Poesie ins Lied: Aufführung und Analyse von Liedern von Deborah Stein (Englisch) -

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Poetry Into Song: Performance and Analysis of Lieder by Deborah Stein (English)
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Artikelzustand
Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
ISBN-13
9780199754304
Book Title
Poetry Into Song: Performance and Analysis of Lieder
ISBN
9780199754304
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0199754306
ISBN-13
9780199754304
eBay Product ID (ePID)
84483411

Product Key Features

Number of Pages
432 Pages
Publication Name
Poetry Into Song : Performance and Analysis of Lieder
Language
English
Subject
History & Criticism, Instruction & Study / Voice, Instruction & Study / Appreciation
Publication Year
2010
Type
Textbook
Subject Area
Music
Author
Robert Spillman, Deborah Stein
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
21.8 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
Reviews
"At last! A comprehensive, systematic text about lieder that is couched in analytical poetic and musical language!...This is an important, carefully notated book."--Choice"More than a compendium of analytical concepts, this is a book that enables you to shape individual interpretations through personal encounter with a lively train of provocative questions and creative experiments."--Elly Ameling"Stein, a music theorist and Spillman, an active accompanist, have merged their two strengths, the result of which is a pioneering study....it will surely engage not only the singer and pianist, but also the theorist, historian, and anyone else interested in the nineteenth century Lieder. In addition, it will likely become a major resource for teachers and students of vocal literature and pedagogy."--Integral, "At last! A comprehensive, systematic text about lieder that is couched in analytical poetic and musical language!...This is an important, carefully notated book."--Choice "More than a compendium of analytical concepts, this is a book that enables you to shape individual interpretations through personal encounter with a lively train of provocative questions and creative experiments."--Elly Ameling "Stein, a music theorist and Spillman, an active accompanist, have merged their two strengths, the result of which is a pioneering study....it will surely engage not only the singer and pianist, but also the theorist, historian, and anyone else interested in the nineteenth century Lieder. In addition, it will likely become a major resource for teachers and students of vocal literature and pedagogy."--Integral, "At last! A comprehensive, systematic text about lieder that is couched in analytical poetic and musical language!...This is an important, carefully notated book."-- Choice "More than a compendium of analytical concepts, this is a book that enables you to shape individual interpretations through personal encounter with a lively train of provocative questions and creative experiments."--Elly Ameling "Stein, a music theorist and Spillman, an active accompanist, have merged their two strengths, the result of which is a pioneering study....it will surely engage not only the singer and pianist, but also the theorist, historian, and anyone else interested in the nineteenth century Lieder . In addition, it will likely become a major resource for teachers and students of vocal literature and pedagogy."-- Integral
Dewey Edition
20
Number of Volumes
1 vol.
Dewey Decimal
782.42168/0943
Table Of Content
ForewordIntroductionPart I: The Language of Poetry1. Introduction to German Romanticism2. Devices and Delights in PoetryPart II: The Language of the Performer3. Texture4. Temporality5. Elements of InterpretationPart III: The Language of Music6. Harmony and Tonality7. Melody and Motive8. Rhythm and Meter9. Form in the German Lied10. Different Settings of a Single Text: Comparison of Compositional StylePostludeNotesAppendix I: Text TranslationsAppendix II: Glossary: Terminology for Poetry, Performance, AnalysisAppendix III: Selected BibliographyAppendix IV: Repertory by ChapterAppendix V: Scores Not Readily AvailableIndex
Synopsis
Focusing on the music of the great song composers - Schubert, Schumann, Brahms, Wolf, and Strauss - Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder . Part I, "The Language of Poetry," provides chapters on the themes and imagery of German Romanticism and the methods of analysis for German Romantic poetry. Part II, "The Language of the Performer," deals with issues of concern to performers: texture, temporality, articulation, and interpretation of notation and unusual rhythm accents and stresses. Part III provides clearly defined analytical procedures for each of four main chapters on harmony and tonality, melody and motive, rhythm and meter, and form. The concluding chapter compares different settings of the same text, and the volume ends with several appendices that offer text translations, over 40 pages of less accessible song scores, a glossary of technical terms, and a substantial bibliography. Directed toward students in both voice and theory, and toward all singers, the authors establish a framework for the analysis of song based on a process of performing, listening, and analyzing, designed to give the reader a new understanding of the reciprocal interaction between performance and analysis. Emphasizing the masterworks, the book features numerous poetic texts, as well as a core repertory of songs. Examples throughout the text demonstrate points, while end of chapter questions reinforce concepts and provide opportunities for directed analysis. While there are a variety of books on Lieder and on German Romantic poetry, none combines performance, musical analysis, textual analysis, and the interrelation between poetry and music in the systematic, thorough way of Poetry Into Song., Focusing on the music of the great song composers - Schubert, Schumann, Brahms, Wolf, and Strauss - Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder., Focusing on the music of the great song composers--Schubert, Schumann, Brahms, Wolf, and Strauss-- Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder . Part I, "The Language of Poetry," provides chapters on the themes and imagery of German Romanticism and the methods of analysis for German Romantic poetry. Part II, "The Language of the Performer," deals with issues of concern to performers: texture, temporality, articulation, and interpretation of notation and unusual rhythm accents and stresses. Part III provides clearly defined analytical procedures for each of four main chapters on harmony and tonality, melody and motive, rhythm and meter, and form. The concluding chapter compares different settings of the same text, and the volume ends with several appendices that offer text translations, over 40 pages of less accessible song scores, a glossary of technical terms, and a substantial bibliography. Directed toward students in both voice and theory, and toward all singers, the authors establish a framework for the analysis of song based on a process of performing, listening, and analyzing, designed to give the reader a new understanding of the reciprocal interaction between performance and analysis. Emphasizing the masterworks, the book features numerous poetic texts, as well as a core repertory of songs. Examples throughout the text demonstrate points, while end of chapter questions reinforce concepts and provide opportunities for directed analysis. While there are a variety of books on Lieder and on German Romantic poetry, none combines performance, musical analysis, textual analysis, and the interrelation between poetry and music in the systematic, thorough way of Poetry Into Song .
LC Classification Number
MT110.S74 2010

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