Was ist Tanz?: Lesungen in Theorie und Kritik (Galaxy Books) -

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What Is Dance?: Readings in Theory and Criticism (Galaxy Books)
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Zuletzt aktualisiert am 15. Dez. 2024 08:18:05 MEZAlle Änderungen ansehenAlle Änderungen ansehen

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Title
What Is Dance?: Readings in Theory and Criticism (Galaxy Books)
ISBN
9780195031973
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0195031970
ISBN-13
9780195031973
eBay Product ID (ePID)
1575508

Product Key Features

Book Title
What Is Dance? : Readings in Theory and Criticism
Number of Pages
592 Pages
Language
English
Topic
Dance / General, Genres & Styles / Dance
Publication Year
1983
Illustrator
Yes
Genre
Music, Performing Arts
Author
Marshall Cohen
Format
Trade Paperback

Dimensions

Item Height
1.6 in
Item Weight
24.9 Oz
Item Length
8.5 in
Item Width
5.4 in

Additional Product Features

Intended Audience
Trade
LCCN
82-014366
Reviews
"The springy athleticism captured here is a trademark of House's highly musical choreography. Indeed, they often impart meaty information pertinent to the article in question. One of the chief pleasures of reading the IED"S biographical articles is that it's authors write of their subjectswith liveliness, sympathy and even affection. Among the most compelling of these essays on topics related to dance are those which explain how to put it on the stage, and they bring a sense of immediacy that underscores the flesh-and-blood aliveness of the art." Journal of American MusicologicalSociety, "A comprehensive, provocative, always entertaining anthology on dance....With the emergence of such a distinguished anthology, our own epoch is taking the crucial steps [towards] thinking, writing, and reading about [dance]."--Joyce Caruso, Performing Arts Journal, "A wonderful book....Packed with the ways and byways of dance through history to today....It belongs in every library and in the duffle bag of every dancer."--Glenn Giffin, The Denver Post, "The springy athleticism captured here is a trademark of House's highly musical choreography. Indeed, they often impart meaty information pertinent to the article in question. One of the chief pleasures of reading the IED"S biographical articles is that it's authors write of their subjects with liveliness, sympathy and even affection. Among the most compelling of these essays on topics related to dance are those which explain how to put it on the stage, andthey bring a sense of immediacy that underscores the flesh-and-blood aliveness of the art." Journal of American Musicological Society"A tremendously valuable book, a book that will show students of the art, or those who have a mind to, how to grow up intellectually."--Joan Ross Acocella, Dance Magazine"From 'Swan Lake' to striptease, a comprehensive, carefully edited compendium."--Booklist"A wonderful book....Packed with the ways and byways of dance through history to today....It belongs in every library and in the duffle bag of every dancer."--Glenn Giffin, The Denver Post"A comprehensive, provocative, always entertaining anthology on dance....With the emergence of such a distinguished anthology, our own epoch is taking the crucial steps [towards] thinking, writing, and reading about [dance]."--Joyce Caruso, Performing Arts Journal"Always thought-provoking and excellently written pieces."--Library Journal"An invaluable contribution to the serious study of dance."--George L. George, Backstage"A wonderful, and sometimes surprising, selection."--Joann W. Kealiinohomoku, Northern Arizonaa University"I have used this as one of two required texts for my Dance History class for 6 years. The range of its readings is broad and challenging."--Linda H. Snininch, SUNY/Buffalo, "The springy athleticism captured here is a trademark of House's highlymusical choreography. Indeed, they often impart meaty information pertinent tothe article in question. One of the chief pleasures of reading the IED"Sbiographical articles is that it's authors write of their subjects withliveliness, sympathy and even affection. Among the most compelling of theseessays on topics related to dance are those which explain how to put it on thestage, and they bring a sense of immediacy that underscores the flesh-and-bloodaliveness of the art." Journal of American Musicological Society, "I have used this as one of two required texts for my Dance History class for 6 years. The range of its readings is broad and challenging."--Linda H. Snininch, SUNY/Buffalo, "A tremendously valuable book, a book that will show students of the art, or those who have a mind to, how to grow up intellectually."--Joan Ross Acocella, Dance Magazine, "A wonderful, and sometimes surprising, selection."--Joann W. Kealiinohomoku, Northern Arizonaa University
Dewey Edition
19
Dewey Decimal
793.3
Synopsis
A wide variety of writing is included in this anthology, from the practical criticism of Arlene Croce and Edwin Denby to the more scholarly work of Rudoloph Arnheim, Suzanne Langer, and Havelock Ellis. The collection is divided into seven sections: What is Dance?; the Dance Medium; Dance and the Other Arts; Genre and Style; Language, Notation, and Identity; Dance Criticism; and Dance and Society., A wide variety of writing is included in this anthology, from the practical criticism of Arlene Croce and David Denby to the more scholarly work of Rudoloph Arnheim, Suzanne Langer, and Havelock Ellis. The collection is divided into seven sections: What is Dance?; the Dance Medium; Dance and the Other Arts; Genre and Style; Language, Notation, and Identity; Dance Criticism; and Dance and Society.
LC Classification Number
GV1594

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CRN: 03800600

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