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The Figurative Artist's Handbook : A Contemporary Guide to Figure
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Standort: Reno, Nevada, USA
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- Publication Name
- Monacelli Press, Incorporated
- ISBN
- 9781580934527
Über dieses Produkt
Product Identifiers
Publisher
Monacelli Press, Incorporated
ISBN-10
1580934528
ISBN-13
9781580934527
eBay Product ID (ePID)
220632823
Product Key Features
Book Title
Figurative Artist's Handbook : a Contemporary Guide to Figure Drawing, Painting, and Composition
Number of Pages
304 Pages
Language
English
Publication Year
2017
Topic
Reference, Subjects & Themes / Human Figure, Techniques / Life Drawing
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
67.5 Oz
Item Length
11.3 in
Item Width
9.6 in
Additional Product Features
Intended Audience
Trade
LCCN
2016-007845
TitleLeading
The
Reviews
"Rob Zeller's debut book on drawing and painting the human figure promises to be one of the most definitive on the subject in decades. Classical, as well as contemporary in scope, it contains images, how-to diagrams, and information about figurative art movements of the past, in addition to profiles of some of the greatest practitioners working today.... The book concludes with a section on artists' painting processes, featuring examples of Zeller's own work, along with some of the best of his peers, who collectively usher the figurative tradition forward into a new era." --David Molesky, Juxtapoz "Robert Zeller's book is a welcome reminder of the ongoing importance of figurative art, and the many masterful figurative artists working today. It is at once a comprehensive, practical guide to the construction of the human body--male or female, standing or reclining, viewed from the front or the back, self-absorbed or expressively gesturing--down to the last anatomical and aesthetic detail, and an informative, incisive, critical account of the history of figurative art, a sort of grand tour of the seemingly infinite variety of modes of representation of the figure. Beginning with the treatment of the figure in ancient Egypt and ending with its treatment in the 21st century, Zeller makes it stunningly clear that the representation of the figure, in whatever stylistic mode, is the bedrock of visual art. The book has encyclopedic breadth and analytic depth, and is beautifully illustrated with drawings and paintings, all presenting the body in one or another of many possible positions and situations, all suggesting that we need the mirror of art to insightfully attune to our own bodies." --Donald Kuspit, Distinguished Professor Emeritus of Art History and Philosophy, State University of New York at Stony Brook, 'Rob Zeller's debut book on drawing and painting the human figure promises to be one of the most definitive on the subject in decades. Classical, as well as contemporary in scope, it contains images, how-to diagrams, and information about figurative art movements of the past, in addition to profiles of some of the greatest practitioners working today.... The book concludes with a section on artists' painting processes, featuring examples of Zeller's own work, along with some of the best of his peers, who collectively usher the figurative tradition forward into a new era.' - David Molesky, Juxtapoz 'Robert Zeller's book is a welcome reminder of the ongoing importance of figurative art, and the many masterful figurative artists working today. It is at once a comprehensive, practical guide to the construction of the human body - male or female, standing or reclining, viewed from the front or the back, self-absorbed or expressively gesturing - down to the last anatomical and aesthetic detail, and an informative, incisive, critical account of the history of figurative art, a sort of grand tour of the seemingly infinite variety of modes of representation of the figure. Beginning with the treatment of the figure in ancient Egypt and ending with its treatment in the 21st century, Zeller makes it stunningly clear that the representation of the figure, in whatever stylistic mode, is the bedrock of visual art. The book has encyclopedic breadth and analytic depth, and is beautifully illustrated with drawings and paintings, all presenting the body in one or another of many possible positions and situations, all suggesting that we need the mirror of art to insightfully attune to our own bodies.' - Donald Kuspit, Distinguished Professor Emeritus of Art History and Philosophy, State University of New York at Stony Brook 'The Figurative Artist's Handbook... is a very beautiful book to look through, so it may be challenging for those who use it as a handbook to let it get dirty and dog-eared, just like the previous generation did with their [Andrew] Loomis books. But used as intended - both for reference and for inspiration - it will achieve its purpose. As its gorgeous plates tell us, there is a rising group of figurative artists who know the importance of learning "the rules" before they break them, which is precisely the opportunity this book intends to offer its most ambitious readers.' - John Seed, Hyperallergic 'The book brings together three figure-drawing methods - the study of gesture, the structural approach and the atelier method - and synthesizes them to help the artist understand the human figure. Zeller also includes chapters on creativity and on using a sketchbook to take ideas from initial inspiration to a fully developed work... appreciated the book's surprises, including spreads that include not only the finished figurative painting but the preparatory sketches as well.' - Professional Artist, "When it comes to commercial art, this is someone you'd want to listen to. So it's fitting that he's just published a book on the subject, Illustration That Works . As the title suggests, Houston's blue-collared approach to a successful career in commercial art preaches a strong work ethic. Written at a quick pace not usually found in vocational guides, Illustration That Works is certainly informative and it's also entertaining as hell." -- AIGA Baltimore, "Rob Zeller's debut book on drawing and painting the human figure promises to be one of the most definitive on the subject in decades. Classical, as well as contemporary in scope, it contains images, how-to diagrams, and information about figurative art movements of the past, in addition to profiles of some of the greatest practitioners working today.... The book concludes with a section on artists' painting processes, featuring examples of Zeller's own work, along with some of the best of his peers, who collectively usher the figurative tradition forward into a new era." - David Molesky, Juxtapoz "Robert Zeller's book is a welcome reminder of the ongoing importance of figurative art, and the many masterful figurative artists working today. It is at once a comprehensive, practical guide to the construction of the human body - male or female, standing or reclining, viewed from the front or the back, self-absorbed or expressively gesturing - down to the last anatomical and aesthetic detail, and an informative, incisive, critical account of the history of figurative art, a sort of grand tour of the seemingly infinite variety of modes of representation of the figure. Beginning with the treatment of the figure in ancient Egypt and ending with its treatment in the 21st century, Zeller makes it stunningly clear that the representation of the figure, in whatever stylistic mode, is the bedrock of visual art. The book has encyclopedic breadth and analytic depth, and is beautifully illustrated with drawings and paintings, all presenting the body in one or another of many possible positions and situations, all suggesting that we need the mirror of art to insightfully attune to our own bodies." - Donald Kuspit, Distinguished Professor Emeritus of Art History and Philosophy, State University of New York at Stony Brook "The Figurative Artist's Handbook... is a very beautiful book to look through, so it may be challenging for those who use it as a handbook to let it get dirty and dog-eared, just like the previous generation did with their [Andrew] Loomis books. But used as intended - both for reference and for inspiration - it will achieve its purpose. As its gorgeous plates tell us, there is a rising group of figurative artists who know the importance of learning "the rules" before they break them, which is precisely the opportunity this book intends to offer its most ambitious readers." - John Seed, Hyperallergic "The book brings together three figure-drawing methods - the study of gesture, the structural approach and the atelier method - and synthesizes them to help the artist understand the human figure. Zeller also includes chapters on creativity and on using a sketchbook to take ideas from initial inspiration to a fully developed work... appreciated the book's surprises, including spreads that include not only the finished figurative painting but the preparatory sketches as well." - Professional Artist
Dewey Edition
23
Afterword by
Kauper, Kurt
Dewey Decimal
743.4
Synopsis
An Authoritative, Comprehensive Guide for Contemporary Figurative Artists At a time when renewed interest in figurative art is surging throughout the art world, author Robert Zeller presents The Figurative Artist's Handbook - the first comprehensive guide to figure drawing and painting to appear in decades. Illustrated with Zeller's own exquisite drawings and paintings as well as works by nearly 100 historical and contemporary figurative art masters, the handbook is also a treasure trove of the finest figurative art of the past and the present day. Included are Michelangelo, Pieter Brueghel the Elder, Peter Paul Rubens, Jean-Auguste-Dominique Ingres, Gustav Klimt, Edward Hopper, Andrew Loomis, Andrew Wyeth, Lucian Freud, Odd Nerdrum, Eric Fischl, Bo Bartlett, Steven Assael, John Currin, and many others. Original and thoroughly modern in his approach, Zeller brings together three figure-drawing methods long thought to be at odds, synthesizing these seemingly incompatible techniques to achieve a cohesive and complete understanding of the human figure. Although all three methods underlie contemporary fine-arts practice and education, no artist's handbook has ever combined them before. - The Study of Gesture (Disegno): Rooted in the Italian Mannerist style of the 16th and 17th centuries, the gestural method emphasizes life, rhythm, and movement in the human body. - The Structural Approach: A mainstay of 20th- and 21st-century art instruction, this method applies an architectural perspective to the body, using a block conception for anatomically sound, solid figures. - The Atelier Method: Based on the training provided by 18th- and 19th-century art academies, the atelier approach creates sensual, smooth renderings based on meticulous study of the figure's surface morphology in light and shadow. Covering all the basics as well as many advanced techniques, The Figurative Artist's Handbook is aimed at both students and experienced artists. A practical, how-to guide, it provides in-depth step-by-step instruction and - rare among figure-drawing books - features sections on composition, portraiture, and painting. Chapters on creativity and on using a sketchbook help readers hone their artistic vision and evolve ideas from the initial inspiration to the fully developed work. Also included is an extensive section highlighting the great movements in figurative art throughout history - from ancient Egypt and Greece to the present., The Figurative Artist's Handbook is a practical, how-to guide, it provides in-depth step-by-step instruction and - rare among figure-drawing books - features sections on composition, portraiture, and painting. Chapters on creativity and on using a sketchbook help readers hone their artistic vision and evolve ideas., An Authoritative, Comprehensive Guide for Contemporary Figurative Artists At a time when renewed interest in figurative art is surging throughout the art world, author Robert Zeller presents The Figurative Artist's Handbook --the first comprehensive guide to figure drawing and painting to appear in decades. Illustrated with Zeller's own exquisite drawings and paintings as well as works by nearly 100 historical and contemporary figurative art masters, the handbook is also a treasure trove of the finest figurative art of the past and the present day. Included are Michelangelo, Pieter Brueghel the Elder, Peter Paul Rubens, Jean-Auguste-Dominique Ingres, Gustav Klimt, Edward Hopper, Andrew Loomis, Andrew Wyeth, Lucian Freud, Odd Nerdrum, Eric Fischl, Bo Bartlett, Steven Assael, John Currin, and many others. Original and thoroughly modern in his approach, Zeller brings together three figure-drawing methods long thought to be at odds, synthesizing these seemingly incompatible techniques to achieve a cohesive and complete understanding of the human figure. Although all three methods underlie contemporary fine-arts practice and education, no artist's handbook has ever combined them before: The Study of Gesture (Disegno): Rooted in the Italian Mannerist style of the 16th and 17th centuries, the gestural method emphasizes life, rhythm, and movement in the human body. The Structural Approach: A mainstay of 20th- and 21st-century art instruction, this method applies an architectural perspective to the body, using a block conception for anatomically sound, solid figures. The Atelier Method: Based on the training provided by 18th- and 19th-century art academies, the atelier approach creates sensual, smooth renderings based on meticulous study of the figure's surface morphology in light and shadow. Covering all the basics as well as many advanced techniques, The Figurative Artist's Handbook is aimed at both students and experienced artists. A practical, how-to guide, it provides in-depth step-by-step instruction and--rare among figure-drawing books--features sections on composition, portraiture, and painting. Chapters on creativity and on using a sketchbook help readers hone their artistic vision and evolve ideas from the initial inspiration to the fully developed work. Also included is an extensive section highlighting the great movements in figurative art throughout history--from ancient Egypt and Greece to the present.
LC Classification Number
NC765.Z43 2016
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- h***2 (1192)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThe book arrived swiftly packaged in a protective plastic envelope, but it was a paperback not hardcover as listed. I contacted seller and they apologized, refunded me and suggested several things to do with the book after allowing me to keep it. I have gone ahead and ordered a hardcover from the same seller. I’m a repeat customer and hope to remain so. This mixup was a first, but I’m very impressed with their prompt response and professionalism. Kudos :)
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- eBay automated feedback- Bewertung vom Käufer.Letzter MonatOrder delivered on time with no issues
- c***m (445)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufWOW!; I cannot believe this 1 Week to Hawaii! ; AAA+++; Excellent Service; Great Pricing; Fast Delivery-Faster Than Expected to Hawaii!; Shipped 05/22 Received 06/02 Mon to Hawaii using free shipping; USPS Ground Mail, Hardback Book in Excellent Condition--Better Than Described ; Heavier than expected, TLC Packaging; Excellent Seller Communication, Sends updates . Highly Recommended!, Thank you very much!Un-American: the Incarceration of Japanese Americans During World (Nr. 376181103084)
- a***4 (322)- Bewertung vom Käufer.Letzter MonatBestätigter KaufThe book was in excellent condition, as described in the listing, and was excellently packaged, arriving in unblemished condition. The shipping time was very quick. While the listing showed the book with a dust jacket, the book did not come with one. I brought this to the attention of the seller, who responded to me right away, and was satisfied with the seller's explanation. I have to say that the service was in every way outstanding.
- h***2 (1192)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThe book arrived swiftly packaged in a protective plastic envelope, but it was a paperback not hardcover as listed. I contacted seller and they apologized, refunded me and suggested several things to do with the book after allowing me to keep it. I have gone ahead and ordered a hardcover from the same seller. I’m a repeat customer and hope to remain so. This mixup was a first, but I’m very impressed with their prompt response and professionalism. Kudos :)