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Classical Hollywood Cinema: Point of View and Communication by James Zborowski (
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Standort: Fairfield, Ohio, USA
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eBay-Artikelnr.:396404029114
Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9780719083341
- Type
- Does not apply
- ISBN
- 9780719083341
Über dieses Produkt
Product Identifiers
Publisher
Manchester University Press
ISBN-10
0719083346
ISBN-13
9780719083341
eBay Product ID (ePID)
215369248
Product Key Features
Book Title
Classical Hollywood Cinema : Point of View and Communication
Number of Pages
152 Pages
Language
English
Publication Year
2015
Topic
Film / General, Film / History & Criticism
Genre
Performing Arts
Format
Hardcover
Dimensions
Item Height
0.4 in
Item Weight
10.9 Oz
Item Length
8.5 in
Item Width
5.4 in
Additional Product Features
Intended Audience
Trade
LCCN
2015-298188
Dewey Edition
23
Dewey Decimal
791.4/30973
Table Of Content
Preface Acknowledgments Introduction 1. Point of view, consciousness and experience 2. Distance, representation and criticism 3. Communication, love and death Conclusion: categories and conversations Postscript: education, communication and film studies Select bibliography Index
Synopsis
This book offers a new approach to filmic point of view by combining close analyses informed by the tools of narratology and philosophy with concepts derived from communication studies.Each chapter stages a conversation between two masterpieces of classical Hollywood cinema and one critical concept that can enrich our understanding of them: Vertigo (Alfred Hitchcock, 1958) and Mr. Deeds Goes to Town (Frank Capra, 1936) are interpreted in relation to point of view; Anatomy of a Murder (Otto Preminger, 1959) and The Man Who Shot Liberty Valance (John Ford, 1962) are considered with reference to the concept of distance; and Letter from an Unknown Woman (Max Ophuls, 1948) and Only Angels Have Wings (Howard Hawks, 1939) are explored through the lens of communication. Each encounter reveals new, exciting and mutually illuminating ways of appreciating not only these case studies, but also the critical concepts at stake. -- ., This book offers a new approach to filmic point of view by combining close analyses informed by the tools of narratology and philosophy with concepts derived from communication studies. Each chapter stages a conversation between two masterpieces of classical Hollywood cinema and one critical concept that can enrich our understanding of them: Vertigo (Alfred Hitchcock, 1958) and Mr. Deeds Goes to Town (Frank Capra, 1936) are interpreted in relation to point of view; Anatomy of a Murder (Otto Preminger, 1959) and The Man Who Shot Liberty Valance (John Ford, 1962) are considered with reference to the concept of distance; and Letter from an Unknown Woman (Max Ophuls, 1948) and Only Angels Have Wings (Howard Hawks, 1939) are explored through the lens of communication. Each encounter reveals new, exciting and mutually illuminating ways of appreciating not only these case studies, but also the critical concepts at stake.
LC Classification Number
PN1993.5.U65
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