Bild 1 von 1
Galerie
Bild 1 von 1
Picknick am hängenden Felsen von Anna Backman Rogers Taschenbuch-
US $21,87
Ca.EUR 18,63
Artikelzustand:
Neu
Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte Seiten. Genauere Einzelheiten entnehmen Sie bitte dem Angebot des Verkäufers.
3 verfügbar2 verkauft
- Sofort-KaufenPicknick am hängenden Felsen von Anna Backman Rogers Taschenbuch
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Versand:
Kostenlos Economy Shipping.
Standort: Fairfield, Ohio, USA
Lieferung:
Lieferung zwischen Fr, 10. Okt und Fr, 17. Okt nach 94104 bei heutigem Zahlungseingang
Rücknahme:
30 Tage Rückgabe. Käufer zahlt Rückversand. Wenn Sie ein eBay-Versandetikett verwenden, werden die Kosten dafür von Ihrer Rückerstattung abgezogen.
Zahlungen:
Sicher einkaufen
- Gratis Rückversand im Inland
- Punkte für jeden Kauf und Verkauf
- Exklusive Plus-Deals
Der Verkäufer ist für dieses Angebot verantwortlich.
eBay-Artikelnr.:396607099467
Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9781839023354
- Type
- Does not apply
- ISBN
- 9781839023354
Über dieses Produkt
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
183902335X
ISBN-13
9781839023354
eBay Product ID (ePID)
7057285873
Product Key Features
Book Title
Picnic at Hanging Rock
Number of Pages
104 Pages
Language
English
Topic
Film / History & Criticism
Publication Year
2022
Illustrator
Yes
Genre
Performing Arts
Book Series
Bfi Film Classics Ser.
Format
Trade Paperback
Dimensions
Item Height
0.2 in
Item Weight
5.9 Oz
Item Length
7.4 in
Item Width
5.3 in
Additional Product Features
Intended Audience
Trade
Reviews
"The BFI Film Classics are a perfect way to explore a film such as this, and Rogers' monograph is another essential entry in the series." - Adrian Smith , Cinema Retro "Such an attentive, impassioned awareness of the politics which underscore the figuration of the girl on screen not only offers up a provocative re-reading of a classic film, but it also speaks directly to its gestures of love, of kinship and pleasure which operate outside, and in spite of, patriarchal culture. This is a beautiful book of relevance to any and all interested in the expanding vistas of female subjectivity in film and those real and metaphorical 'rocks' which might lodge, vociferously, between such positions of imagination, selfhood and desire." --Davina Quinlivan, Kingston University, UK "A beautifully constructed analysis of a complex and haunting film. Backman Rogers skillfully dissects the patriarchal working environment of Patricia Lovell's project to realize a faithful rendering of Joan Lindsay's perplexing novel while also offering a subtle reading of the film via its distinctive cinematography. A tour de force of feminist film analysis, intellectual clarity and cinephilia." --Griselda Pollock, University of Leeds, UK "This is a ravishing book. Anna Backman Rogers passionately honours the enchantment of Picnic at Hanging Rock , its veiled images, the love between Miranda and Sarah, its languor, 'the slow bleed from morning into afternoon'. Yet she also, in coruscating prose, shows quite brilliantly how the film decries the horror of empire and the 'violence wrought on the female body', then and now. I urge you to read this book, to enter its dream." --Emma Wilson, University of Cambridge, UK "The BFI Film Classics are a perfect way to explore a film such as this, and Rogers' monograph is another essential entry in the series." - Adrian Smith , Cinema Retro, Such an attentive, impassioned awareness of the politics which underscore the figuration of the girl on screen not only offers up a provocative re-reading of a classic film, but it also speaks directly to its gestures of love, of kinship and pleasure which operate outside, and in spite of, patriarchal culture. This is a beautiful book of relevance to any and all interested in the expanding vistas of female subjectivity in film and those real and metaphorical 'rocks' which might lodge, vociferously, between such positions of imagination, selfhood and desire., "Such an attentive, impassioned awareness of the politics which underscore the figuration of the girl on screen not only offers up a provocative re-reading of a classic film, but it also speaks directly to its gestures of love, of kinship and pleasure which operate outside, and in spite of, patriarchal culture. This is a beautiful book of relevance to any and all interested in the expanding vistas of female subjectivity in film and those real and metaphorical 'rocks' which might lodge, vociferously, between such positions of imagination, selfhood and desire." -- Davina Quinlivan, Kingston University, UK, "Such an attentive, impassioned awareness of the politics which underscore the figuration of the girl on screen not only offers up a provocative re-reading of a classic film, but it also speaks directly to its gestures of love, of kinship and pleasure which operate outside, and in spite of, patriarchal culture. This is a beautiful book of relevance to any and all interested in the expanding vistas of female subjectivity in film and those real and metaphorical 'rocks' which might lodge, vociferously, between such positions of imagination, selfhood and desire." -- Davina Quinlivan, Kingston University, UK "A beautifully constructed analysis of a complex and haunting film. Backman Rogers skillfully dissects the patriarchal working environment of Patricia Lovell's project to realize a faithful rendering of Joan Lindsay's perplexing novel while also offering a subtle reading of the film via its distinctive cinematography. A tour de force of feminist film analysis, intellectual clarity and cinephilia." -- Griselda Pollock, University of Leeds, UK, "Such an attentive, impassioned awareness of the politics which underscore the figuration of the girl on screen not only offers up a provocative re-reading of a classic film, but it also speaks directly to its gestures of love, of kinship and pleasure which operate outside, and in spite of, patriarchal culture. This is a beautiful book of relevance to any and all interested in the expanding vistas of female subjectivity in film and those real and metaphorical 'rocks' which might lodge, vociferously, between such positions of imagination, selfhood and desire." --Davina Quinlivan, Kingston University, UK "A beautifully constructed analysis of a complex and haunting film. Backman Rogers skillfully dissects the patriarchal working environment of Patricia Lovell's project to realize a faithful rendering of Joan Lindsay's perplexing novel while also offering a subtle reading of the film via its distinctive cinematography. A tour de force of feminist film analysis, intellectual clarity and cinephilia." --Griselda Pollock, University of Leeds, UK "This is a ravishing book. Anna Backman Rogers passionately honours the enchantment of Picnic at Hanging Rock , its veiled images, the love between Miranda and Sarah, its languor, 'the slow bleed from morning into afternoon'. Yet she also, in coruscating prose, shows quite brilliantly how the film decries the horror of empire and the 'violence wrought on the female body', then and now. I urge you to read this book, to enter its dream." --Emma Wilson, University of Cambridge, UK, "Aesthetics professor Rogers' rigorous monograph uses feminist Freudian and post-colonial tools to unpick Picnic's alluring push-pull of ambiguity/ suggestion, showing how it encourages keen viewers to question the film's mediated images of femininity. Between the surfaces and secrets, she finds something subversive: a story about the horror of living under an imposed narrative." --Kevin Harley, Total Film "The BFI Film Classics are a perfect way to explore a film such as this, and Rogers' monograph is another essential entry in the series." --Adrian Smith, Cinema Retro "Backman Rogers has produced a beautifully constructed analysis of this complex, visually haunting film as she leads the reader through aspects of its background, musical score, casting, shooting and marketing." -- The Irish Scene "Such an attentive, impassioned awareness of the politics which underscore the figuration of the girl on screen not only offers up a provocative re-reading of a classic film, but it also speaks directly to its gestures of love, of kinship and pleasure which operate outside, and in spite of, patriarchal culture. This is a beautiful book of relevance to any and all interested in the expanding vistas of female subjectivity in film and those real and metaphorical 'rocks' which might lodge, vociferously, between such positions of imagination, selfhood and desire." --Davina Quinlivan, Kingston University, UK "A beautifully constructed analysis of a complex and haunting film. Backman Rogers skillfully dissects the patriarchal working environment of Patricia Lovell's project to realize a faithful rendering of Joan Lindsay's perplexing novel while also offering a subtle reading of the film via its distinctive cinematography. A tour de force of feminist film analysis, intellectual clarity and cinephilia." --Griselda Pollock, University of Leeds, UK "This is a ravishing book. Anna Backman Rogers passionately honours the enchantment of Picnic at Hanging Rock , its veiled images, the love between Miranda and Sarah, its languor, 'the slow bleed from morning into afternoon'. Yet she also, in coruscating prose, shows quite brilliantly how the film decries the horror of empire and the 'violence wrought on the female body', then and now. I urge you to read this book, to enter its dream." --Emma Wilson, University of Cambridge, UK
Dewey Edition
23
Dewey Decimal
791.4372
Table Of Content
Acknowledgments 1 Within a Dream: Origins, Production and Filming 2 Waiting a Million Years Just for Us: Artistic Influences and Uncanny Spaces 3 Quite Intact: The Male Imaginary and Courtly Love Conclusion: Girls on the Verge; Femininity and Hysteria Notes Credits
Synopsis
A study Peter Weir's Picnic at Hanging Rock (1975) in the BFI Film Classics series, considering the film's production history and its reception through a feminist and decolonial lens., Peter Weir's haunting and allusive Picnic at Hanging Rock (1975), set in 1900, tells the story of the mysterious disappearance of three schoolgirls and their teacher on a trip to a local geological formation. The film is widely hailed as a classic of new Australian cinema, seen as exemplary of a peculiarly Australian style of heritage filmmaking. Anna Backman Rogers' study considers Picnic from feminist, psychoanalytic and decolonialising perspectives, exploring its setting in a colonised Australian bushland in which the Aboriginal people are a spectral presence in a landscape stolen from them in pursuit of the white man's 'terra nullius'. She delves into the film's production history, addressing director Weir's influences and preoccupations at the time of its making, its reception and its lasting impact on visual culture more broadly. Rogers addresses the film's treatment of the young schoolgirls and their teachers, seemingly, as embodiments of an archetype of the 'eternal feminine', as objects of the male gaze, and in terms of ideas about female hysteria as a protest against gender norms. She argues that Picnic is, in fact, highly subversive: a film that requires its viewers to read its seductive surfaces against the grain of the image in order to uncover its psychological depths.
LC Classification Number
PN1997
Artikelbeschreibung des Verkäufers
Rechtliche Informationen des Verkäufers
Info zu diesem Verkäufer
grandeagleretail
98,6% positive Bewertungen•2,8 Mio. Artikel verkauft
Angemeldet als gewerblicher Verkäufer
Verkäuferbewertungen (1.065.302)
Dieser Artikel (1)
Alle Artikel (1.065.302)
- Évaluations automatiques eBay- Bewertung vom Käufer.Letzter MonatCommande terminée - avec suivi et dans les délais
- c***a (121)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThe seller was very responsive and answered me on a timely matter. The product itself came in its packaging and was new, not used at all. The packaging was not beat up or anything, safely delivered to my mailbox. No mix ups and zero stress with delivery. The price for the product is completely understandable for the product. I really appreciate the seller and I am very happy to have purchased through this seller. Completely trustable!
- m***4 (1612)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufLeaving positive feedback because 1) item was packed well & arrived as described 2) seller did give partial refund when subsequent price dropped below org purchase price. 3) communication was quick However, there was a downside to this transaction -item listed as in-stock but ended up waiting nearly a month for them to get it from their distributer then ship it to me (bought June 29th, arrived around July 21). Auction said 12-15 days. Better clarity would have prevented lot of frustrationStreet Fighter II - Guile (Player 2) Figure - 6 Inch (Nr. 365698737394)
- w***i (882)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufAbsolutely Wonderful Seller!! Terrific Item As Described!!! Great Service and Communication!! Shipped In Waterproof Packaging!! I Received Item In About One Week!! Very Pleased With Seller! I Will Buy From This Seller Again!!Commentary on Aristotle`s Metaphysics by Thomas Aquinas (English) Paperback Book (Nr. 365701732160)
Noch mehr entdecken:
- Fredrik-Backman-Taschenbuch-Belletristik - Bücher,
- Bücher Fredrik-Backman-Taschenbuch-Belletristik auf Englisch,
- Bücher Fredrik-Backman-Taschenbuch-Belletristik auf Deutsch,
- Anna Jacobs Belletristik-Bücher im Taschenbuch-Format,
- Fredrik-Backman-Taschenbuch-Krimis - & -Thriller-Belletristik-Bücher auf Englisch,
- Fredrik Backman Belletristik-Bücher,
- Anna Jacobs Belletristik-Bücher,
- Fredrik-Backman-Krimis - & -Thriller-Belletristik-Bücher,
- Bücher über Literatur Fredrik Backman Belletristik,
- Fredrik-Backman-Weltliteratur - & -Klassiker-Belletristik-Bücher
grandeagleretail
98,6% positive Bewertungen•2,8 Mio. Artikel verkauft
Angemeldet als gewerblicher Verkäufer
Verkäuferbewertungen (1.065.302)
Dieser Artikel (1)
Alle Artikel (1.065.302)
- Évaluations automatiques eBay- Bewertung vom Käufer.Letzter MonatCommande terminée - avec suivi et dans les délais
- c***a (121)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThe seller was very responsive and answered me on a timely matter. The product itself came in its packaging and was new, not used at all. The packaging was not beat up or anything, safely delivered to my mailbox. No mix ups and zero stress with delivery. The price for the product is completely understandable for the product. I really appreciate the seller and I am very happy to have purchased through this seller. Completely trustable!
- m***4 (1612)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufLeaving positive feedback because 1) item was packed well & arrived as described 2) seller did give partial refund when subsequent price dropped below org purchase price. 3) communication was quick However, there was a downside to this transaction -item listed as in-stock but ended up waiting nearly a month for them to get it from their distributer then ship it to me (bought June 29th, arrived around July 21). Auction said 12-15 days. Better clarity would have prevented lot of frustrationStreet Fighter II - Guile (Player 2) Figure - 6 Inch (Nr. 365698737394)
- w***i (882)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufAbsolutely Wonderful Seller!! Terrific Item As Described!!! Great Service and Communication!! Shipped In Waterproof Packaging!! I Received Item In About One Week!! Very Pleased With Seller! I Will Buy From This Seller Again!!Commentary on Aristotle`s Metaphysics by Thomas Aquinas (English) Paperback Book (Nr. 365701732160)