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Kartierung Medea: Revolutionen und Transfers 1750-1800 von Anna Albrektson Hardcover-
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eBay-Artikelnr.:396957439997
Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9780192884190
- Book Title
- Mapping Medea
- ISBN
- 9780192884190
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0192884190
ISBN-13
9780192884190
eBay Product ID (ePID)
19060730016
Product Key Features
Number of Pages
272 Pages
Publication Name
Mapping Medea : Revolutions and Transfers 1750-1800
Language
English
Subject
Theater / General, Ancient & Classical
Publication Year
2023
Type
Textbook
Subject Area
Literary Criticism, Drama, Performing Arts
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
20.8 Oz
Item Length
9.5 in
Item Width
6.4 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
23
Reviews
"The importance of the volume lies in its detailed investigation of a period and its versions and aspects of the Medea story that are not well known. It thus sheds light on a part of modern reception history that has hitherto been rather overshadowed. The volume is amply illustrated in black and white. This is helpful, especially in Dotlacilová's 'Visual Narrative: The Role of Costumes in Noverre's ballet d'action, Médée et Jason'. There is an index and a useful list of manuscript sources." -- Betine Vanzyl Smit, Classical Review
Illustrated
Yes
Dewey Decimal
809.29351
Table Of Content
1: Anna Albrektson and Fiona Macintosh: Mapping Medea: Revolutions and Transfers 1750-1800I: Medea in an Expanding Eighteenth-Century World2: Edith Hall: Pushing the Boundaries of Operatic Convention and European Identity: Generic and Historical Perspectives on Georg Benda's 1775 Medea3: Larisa Nikiforova: Medea's Russian Images on Stage and in Literature: The Politics and Poetics of Female Characters4: Anthony John Lappin: An Imperial Medea: Spain, Portugal, the Colonies5: Anna Albrektson: Inverting the Barbarian: Estrangement and Excess in the Eighteenth-Century MedeaII: Local Interpretations and Global Issues: Ontology and Form6: Fiona Macintosh: From Hearth to Hades: Breaking Boundaries with Medea and ballet d'action7: Jörg Krämer: Shaping Complexity: Medea in the German-Language Theatre of the Eighteenth Century8: Petra Dotla%cilová: Visual Narrative: The Role of Costumes in Noverre's ballet d'action, Médée et Jason9: Zoé Schweitzer: Medea as Infanticidal Mother in the Late Eighteenth-Century Theatre10: Roland Lysell: Medea--Sorceress or Woman? c.1750 and BeyondBibliographyIndex
Synopsis
The late-eighteenth century witnessed multiple Medeas take to the stages of Europe, in the Americas, and across the Russian empire. Performances took place in Moscow and São Paulo, in London and Lisbon, in Gotha, Stuttgart, and Venice. This lively collection of essays examines the various reasons why Medea, the ancient mother who killed her own children, attracted the attention of authors, audiences, actors, and rulers in Europe and its dominions during the pivotal period 1750 to 1800, and to what effects. As a migrant and iconoclast, Medea crosses a number of eighteenth-century borders: linguistic, cultural, national, temporal, spatial, aesthetic, ethical, and generic. Moreover, the fact that late-eighteenth-century playwrights, poets, composers, and choreographers all turned to one of the most problematic characters of Greco-Roman antiquity offers a unique opportunity to examine the remarkable flexibility of the reception process itself. Medea therefore functions as an intriguing case study, reflecting a wider context of cultural and political change within Europe and its colonies in the late-eighteenth century. By drawing together eighteenth-century specialists working across multiple languages and disciplines with the reception perspective of classical scholars, this volume brings much rare material from a range of archives across continental Europe to critical attention for the first time. Mapping Medea shows how the eighteenth century made Medea modern, and Medea helped to shape modern performance., This insightful and varied collection of essays uses rare material from archives across Europe to examine the many stage versions of Medea throughout the late-eighteenth century.
LC Classification Number
PN1841
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