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Screening Strangers: Migration and ... von Loshitzky, Yosefa Taschenbuch / Softback-
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eBay-Artikelnr.:396390186796
Artikelmerkmale
- Artikelzustand
- ISBN
- 025322182X
- EAN
- 9780253221827
- Release Title
- Screening Strangers: Migration and Diaspora in Contemporary Eu...
- Artist
- Loshitzky, Yosefa
- Brand
- N/A
- Colour
- N/A
- Book Title
- Screening Strangers: Migration and Diaspora in Contemporary Eu...
Über dieses Produkt
Product Identifiers
Publisher
Indiana University Press
ISBN-10
025322182X
ISBN-13
9780253221827
eBay Product ID (ePID)
18038267621
Product Key Features
Number of Pages
232 Pages
Language
English
Publication Name
Screening Strangers : Migration and Diaspora in Contemporary European Cinema
Subject
Film / General, Film / History & Criticism
Publication Year
2010
Type
Textbook
Subject Area
Performing Arts
Series
New Directions in National Cinemas Ser.
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
12.5 Oz
Item Length
8.9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2009-032137
Reviews
"[T]his is a stimulating and informative survey that raises many questions about the political attitudes that underpin the broad European consensus on questions of immigration." -Journal of European Studies, 2011, "Mapped and argued with equal expertise, Yosefa Loshitzky's... monograph is a valuable contribution to the literature on diaspora and migration in contemporary cinema." -- www.intellectbooks.co.uk, "[This is] a particularly relevant and even prescient publication, a most welcome addition to the growing number of books centred around the ever-perplexing premise of unravelling societal and by extension cinematic identity." -alphavillejournal.com, 8/8/2011, "Loshitzky (Univ. of East London, UK) here expands on her earlier fine work on cinema and politics: The Radical Faces of Godard and Bertolucci (CH, Sep'95, 33-0195) and Identity Politics on the Israeli Screen (CH, Jul'02, 39-6318). She works through contemporary European films that foreground migration, with the goal of describing each film's view of 'fortress Europe.' Loshitzky returns to Bernardo Bertolucci in Besieged (1998), while picking out Godardian elements in both Mathieu Kassovitz's La Haine (1995) and Michael Winterbottom's 'Camp Trilogy' (In This World, Code 46, The Road to Guantanamo). She also discusses the Swiss film Journey of Hope (1990) and Stephen Frears's Dirty Pretty Things (2002). The range of films Loshitzky takes on is wide, but she makes no claim for comprehensiveness. She notes that she selects 'hegemonic' rather than 'minority discourse' films, i.e., films made by 'hosts' rather than 'strangers.' Given that principle of selection, this reviewer could have done with more unmasking of hegemonic ideology and less letting the films speak--however critically--for themselves. That said, this book is every bit as rewarding as the best recent work on European identity and the cinema, e.g., Rosalind Galt's The New European Cinema: Redrawing the Map (CH, Nov'06, 44-1429). Summing Up: Essential. Lower-division undergraduates through faculty and researchers. -- Choice"--S. C. Dillon, Bates College, September 2010 "This book is every bit as rewarding as the best recent work on European identity and the cinema . . . Essential.September 2010, vol. 48 No. 1"-- Choice "Mapped and argued with equal expertise, Yosefa Loshitzky's . . . monograph is a valuable contribution to the literature on diaspora and migration in contemporary cinema."-- www.intellectbooks.co.uk "[T]his is a valuable book for those interested in the study of migration and film. Vol. 24, No. 1"-- Journal of Refugee Studies "[T]his is a stimulating and informative survey that raises many questions about the political attitudes that underpin the broad European consensus on questions of immigration.2011"-- Journal of European Studies "[This is] a particularly relevant and even prescient publication, a most welcome addition to the growing number of books centred around the ever-perplexing premise of unravelling societal and by extension cinematic identity. 8/8/2011"-- alphavillejournal.com "Written in a clear, concise, and engaging style, [this book] will appeal to both students and scholars of world cinema."--Frank Tomasulo, Florida State University "Loshitzky makes the crucial link between the political screening of new immigrants by European governments and societies with the cinematic screening of these immigrants by European directors, all the while offering sensitive and thick readings of the films."--Hamid Naficy, author of An Accented Cinema: Exilic and Diasporic Filmmaking, "[T]his is a stimulating and informative survey that raises many questions about the political attitudes that underpin the broad European consensus on questions of immigration." -- Journal of European Studies, 2011, "[T]his is a valuable book for those interested in the study of migration and film." -Journal of Refugee Studies, Vol. 24, No. 1, "[T]his is a valuable book for those interested in the study of migration and film." -- Journal of Refugee Studies, Vol. 24, No. 1, Loshitzky makes the crucial link between the political screening of new immigrants by European governments and societies with the cinematic screening of these immigrants by European directors, all the while offering sensitive and thick readings of the films., "This book is every bit as rewarding as the best recent work on European identity and the cinema... Essential." -Choice, Loshitzky (Univ. of East London, UK) here expands on her earlier fine work on cinema and politics: The Radical Faces of Godard and Bertolucci (CH, Sep'95, 33-0195) and Identity Politics on the Israeli Screen (CH, Jul'02, 39-6318). She works through contemporary European films that foreground migration, with the goal of describing each film's view of 'fortress Europe.' Loshitzky returns to Bernardo Bertolucci in Besieged (1998), while picking out Godardian elements in both Mathieu Kassovitz's La Haine (1995) and Michael Winterbottom's 'Camp Trilogy' (In This World, Code 46, The Road to Guantanamo). She also discusses the Swiss film Journey of Hope (1990) and Stephen Frears's Dirty Pretty Things (2002). The range of films Loshitzky takes on is wide, but she makes no claim for comprehensiveness. She notes that she selects 'hegemonic' rather than 'minority discourse' films, i.e., films made by 'hosts' rather than 'strangers.' Given that principle of selection, this reviewer could have done with more unmasking of hegemonic ideology and less letting the films speak--however critically--for themselves. That said, this book is every bit as rewarding as the best recent work on European identity and the cinema, e.g., Rosalind Galt's The New European Cinema: Redrawing the Map (CH, Nov'06, 44-1429). Summing Up: Essential. Lower-division undergraduates through faculty and researchers. -- ChoiceS. C. Dillon, Bates College, September 2010--S. C. Dillon, Bates College (01/01/2010), Mapped and argued with equal expertise, Yosefa Loshitzky's... monograph is a valuable contribution to the literature on diaspora and migration in contemporary cinema., "Written in a clear, concise, and engaging style, [this book] will appeal to both students and scholars of world cinema." -- Frank Tomasulo, Florida State University, "Loshitzky makes the crucial link between the political screening of new immigrants by European governments and societies with the cinematic screening of these immigrants by European directors, all the while offering sensitive and thick readings of the films." -- Hamid Naficy, author of An Accented Cinema: Exilic and Diasporic Filmmaking, [T]his is a stimulating and informative survey that raises many questions about the political attitudes that underpin the broad European consensus on questions of immigration., "Written in a clear, concise, and engaging style, [this book] will appeal to both students and scholars of world cinema." -Frank Tomasulo, Florida State University, [This is] a particularly relevant and even prescient publication, a most welcome addition to the growing number of books centred around the ever-perplexing premise of unravelling societal and by extension cinematic identity., Mapped and argued with equal expertise, Yosefa Loshitzky's . . . monograph is a valuable contribution to the literature on diaspora and migration in contemporary cinema., "[This is] a particularly relevant and even prescient publication, a most welcome addition to the growing number of books centred around the ever-perplexing premise of unravelling societal and by extension cinematic identity." -- alphavillejournal.com, 8/8/2011, Loshitzky (Univ. of East London, UK) here expands on her earlier fine work on cinema and politics: The Radical Faces of Godard and Bertolucci (CH, Sep'95, 33-0195) and Identity Politics on the Israeli Screen (CH, Jul'02, 39-6318). She works through contemporary European films that foreground migration, with the goal of describing each film's view of 'fortress Europe.' Loshitzky returns to Bernardo Bertolucci in Besieged (1998), while picking out Godardian elements in both Mathieu Kassovitz's La Haine (1995) and Michael Winterbottom's 'Camp Trilogy' (In This World, Code 46, The Road to Guantanamo). She also discusses the Swiss film Journey of Hope (1990) and Stephen Frears's Dirty Pretty Things (2002). The range of films Loshitzky takes on is wide, but she makes no claim for comprehensiveness. She notes that she selects 'hegemonic' rather than 'minority discourse' films, i.e., films made by 'hosts' rather than 'strangers.' Given that principle of selection, this reviewer could have done with more unmasking of hegemonic ideology and less letting the films speak--however critically--for themselves. That said, this book is every bit as rewarding as the best recent work on European identity and the cinema, e.g., Rosalind Galt's The New European Cinema: Redrawing the Map (CH, Nov'06, 44-1429). Summing Up: Essential. Lower-division undergraduates through faculty and researchers. -- ChoiceS. C. Dillon, Bates College, September 2010, This book is every bit as rewarding as the best recent work on European identity and the cinema... Essential., "This book is every bit as rewarding as the best recent work on European identity and the cinema... Essential." -- Choice, "Loshitzky makes the crucial link between the political screening of new immigrants by European governments and societies with the cinematic screening of these immigrants by European directors, all the while offering sensitive and thick readings of the films." -Hamid Naficy, author of An Accented Cinema: Exilic and Diasporic Filmmaking, "Mapped and argued with equal expertise, Yosefa Loshitzky's... monograph is a valuable contribution to the literature on diaspora and migration in contemporary cinema." -www.intellectbooks.co.uk, Written in a clear, concise, and engaging style, [this book] will appeal to both students and scholars of world cinema., This book is every bit as rewarding as the best recent work on European identity and the cinema . . . Essential.September 2010, vol. 48 No. 1
Dewey Edition
22
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
794.43/6526912
Table Of Content
Acknowledgments Introduction: Screening Strangers in Fortress Europe 1. Journeys of Hope to Fortress Europe: Cross-Border and Migratory Films 2. Cities of Hope: The Cinematic Cityscapes of Fortress Europe 3. The White Continent Is Dark: Migration and Miscegenation in Bernardo Bertolucci's Besieged (1998) 4. Intifada of the Banlieues: La Haine Revisited 5. The Camp Trilogy: Michael's Winterbottom's In This World, Code 46, and The Road to Guantanamo Afterword: Beyond Strangers and Post-Europe Notes Index
Synopsis
Yosefa Loshitzky challenges the utopian notion of a post-national "New Europe" by focusing on the waves of migrants and refugees that some view as a potential threat to European identity, a concern heightened by the rhetoric of the war on terror, the London Underground bombings, and the riots in Paris's banlieues. Opening a cinematic window onto this struggle, Loshitzky determines patterns in the representation and negotiation of European identity in several European films from the late 20th and early 21st centuries, including Bernardo Bertolucci's Besieged, Stephen Frears's Dirty Pretty Things, Mathieu Kassovitz's La Haine, and Michael Winterbottom's In This World, Code 46, and The Road to Guantanamo., Opening a cinematic window onto this struggle, Loshitzky determines patterns in the representation and negotiation of European identity in several European films from the late 20th and early 21st centuries, including Bernardo Bertolucci's Besieged, Stephen Frears's Dirty Pretty Things, Mathieu Kassovitz's La Haine, and Michael Winterbottom's In This World, Code 46, and The Road to Guantanamo.
LC Classification Number
PN1993.5.E8L58 2010
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- n***n (1263)- Bewertung vom Käufer.Letzter MonatBestätigter KaufAWESOME SELLER, EXCELLENT SERVICE! I really appreciate that my order was shipped out & arrived very quickly, it was packed with great care & the book is in very good condition exactly as pictured & described & for such a great price too! Seller had very quick response to a question I had about the tracking for my order & assured me that my order was on its way & would be delivered as promised & it was! I am super-happy with my purchase from this fantastic seller & very highly recommend! Thanks!
- 4***7 (217)- Bewertung vom Käufer.Letzter MonatBestätigter Kauf1st edition, 2nd impression edition of "The Drunken Forest," by Gerald Durrell is as pictured & described. Arrived quickly & safely! Got a great deal on it! Great communication! The book, with a protective mylar cover, was wrapped in bubble wrap, then wrapped in sturdy cardboard, then placed in a rugged bubble mailer! Fort Knox in a mailer! So hard to get an early edition of this classic! So happy to add to my growing collection of nature & science books! Thank you! !!Seller Highly Recommended!!
- 6***6 (76)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThis delivery was earliest date! Condition, value, quality - all as described. (My mistake was not requiring the publishing date to be 1958. This was 1977.) This IS a Viking Portable Library copy of Dante's Divine Comedy in English, translated by Laurence Binyon, but it is with a cover DIFFERENT from what was shown. The tracking number was listed as from "UPS", but should have been listed as from "USPS." Contact with this seller alleviated tracking issues. I recommend this seller! Thank you!