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The Liberation of Jerusalem (Oxford W... by Tasso, Torquato Paperback / softback

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ISBN
0199535353
EAN
9780199535354
Date of Publication
2009-02-12
Publication Name
N/A
Type
Paperback / softback
Release Title
The Liberation of Jerusalem (Oxford World's Classics)
Artist
Tasso, Torquato
Brand
N/A
Colour
N/A
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0199535353
ISBN-13
9780199535354
eBay Product ID (ePID)
70409551

Product Key Features

Book Title
Liberation of Jerusalem
Number of Pages
496 Pages
Language
English
Topic
Epic, European / General, Middle East / Israel & Palestine, Ancient & Classical, European / Italian
Publication Year
2009
Genre
Literary Criticism, Poetry, History
Author
Torquato Tasso, Max Wickert, Mark Davie
Book Series
Oxford World's Classics Ser.
Format
Trade Paperback

Dimensions

Item Height
1.1 in
Item Weight
12.8 Oz
Item Length
7.8 in
Item Width
5.1 in

Additional Product Features

Intended Audience
Trade
LCCN
2008-039121
Dewey Edition
22
Reviews
"Wickert's is a remarkable achievement... the translation is consistently faithful to almost every detail of the content."--Times Literary Supplement"I highly recommend this spirited and readable verse-stanza translation that brings Tasso's inimitable range into modern English."--Charles Stanley Ross, Purdue University; translator of Boiardo's Orlando Innamorato"Wickert has succeeded in capturing both the intricate rhymes and subtle rhythms of Tasso's Italian ottave in this finely wrought and stately version of the Gerusalemme Liberata. Bravo!"--Christopher Kleinhenz, University of Wisconsin; co-translator of Dante's Il Fiore"Max Wickert's fine translation captures both the dignity and the energy of Tasso's epic, its artfulness and its passion. It's an impressive achievement."--Carl Dennis, Pulitzer Prize for Poetry 2002"I would have guessed from Max Wickert's sonnets that his handling of ottava rima would be strong and fluent. As indeed it is. I can't imagine a translation reading any better: everywhere easy, natural, idiomatic, taking the demanding rhyme scheme with no strain at all. A great 'read'."--- John Frederick Nims, University of Chicago; poet; translator of The Complete Poems of Michelangelo; former editor of Poetry, Wickert's is a remarkable achievement...the translation is consistently faithful to almost every detail of the content., "Wickert's is a remarkable achievement... the translation is consistently faithful to almost every detail of the content."--Times Literary Supplement "I highly recommend this spirited and readable verse-stanza translation that brings Tasso's inimitable range into modern English."--Charles Stanley Ross, Purdue University; translator of Boiardo's Orlando Innamorato "Wickert has succeeded in capturing both the intricate rhymes and subtle rhythms of Tasso's Italian ottave in this finely wrought and stately version of the Gerusalemme Liberata. Bravo!"--Christopher Kleinhenz, University of Wisconsin; co-translator ofDante's Il Fiore "Max Wickert's fine translation captures both the dignity and the energy of Tasso's epic, its artfulness and its passion. It's an impressive achievement."--Carl Dennis, Pulitzer Prize for Poetry 2002 "I would have guessed from Max Wickert's sonnets that his handling of ottava rima would be strong and fluent. As indeed it is. I can't imagine a translation reading any better: everywhere easy, natural, idiomatic, taking the demanding rhyme scheme with no strain at all. A great 'read'."--- John Frederick Nims, University of Chicago; poet; translator ofThe Complete Poems of Michelangelo; former editor ofPoetry, "Wickert's is a remarkable achievement... the translation is consistently faithful to almost every detail of the content."--Times Literary Supplement "I highly recommend this spirited and readable verse-stanza translation that brings Tasso's inimitable range into modern English."--Charles Stanley Ross, Purdue University; translator of Boiardo's Orlando Innamorato "Wickert has succeeded in capturing both the intricate rhymes and subtle rhythms of Tasso's Italian ottave in this finely wrought and stately version of the Gerusalemme Liberata. Bravo!"--Christopher Kleinhenz, University of Wisconsin; co-translator of Dante's Il Fiore "Max Wickert's fine translation captures both the dignity and the energy of Tasso's epic, its artfulness and its passion. It's an impressive achievement."--Carl Dennis, Pulitzer Prize for Poetry 2002 "I would have guessed from Max Wickert's sonnets that his handling of ottava rima would be strong and fluent. As indeed it is. I can't imagine a translation reading any better: everywhere easy, natural, idiomatic, taking the demanding rhyme scheme with no strain at all. A great 'read'."--- John Frederick Nims, University of Chicago; poet; translator of The Complete Poems of Michelangelo; former editor of Poetry, "Wickert's is a remarkable achievement... the translation is consistently faithful to almost every detail of the content."-- Times Literary Supplement "I highly recommend this spirited and readable verse-stanza translation that brings Tasso's inimitable range into modern English."--Charles Stanley Ross, Purdue University; translator of Boiardo's Orlando Innamorato "Wickert has succeeded in capturing both the intricate rhymes and subtle rhythms of Tasso's Italian ottave in this finely wrought and stately version of the Gerusalemme Liberata. Bravo!"--Christopher Kleinhenz, University of Wisconsin; co-translator of Dante's Il Fiore "Max Wickert's fine translation captures both the dignity and the energy of Tasso's epic, its artfulness and its passion. It's an impressive achievement."--Carl Dennis, Pulitzer Prize for Poetry 2002 "I would have guessed from Max Wickert's sonnets that his handling of ottava rima would be strong and fluent. As indeed it is. I can't imagine a translation reading any better: everywhere easy, natural, idiomatic, taking the demanding rhyme scheme with no strain at all. A great 'read'."--- John Frederick Nims, University of Chicago; poet; translator of The Complete Poems of Michelangelo ; former editor of Poetry
TitleLeading
The
Dewey Decimal
851/.4
Synopsis
Tasso's epic poem concerns the capture of Jerusalem by the Crusaders in 1099, and combines the theme of war with romantic and magical tales of love between pagan and Christian. This is the first modern translation that faithfully reflects the sense and verse form of Tasso's hugely infuential masterpiece., 'The bitter tragedy of human life-- horrors of death, attack, retreat, advance, and the great game of Destiny and Chance. ' In The Liberation of Jerusalem (Gerusalemme Liberata, 1581), Torquato Tasso set out to write an epic to rival the Iliad and the Aeneid. Unlike his predecessors, he took his subject not from myth but from history: the Christian capture of Jerusalemduring the First Crusade. The siege of the city is played out alongside a magical romance of love and sacrifice, in which the Christian knight Rinaldo succumbs to the charms of the pagan sorceress Armida, and the warrior maiden Clorinda inspires a fatalpassion in the Christian Tancred.Tasso's masterpiece left its mark on writers from Spenser and Milton to Goethe and Byron, and inspired countless painters and composers. This is the first English translation in modern times that faithfully reflects both the sense and the verse form of the original. Max Wickert's fine rendering is introduced by Mark Davie, who places Tasso's poem in the context of his life and times and points to the qualities that have ensured its lastingimpact on Western culture., In The Liberation of Jerusalem (1581), Torquato Tasso set out to write an epic to rival the Iliad and the Aeneid . Unlike his predecessors, he took his subject not from myth but from history: the Christian capture of Jerusalem during the First Crusade. The siege of the city is played out alongside a magical romance of love and sacrifice, in which the Christian knight Rinaldo succumbs to the charms of the pagan sorceress Armida, and the warrior maiden Clorinda inspires a fatal passion in the Christian Tancred. Tasso's masterpiece left its mark on writers from Spenser and Milton to Goethe and Byron, and inspired countless painters and composers. This is the first English translation in modern times that faithfully reflects both the sense and the verse form of the original. Max Wickert's fine rendering is introduced by Mark Davie, who places Tasso's poem in it troubled historical context and sheds light on its narrative framework and historical accuracy as well as its reception and influence. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more., 'The bitter tragedy of human life-- horrors of death, attack, retreat, advance, and the great game of Destiny and Chance. ' In The Liberation of Jerusalem (Gerusalemme liberata, 1581), Torquato Tasso set out to write an epic to rival the Iliad and the Aeneid. Unlike his predecessors, he took his subject not from myth but from history: the Christian captureof Jerusalem during the First Crusade. The siege of the city is played out alongside a magical romance of love and sacrifice, in which the Christian knight Rinaldo succumbs to the charms of the pagan sorceress Armida, and the warrior maiden Clorindainspires a fatal passion in the Christian Tancred. Tasso's masterpiece left its mark on writers from Spenser and Milton to Goethe and Byron, and inspired countless painters and composers. This is the first English translation in modern times that faithfully reflects both the sense and the verse form of the original. Max Wickert's fine rendering is introduced by Mark Davie, who places Tasso's poem in the context of his life and times and points to the qualities that haveensured its lasting impact on Western culture. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Eachaffordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more., In The Liberation of Jerusalem (1581), Torquato Tasso set out to write an epic to rival the Iliad and the Aeneid. Unlike his predecessors, he took his subject not from myth but from history: the Christian capture of Jerusalem during the First Crusade. The siege of the city is played out alongside a magical romance of love and sacrifice, in which the Christian knight Rinaldo succumbs to the charms of the pagan sorceress Armida, and the warrior maiden Clorinda inspires a fatal passion in the Christian Tancred. Tasso's masterpiece left its mark on writers from Spenser and Milton to Goethe and Byron, and inspired countless painters and composers. This is the first English translation in modern times that faithfully reflects both the sense and the verse form of the original. Max Wickert's fine rendering is introduced by Mark Davie, who places Tasso's poem in it troubled historical context and sheds light on its narrative framework and historical accuracy as well as its reception and influence. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
LC Classification Number
PQ4642.E21W53 2009

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