Happening ... I think that Beat Happening got the respect they deserved ... It was them going: 'We are punk. This is who we are. We're not going to conform or change what we do based on peer pressure.'" -- The Guardian, "I actually saw their first performance. It was in somebody's kitchen, and Calvin jumped up and started performing on somebody's kitchen top. I thought from the first moment I heard their stuff that he had a very unique take on punk ... It was really quirky and really affected, but they were the ultimate DIY band. They had two instruments, which they borrowed - they didn't even own the instruments - and they never rehearsed ... So here's this band who don't own instruments, don't rehearse, they didn't even pay for their own records, and yet their first album is being honoured in the book series 33 1/3. You've got the Ramones, Michael Jackson, the Beatles ... oh, and Beat Happening ... I think that Beat Happening got the respect they deserved ... It was them going: 'We are punk. This is who we are. We're not going to conform or change what we do based on peer pressure.'" -- The Guardian "'A' is for action, 'B' is for Bret, 'C' is for Calvin...and so on ... Parker does admirable work here in describing the origins of the band's sensibilities (improvisational theater and early exposure to feminism are both key), and how those sensibilities put them at odds with punk as the scene was getting more violent and exclusionary. As with all volumes of the 33 1/3 series, I'll judge Parker's work on how much it enhanced my understanding of the album and whether or not that enhanced perspective made me want to revisit it with fresh ears. He's successful on both fronts." - Midnight to Six, I actually saw their first performance. It was in somebody's kitchen, and Calvin jumped up and started performing on somebody's kitchen top. I thought from the first moment I heard their stuff that he had a very unique take on punk ... It was really quirky and really affected, but they were the ultimate DIY band. They had two instruments, which they borrowed - they didn't even own the instruments - and they never rehearsed ... So here's this band who don't own instruments, don't rehearse, they didn't even pay for their own records, and yet their first album is being honoured in the book series 33 1/3. You've got the Ramones, Michael Jackson, the Beatles ... oh, and Beat Happening ... I think that Beat Happening got the respect they deserved ... It was them going: 'We are punk. This is who we are. We're not going to conform or change what we do based on peer pressure.', "I actually saw their first performance. It was in somebody's kitchen, and Calvin jumped up and started performing on somebody's kitchen top. I thought from the first moment I heard their stuff that he had a very unique take on punk ... It was really quirky and really affected, but they were the ultimate DIY band. They had two instruments, which they borrowed - they didn't even own the instruments - and they never rehearsed ... So here's this band who don't own instruments, don't rehearse, they didn't even pay for their own records, and yet their first album is being honoured in the book series 33 1/3. You've got the Ramones, Michael Jackson, the Beatles ... oh, and Beat Happening ... I think that Beat Happening got the respect they deserved ... It was them going: 'We are punk. This is who we are. We're not going to conform or change what we do based on peer pressure.'" --Gwilym Mumford, The Guardian "'A' is for action, 'B' is for Bret, 'C' is for Calvin...and so on ... Parker does admirable work here in describing the origins of the band's sensibilities (improvisational theater and early exposure to feminism are both key), and how those sensibilities put them at odds with punk as the scene was getting more violent and exclusionary. As with all volumes of the 33 1/3 series, I'll judge Parker's work on how much it enhanced my understanding of the album and whether or not that enhanced perspective made me want to revisit it with fresh ears. He's successful on both fronts." -- Midnight to Six, I actually saw their first performance. It was in somebody's kitchen, and Calvin jumped up and started performing on somebody's kitchen top. I thought from the first moment I heard their stuff that he had a very unique take on punk ... It was really quirky and really affected, but they were the ultimate DIY band. They had two instruments, which they borrowed - they didn't even own the instruments - and they never rehearsed ... So here's this band who don't own instruments, don't rehearse, they didn't even pay for their own records, and yet their first album is being honoured in the book series 33 1/3. You've got the Ramones, Michael Jackson, the Beatles . oh, and Beat Happening ... I think that Beat Happening got the respect they deserved ... It was them going: 'We are punk. This is who we are. We're not going to conform or change what we do based on peer pressure.'
Dewey Decimal
782.42166092/2
Table Of Content
Foreword by Phil Elverum Deconstructing a Cupcake A is for Action B is for Bret C is for Calvin D is for DIY E is for Evergreen F is for Firehouse G is for Girl City H is for Heather I is for International J is for Japan K is for KAOS L is for Love Rock M is for Martin Apartments N is for Negative Space O is for Olympia P is for Punk Q is for Question R is for Regionalism S is for Subterranean Pop T is for Tropicana U is for Unfinished V is for Vinyl W is for Washington X is for X-Rated Y is for Yoyo Studio Z is for Zooming Rocketship Bibiography Index
Synopsis
This is the album that sent a shockwave of empowerment through the nation's cultural underground. In 1985, Olympia, Washington band Beat Happening released their eponymous debut of lo-fi pop songs on K Records and challenged every conception held about music. At the center of the group was the enigmatic Calvin Johnson and his revolutionary vision of artistic creation. His foresight and industriousness allowed him to recruit to the K Records roster other free-spirited artists like Beck, Modest Mouse, and Built to Spill long before they gained widespread acclaim. ..This book, structured in abecedarian fashion, breaks down the fundamental components that defined Beat Happening's self-titled album. Organized in a light-hearted yet incisive format, each of the book's chapters details one particular facet of the record-band members, historic shows, recording sessions, songs, and ideologies. Open to any page, read a chapter or two; the individual parts and episodes of the album exist as reflections of the album as a whole...Here is the story of a band that popularized do-it-yourself projects and home recording with four-track tape machines decades before the digital revolution would extend an open hand to garage bands everywhere. This is the story of musical pioneers. This is Beat Happening ., This is the album that sent a shockwave of empowerment through the nation's cultural underground. In 1985, Olympia, Washington band Beat Happening released their eponymous debut of lo-fi pop songs on K Records and challenged every conception held about music. At the center of the group was the enigmatic Calvin Johnson and his revolutionary vision of artistic creation. His foresight and industriousness allowed him to recruit to the K Records roster other free-spirited artists like Beck, Modest Mouse, and Built to Spill long before they gained widespread acclaim. This book, structured in abecedarian fashion, breaks down the fundamental components that defined Beat Happening's self-titled album. With a foreword by Phil Elverum, it's organized in a light-hearted yet incisive format, each of the book's chapters details a particular facet of the record--band members, historic shows, recording sessions, songs, and ideologies--parts reflecting the album as a whole. These alphabetic ingredients constitute a recipe book for feeding your creative spirit. Here is the story of a band that popularized do-it-yourself projects and home recording with four-track tape machines decades before the digital revolution would extend an open hand to garage bands everywhere. This is the story of musical pioneers. This is Beat Happening ., This is the album that sent a shockwave of empowerment through the nation's cultural underground. In 1985, Olympia, Washington band Beat Happening released their eponymous debut of lo-fi pop songs on K Records and challenged every conception held about music. At the center of the group was the enigmatic Calvin Johnson and his revolutionary vision of artistic creation. His foresight and industriousness allowed him to recruit to the K Records roster other free-spirited artists like Beck, Modest Mouse, and Built to Spill long before they gained widespread acclaim. This book, structured in abecedarian fashion, breaks down the fundamental components that defined Beat Happening's self-titled album. With a foreword by Phil Elverum, it's organized in a light-hearted yet incisive format, each of the book's chapters details a particular facet of the record-band members, historic shows, recording sessions, songs, and ideologies-parts reflecting the album as a whole. These alphabetic ingredients constitute a recipe book for feeding your creative spirit. Here is the story of a band that popularized do-it-yourself projects and home recording with four-track tape machines decades before the digital revolution would extend an open hand to garage bands everywhere. This is the story of musical pioneers. This is Beat Happening .
LC Classification Number
ML421.B397P37 2015
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