SynopsisThis volume, which accompanies an exhibition of the same name at the Wexner Center for the Arts, offers thought-provoking perspectives on the evolution of painting in the United States and Europe since the mid-1960s. It illuminates the flexible boundaries of what can be seen or interpreted as painting and that medium's interrelationships with sculpture, photography, and installation, highlighting points of convergence and divergence.
LC Classification NumberND195.A788 2001